{"id":15368,"date":"2022-12-15T20:00:01","date_gmt":"2022-12-16T01:00:01","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=15368"},"modified":"2022-12-14T12:08:18","modified_gmt":"2022-12-14T17:08:18","slug":"tenebre-1982-dario-argento","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/15368","title":{"rendered":"Tenebre (1982, Dario Argento)"},"content":{"rendered":"<p>Optimistic after Argento&#8217;s <em><a href=\"\/journal\/archives\/15337\">Four Flies<\/a><\/em>, I jumped ahead a decade to a film that I supposedly watched back in the 90&#8217;s but don&#8217;t remember at all except for the doberman scene.  Editing and dialogue and acting all bad (I switched a couple times, settled on the English version), but lighting good, and that&#8217;s all you need.<\/p>\n<p><em>Black-gloved killer vs. the lighting:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image21\/tenebre1.jpg\"><\/p>\n<p>Anthony Franciosa plays an American in Italy (in <em><a href=\"\/journal\/archives\/14462\">Across 110th Street<\/a><\/em> he played an Italian in America), a famous author on a book tour, whose acquaintances keep ending up dead.  It&#8217;s a nonsensical murder mystery with at least three black-gloved killers, including the author, who then dies in a freak modern art accident.  Fortunately, John Saxon is here (with a hat on!) to save the movie, the only guy onscreen having any fun.  Saxon eventually gets stabbed, the sole survivor being the author&#8217;s secretary Daria Nicolodi.  Other victims include the detectives, combative audience member Mirella D&#8217;Angelo (<em>Caligula<\/em>), the author&#8217;s ex, and Lara Wendel of <em><a href=\"\/journal\/archives\/939\">Ghosthouse<\/a><\/em> as the girl chased by dobermans.<\/p>\n<p><em>Saxon, with hat:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image21\/tenebre3.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/tenebre2.jpg\"><\/p>\n<p>Some cool camerawork, including a scene where the camera climbs the walls of an apartment building, a precursor to that Massive Attack video.  The cool 1970&#8217;s synth soundtracks have devolved into 1980&#8217;s synth-rock by the <em><a href=\"\/journal\/archives\/3331\">Suspiria<\/a><\/em> gang.  Commentary guys Jones &#038; Newman say it&#8217;s Argento&#8217;s most 80&#8217;s movie, and influenced by <em><a href=\"\/journal\/archives\/9378\">Possession<\/a><\/em>.  They supposedly love the film, and spend half their time making fun of it&#8230; I switched to McDonagh&#8217;s commentary, which was immediately better, but has too much narration.  Didn&#8217;t stick around for an explanation of why Argento has his stand-in author draw attention to the sexism in his own movies.<\/p>\n<p><em>Incredible scene:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image21\/tenebre4.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/tenebre5.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/tenebre6.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/tenebre7.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Optimistic after Argento&#8217;s Four Flies, I jumped ahead a decade to a film that I supposedly watched back in the 90&#8217;s but don&#8217;t remember at all except for the doberman scene. Editing and dialogue and acting all bad (I switched a couple times, settled on the English version), but lighting good, and that&#8217;s all you [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[357,58,825,225,3069,2831],"class_list":["post-15368","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1980s","tag-dario-argento","tag-dog","tag-italy","tag-john-saxon","tag-writing"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15368"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15368\/revisions"}],"predecessor-version":[{"id":15389,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15368\/revisions\/15389"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}