{"id":15446,"date":"2023-01-18T20:00:53","date_gmt":"2023-01-19T01:00:53","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=15446"},"modified":"2023-01-16T16:47:02","modified_gmt":"2023-01-16T21:47:02","slug":"la-notte-1961-michelangelo-antonioni","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/15446","title":{"rendered":"La Notte (1961, Michelangelo Antonioni)"},"content":{"rendered":"<p>Getting to this movie due to its placement in the latest Sight &#038; Sound lists.  Made in between <em><a href=\"\/journal\/archives\/277\">L&#8217;Avventura<\/a><\/em> and <em>L&#8217;Eclisse<\/em>, this time Monica Vitti isn&#8217;t the protagonist but a third-party temptation.  Main couple is Marcello Mastroianni (a few years after <em><a href=\"\/journal\/archives\/14805\">White Nights<\/a><\/em> and <em><a href=\"\/journal\/archives\/8651\">Big Deal<\/a><\/em>) and Jeanne Moreau (the year before <em>Jules &#038; Jim<\/em>).  Ennui at a party, ends with him on top of her in a golf course sand trap, neither still in love with the other.  Won Berlin&#8217;s golden bear vs. Godard, Kurosawa &#8211; and vs. Bernhard Wicki, who acts in this as the couple&#8217;s dying friend.  Richard Brody&#8217;s <a href=\"https:\/\/www.criterion.com\/current\/posts\/2938-la-notte-modern-love\">Criterion article<\/a> is very good.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/notte1.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/notte2.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/notte3.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Getting to this movie due to its placement in the latest Sight &#038; Sound lists. Made in between L&#8217;Avventura and L&#8217;Eclisse, this time Monica Vitti isn&#8217;t the protagonist but a third-party temptation. Main couple is Marcello Mastroianni (a few years after White Nights and Big Deal) and Jeanne Moreau (the year before Jules &#038; Jim). [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[410,225,938,936,140,1160],"class_list":["post-15446","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1960s","tag-italy","tag-jeanne-moreau","tag-marcello-mastroianni","tag-michelangelo-antonioni","tag-monica-vitti"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15446"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15446\/revisions"}],"predecessor-version":[{"id":15491,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15446\/revisions\/15491"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}