{"id":14322,"date":"2021-08-02T20:00:34","date_gmt":"2021-08-03T00:00:34","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=14322"},"modified":"2021-08-01T16:37:31","modified_gmt":"2021-08-01T20:37:31","slug":"come-and-see-1985-elem-klimov","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/14322","title":{"rendered":"Come and See (1985, Elem Klimov)"},"content":{"rendered":"<p>Movie opens with &#8220;uncle&#8221; yelling at unseen hole diggers, then a boy with a (comically? horribly? we don&#8217;t know yet) hoarse voice comes out and curses into the camera.  For maybe a decade I&#8217;ve been half-meaning to watch this movie because it&#8217;s supposed to be great, then avoiding it since it&#8217;s a horrors-of-war through eyes-of-a-child story.  Turns out it&#8217;s not the depressing slog I imagined, but has big Emir Kusturica energy, hardly ever stops being amazing even when it starts being completely brutal.  Let&#8217;s keep avoiding <em>Son of Saul<\/em> for the time being, though.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/comesee4.jpg\"><\/p>\n<p>Our boy Fliora finds a gun, so is allowed to leave his family and join the Belorussian soldiers in WWII &#8211; then he&#8217;s ordered to swap his good boots for an older soldier&#8217;s, and gets left behind.  No fighting yet, already a good amount of crying.  He soon teams up with older Glasha and they dodge bombings and forge minefields and swamps, as Fliora and Glasha become ever-more traumatized by their experiences.  We get the post-bombing tinnitus sound &#8211; I didn&#8217;t think they were doing that in the 1980&#8217;s.  The explosions in this movie look unlike normal war-movie explosions &#8211; they look dangerous!  It&#8217;s an angry movie, also bringing to mind <em><a href=\"\/journal\/archives\/9276\">Hard To Be a God<\/a><\/em>, and gets extremely brutal as it goes on.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/comesee2.jpg\"><\/p>\n<p>Bird Content: Fliora stomps on a nest full of eggs (boo), but later a beautiful stork looks in on our heroes (yay).<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/comesee1.jpg\"><\/p>\n<p>Mark Le Fanu <a href=\"https:\/\/www.criterion.com\/current\/posts\/7003-come-and-see-orphans-of-the-storm\">for Criterion<\/a>:<\/p>\n<blockquote><p>The film&#8217;s working title, before it turned into the biblical exhortation <em>Come and See<\/em>, was <em>Kill Hitler<\/em>. Klimov was always careful to explain in interviews that this was not to be taken in its literal meaning but rather as referring to a sort of universal moral imperative: \u201cKill the Hitler that lurks potentially in all of us!\u201d<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/comesee3.jpg\"><\/p>\n<p>Klimov was married to Larisa Shepitko, whose films I&#8217;d very much like to see.  Cinematographer Aleksey Rodionov would later work with Sally Potter.  Lead kid Aleksey Kravchenko kept acting, was recently in <em>The Painted Bird<\/em>.  Filmed in Belarus, which was in the news for arresting dissidents the morning after I watched this.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Movie opens with &#8220;uncle&#8221; yelling at unseen hole diggers, then a boy with a (comically? horribly? we don&#8217;t know yet) hoarse voice comes out and curses into the camera. For maybe a decade I&#8217;ve been half-meaning to watch this movie because it&#8217;s supposed to be great, then avoiding it since it&#8217;s a horrors-of-war through eyes-of-a-child [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[357,2889,13,37,773],"class_list":["post-14322","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1980s","tag-belarus","tag-criterion","tag-war","tag-wwi"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=14322"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14322\/revisions"}],"predecessor-version":[{"id":14357,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14322\/revisions\/14357"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=14322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=14322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=14322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}