{"id":15198,"date":"2022-09-19T21:30:31","date_gmt":"2022-09-20T01:30:31","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=15198"},"modified":"2022-09-18T14:53:36","modified_gmt":"2022-09-18T18:53:36","slug":"locorazo-2016-2017-2022","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/15198","title":{"rendered":"Locorazo 2016\/2017\/2022"},"content":{"rendered":"

It’s the fourth annual*<\/a> Locorazo Festival, formerly known as LNKarno, a reprise of Locarno’s lineup from five or six years ago, viewed alone at home during this year’s in-person festival.<\/p>\n

LNKarno-week viewings linked in green, regular blue links are films I’d seen previously, unlinked are films of interest that I haven’t watched yet.<\/p>\n

Main Competition:<\/strong><\/p>\n

The Dreamed Path<\/font><\/a><\/em> (Angela Schanelec)
\nHermia & Helena<\/font><\/a><\/em> (Mat\u00c3\u00adas Pi\u00f1eiro)
\nGemini<\/font><\/a><\/em> (Aaron Katz)
\nGood Luck<\/font><\/a><\/em> (Ben Russell)
\nMadame Hyde<\/font><\/a><\/em> (Serge Bozon)
\nThe Ornithologist<\/a><\/em> (Jo\u00e3o Pedro Rodrigues)
\nGood Manners<\/a><\/em> (Juliana Rojas & Marco Dutra)
\nDid You Wonder Who Fired the Gun?<\/a><\/em> (Travis Wilkerson)
\nLa Telenovela Errante<\/a><\/em> (Ra\u00fal Ruiz & Val\u00e9ria Sarmiento)
\nBangkok Nites<\/em> (Katsuya Tomita)
\nCorrespond\u00eancias<\/em> (Rita Azevedo Gomes)
\nBy the Time It Gets Dark<\/em> (Anocha Suwichakornpong)
\nScarred Hearts<\/em> (Radu Jude)
\nMister Universo<\/em> (Tizza Covi & Rainer Frimmel)
\n9 Doigts<\/em> (F.J. Ossang)
\nLucky<\/em> (John Carroll Lynch)
\nA Skin So Soft<\/em> (Denis C\u00f4t\u00e9)
\nWinter Brothers<\/em> (Hlynur P\u00e1lmason)<\/p>\n

Filmmakers of the Present<\/strong> (first and second features)<\/p>\n

Withered Green<\/font><\/a><\/em> (Mohammed Hammad)
\nThose Who Are Fine<\/font><\/a><\/em> (Cyril Sch\u00e4ublin)
\nPerson to Person<\/font><\/a><\/em> (Dustin Guy Defa)
\nThe Human Surge<\/a><\/em> (Eduardo Williams)
\nThe Challenge<\/a><\/em> (Yuri Ancarani)
\n3\/4<\/a><\/em> (Ilian Metev)
\nDistant Constellation<\/a><\/em> (Shevaun Mizrahi)
\nDestruction Babies<\/em> (Tetsuya Mariko)
\nEl Futuro Perfecto<\/em> (Nele Wohlatz)
\nThis Time Tomorrow<\/em> (Lina Rodr\u00c3\u00adguez)
\nDark Skull<\/em> (Kiro Russo)
\nLe Fort des Fous<\/em> (Narimane Mari)
\nMilla<\/em> (Valerie Massadian)<\/p>\n

Critics’ Week<\/strong> (documentary section organized by a swiss film journalist group)<\/p>\n

Communion<\/em> (Anna Zamecka)
\nMonk of the Sea<\/em> (Rafal Skalski)
\nThe Family<\/em> (Rok Bi\u00c4\u008dek)
\nLas Cin\u00e9philas<\/em> (Maria Alvarez)<\/p>\n

Piazza Grande<\/strong> (open air screenings, out of competition)<\/p>\n

Endless Poetry<\/a><\/em> (Alejandro Jodorowsky)
\nAtomic Blonde<\/a><\/em> (David Leitch)
\nGood Time<\/a><\/em> (Ben & Joshua Safdie)
\nI Walked with a Zombie<\/a><\/em> (Jacques Tourneur)
\nLet the Corpses Tan<\/a><\/em> (H\u00e9l\u00e8ne Cattet & Bruno Forzani)
\nSicilia!<\/a><\/em> (Jean-Marie Straub & Dani\u00e8le Huillet)
\nThe Big Sick<\/a><\/em> (Michael Showalter)
\nInto the Forest<\/em> (Gilles Marchand)
\nI, Daniel Blake<\/em> (Ken Loach)
\nMoka<\/em> (Fr\u00e9d\u00e9ric Mermoud)
\nThe Tunnel<\/em> (Kim Seong-hun)
\nThe Girl With All The Gifts<\/em> (Colm McCarthy)
\nStefan Zweig: Farewell to Europe<\/em> (Maria Schrader)
\nChien<\/em> (Samuel Benchetrit)
\nTomorrow and Thereafter<\/em> (No\u00e9mie Lvovsky)<\/p>\n

Signs of Life<\/strong> (new forms and innovation)<\/p>\n

Beduino<\/font><\/a><\/em> (J\u00falio Bressane)
\nAll the Cities of the North<\/font><\/a><\/em> (Dane Komljen)
\nRat Film<\/a><\/em> (Theo Anthony)
\nCocote<\/a><\/em> (Nelson Carlo De Los Santos Arias)
\nOuroboros<\/a><\/em> (Basma Alsharif)
\nAscent<\/em> (Fiona Tan)
\nPow Wow<\/em> (Robinson Devor)
\nThe Sun, The Sun Blinded Me<\/em> (Anka & Wilhelm Sasnal)
\nIn Praise of Nothing<\/em> (Boris Mitic)
\nPanoptic<\/em> (Rana Eid)
\nPhantasies\u00e4tze<\/em> (Dane Komljen)
\nSurbiles<\/em> (Giovanni Columbu)
\nThe Dead Nation<\/em> (Radu Jude)<\/p>\n

Fuori Concorso<\/strong> (non-competitive, features by established filmmakers)<\/p>\n

The Reagan Show<\/a><\/em> (Pacho Velez & Sierra Pettengill)
\nA Young Girl In Her Nineties<\/em> (Valeria Bruni-Tedeschi & Yann Coridian)
\nWhere Is Rocky II?<\/em> (Pierre Bismuth)
\nJuly Tales<\/em> (Guillaume Brac)
\nRise & Fall of a Small Film Company<\/em> (Jean-Luc Godard)
\nPrototype<\/em> (Blake Williams)<\/p>\n

Shorts<\/strong>:<\/p>\n

Scaffold<\/font><\/a><\/em> (Kazik Radwanski)
\nPlus Ultra<\/font><\/a><\/em> (Helena Gir\u00f3n & Samuel M. Delgado)
\nCilaos<\/font><\/a><\/em> (Camilo Restrepo)
\nAmong the Black Waves<\/font><\/a><\/em> (Anna Budanova)
\nIndefinite Pitch<\/font><\/a><\/em> (James N. Kienitz Wilkins)
\nThe Hedonists<\/font><\/a><\/em> (Jia Zhang-ke)
\nThe Hunchback<\/font><\/a><\/em> (Ben Rivers & Gabriel Abrantes)
\nWasteland no. 1: Ardent, Verdant<\/a><\/em> (Jodie Mack)
\nA Brief History of Princess X<\/a><\/em> (Gabriel Abrantes)
\nA Train Arrives at the Station<\/a><\/em> (Thom Andersen)
\nEdge of Alchemy<\/em> (Stacey Steers)
\nArri\u00e8re-saison<\/em> (Jean-Claude Rousseau)
\nPer una rosa<\/em> (Marco Bellocchio)
\nSi loin, si proche<\/em> (Jean-Claude Rousseau)
\nRhapsody<\/em> (Constance Meyer)<\/p>\n","protected":false},"excerpt":{"rendered":"

It’s the fourth annual* Locorazo Festival, formerly known as LNKarno, a reprise of Locarno’s lineup from five or six years ago, viewed alone at home during this year’s in-person festival. LNKarno-week viewings linked in green, regular blue links are films I’d seen previously, unlinked are films of interest that I haven’t watched yet. Main Competition: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2284],"class_list":["post-15198","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-lnkarno"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15198"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15198\/revisions"}],"predecessor-version":[{"id":15222,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15198\/revisions\/15222"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}