{"id":15124,"date":"2022-08-13T22:00:23","date_gmt":"2022-08-14T02:00:23","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=15124"},"modified":"2022-08-12T20:04:51","modified_gmt":"2022-08-13T00:04:51","slug":"june-2022-shorts-part-9-michael-robinson","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/15124","title":{"rendered":"June 2022 Shorts Part 9: Michael Robinson"},"content":{"rendered":"

Circle in the Sand<\/em> (2012)<\/strong><\/p>\n

Two guys trash a campsite, a third guy is blindfolded in a tent, sound of gunfire in the distance. Three women burying and unburying things on the beach. Each scene involves someone reading haltingly from a book. These two groups have been separated by a concrete tunnel reading “off limits” – when they hear the signal, the women walk through. One beach girl is taken away, the others dig up a jambox then destroy it after it plays a plangent indie song, then create pinhole galaxies in pages of a People magazine. One of the women psychically merges with the blindfolded man, and dirty knives begin materializing nearby. The subtitled text from the beginning reappears: “We wanted to destroy knowledge, but from within knowledge.” I don’t get it, but it’s well put together, with excellent sound design (probably helped that I switched to headphones for this one).<\/p>\n

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–
\nThese Hammers Don’t Hurt Us<\/em> (2011)<\/strong><\/p>\n

Extremely jeweled ornamental clothing while a woman speaks of fertility. We go inside a pyramid where a women peers through a secret panel and sees… Michael Jackson’s “Remember the Time” video – bizarre stock footage juxtapositions, combining the midcentury feature film, the music video, the jeweled clothing and the pulsating 3D pyramid graphics. Finally the Robinson strobing effect arrives, and it’s beautifully done, with restful black pauses in between.<\/p>\n

<\/p>\n

<\/p>\n

–
\nMad Ladders<\/em> (2015)<\/strong><\/p>\n

When I first saw his Full House<\/em> short<\/a> I was mostly annoyed, but the more of these I watch, the more I appreciate his cultural recycling and mutations. This one is structured with a voiceover by a woman explaining a dream or vision. Sounds like a MIDI version of Tori Amos’ “Crucify” at one point.<\/p>\n

<\/p>\n

–
\nPolycephaly In D<\/em> (2021)<\/strong><\/p>\n

“There isn’t an anchor in the drift of the world.” Two men, in desert and water settings, speak psychically from a distance about encounters among earthquakes and landslides, each speaker represented by different colored subtitles. Brief montage of famous film shots of characters looking into camera. Music video imagery and a kinda Clash of the Titans<\/em> thing. Unexpected Robin & Marian<\/a><\/em>\/King Kong<\/em> mashup at the end, with some Muppets thrown in. I’d started to write this one off as lesser Robinson, then a robot monkey strobing tsunami titan freakout made my heart beat double-time.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Circle in the Sand (2012) Two guys trash a campsite, a third guy is blindfolded in a tent, sound of gunfire in the distance. Three women burying and unburying things on the beach. Each scene involves someone reading haltingly from a book. These two groups have been separated by a concrete tunnel reading “off limits” […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,588,21],"class_list":["post-15124","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-michael-robinson","tag-shorts"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15124"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15124\/revisions"}],"predecessor-version":[{"id":15152,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15124\/revisions\/15152"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}