{"id":15294,"date":"2022-10-13T21:32:55","date_gmt":"2022-10-14T01:32:55","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=15294"},"modified":"2022-10-13T21:32:55","modified_gmt":"2022-10-14T01:32:55","slug":"the-mist-2007-frank-darabont","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/15294","title":{"rendered":"The Mist (2007, Frank Darabont)"},"content":{"rendered":"<p>Maybe unwise to watch <a href=\"\/journal\/archives\/15267\">two<\/a> Stephen King movies in a week, but what&#8217;s wise about SHOCKtober?  This movie is famous for its incredibly bleak ending (survivors are mercy-killed before discovering army is defeating monsters), the main change from the book, which is incredibly bleak in a different way (humanity loses).<\/p>\n<p><em>Man vs. Tentacle:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image21\/mist2.jpg\"><\/p>\n<p>Thomas Jane (lately of Shane Black&#8217;s <em>Predator<\/em>) is a poster artist working on a <em>Dark Tower<\/em> cover, going into town with his son and prickly neighbor Andre Braugher (of a <em>Salem&#8217;s Lot<\/em> remake), becoming trapped in a grocery store by the mist and its monsters.  But the thing with <em>The Mist<\/em> isn&#8217;t the monsters, it&#8217;s everyone in town who hates each other suddenly getting trapped in a confined space and unloading their baggage.  Got a real TV movie feeling despite all the pedigrees.  Darabont&#8217;s still in gee-whiz period-piece mode in a modern setting, and all the theatrical on-the-nose dialogue doesn&#8217;t help.  Performances are still a leg up on <em>Langoliers<\/em> (as are the digital effects, but that&#8217;s a very low bar).<\/p>\n<p><em>Woman vs. Insect:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image21\/mist3.jpg\"><\/p>\n<p>Little Billy followed this up with <em>The Dark Knight<\/em>, then a starring role in Joe Dante&#8217;s <em><a href=\"\/journal\/archives\/8231\">The Hole<\/a><\/em>, not bad.  Laurie Holden (<em><a href=\"\/journal\/archives\/12830\">Pyewacket<\/a><\/em>) is the teacher who takes care of the kid while TJ works on becoming the hero of the story.  Store Manager Robert Treveiler (the Richard Chamberlain <em>Night of the Hunter<\/em> remake) tries pulling rank, townie William Sadler (running the trifecta after <em>Green Mile<\/em> and <em>Shawshank Redemption<\/em>) tries to out-tough-guy TJ.  Hard to keep track of every character as they quickly fall to bugs or suicide or murder, but the beardy hick dude who aggressively follows whatever&#8217;s the worst idea going around is veteran of terrible sci-fi\/westerns Buck Taylor (<em>Cowboys &#038; Aliens<\/em>, <em>Wild Wild West<\/em>, <em>Timestalkers<\/em>).  There&#8217;s only one gun and Toby Jones claims to be a crack shot, so in a rare display of good sense, the group hands it over.  He&#8217;ll eventually use it to kill Marcia Gay Harden, who starts raving about the apocalypse and demanding sacrifices.  It&#8217;s cool that TJ recognizes early on that loud Christians are dangerous, though the movie&#8217;s overall theme seems to be having no faith in humanity.<\/p>\n<p><em>Wasn&#8217;t kidding about the Dark Tower cover:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image21\/mist1.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maybe unwise to watch two Stephen King movies in a week, but what&#8217;s wise about SHOCKtober? This movie is famous for its incredibly bleak ending (survivors are mercy-killed before discovering army is defeating monsters), the main change from the book, which is incredibly bleak in a different way (humanity loses). Man vs. Tentacle: Thomas Jane [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[369,198,296,2358],"class_list":["post-15294","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2000s","tag-apocalypse","tag-book-adaptation","tag-stephen-king"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15294"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15294\/revisions"}],"predecessor-version":[{"id":15314,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15294\/revisions\/15314"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}