{"id":14955,"date":"2022-05-24T21:30:47","date_gmt":"2022-05-25T01:30:47","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=14955"},"modified":"2022-05-22T16:18:25","modified_gmt":"2022-05-22T20:18:25","slug":"mija-2022-isabel-castro","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/14955","title":{"rendered":"Mija (2022, Isabel Castro)"},"content":{"rendered":"<p>Our feelgood closing film was the opposite of <em><a href=\"\/journal\/archives\/14944\">Sirens<\/a><\/em>, which claimed not to be a &#8220;rock doc&#8221; but was one.  Castro set out to make a rock doc, but the subject dropped out, so she followed pop star Cuco&#8217;s jilted manager Doris instead, as Doris discovers a possible new star in Jacks.  None of this was my kind of music, especially when played &#8220;live&#8221; (as in <em>Sirens<\/em>, we only get one concert before the pandemic hit), but the story goes to interesting places.  The inter-generational immigrant experience brought back <em><a href=\"\/journal\/archives\/242\">The Namesake<\/a><\/em>, and Doris&#8217;s dad getting his green card was the fest&#8217;s biggest moment since <a href=\"\/journal\/archives\/14945\">the kidnapping<\/a>, and the <a href=\"\/journal\/archives\/14949\">second<\/a> time we heard mid-film applause.  Opener Andreas Kapsalis plays classic covers on fancy acoustic guitar &#8211; I remember him from previous fests, and had the same reaction: annoyance at the Pink Floyd song, then warming up to his captivating style.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our feelgood closing film was the opposite of Sirens, which claimed not to be a &#8220;rock doc&#8221; but was one. Castro set out to make a rock doc, but the subject dropped out, so she followed pop star Cuco&#8217;s jilted manager Doris instead, as Doris discovers a possible new star in Jacks. None of this [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2643,93,2104,137,534,2245],"class_list":["post-14955","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2020s","tag-documentary","tag-immigration","tag-mexico","tag-pop-music","tag-true-false"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=14955"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14955\/revisions"}],"predecessor-version":[{"id":14977,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14955\/revisions\/14977"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=14955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=14955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=14955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}