{"id":15450,"date":"2022-12-31T21:00:22","date_gmt":"2023-01-01T02:00:22","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=15450"},"modified":"2022-12-31T18:31:12","modified_gmt":"2022-12-31T23:31:12","slug":"2022-favorites-shorts-and-tv","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/15450","title":{"rendered":"2022 Favorites: Shorts and TV"},"content":{"rendered":"<p>Favorite shorts watched this year (chronological):<\/p>\n<p><strong>1. <em><a href=\"\/journal\/archives\/14835\">Rose Gold<\/a><\/em> and <em><a href=\"\/journal\/archives\/14835\">Red Film<\/a><\/em> (Sara Cwynar)<\/strong><br \/>\n<strong>2. <em><a href=\"\/journal\/archives\/14878\">Les Escargots<\/a><\/em> (1965, Rene Laloux)<\/strong><br \/>\n<strong>3. <em><a href=\"\/journal\/archives\/14879\">The Human Voice<\/a><\/em> (2020, Pedro Almod\u00f3var)<\/strong><br \/>\n<strong>4. <em><a href=\"\/journal\/archives\/14894\">By Pain and Rhyme and Arabesques of Foraging<\/a><\/em> (2013, David Gatten)<\/strong><br \/>\n<strong>5. <em><a href=\"\/journal\/archives\/14894\">Labor of Love<\/a><\/em> (2020, Sylvia Schedelbauer)<\/strong><br \/>\n<strong>6. <em><a href=\"\/journal\/archives\/14895\">Voyage d&#8217;une Main<\/a><\/em> (1985, Raoul Ruiz)<\/strong><br \/>\n<strong>7. <em><a href=\"\/journal\/archives\/14895\">On Memory<\/a><\/em> (2021, Don Hertzfeldt)<\/strong><br \/>\n<strong>8. <em><a href=\"\/journal\/archives\/14895\">O Black Hole!<\/a><\/em> (2020, Renee Zhan)<\/strong><br \/>\n<strong>9. <em><a href=\"\/journal\/archives\/14934\">Peter &#038; the Wolf<\/a><\/em> (2006, Suzie Templeton)<\/strong><br \/>\n<strong>10. <a href=\"\/journal\/archives\/14935\"><em>Kiev Frescos<\/em><\/a> and <a href=\"\/journal\/archives\/14935\"><em>Earthearthearth<\/em><\/a><\/strong><br \/>\n<strong>11. True\/False shorts <em><a href=\"\/journal\/archives\/14951\">In Flow of Words<\/em><\/a> and <em><a href=\"\/journal\/archives\/14951\">Last Days of August<\/a><\/em><\/strong><br \/>\n<strong>12. <em><a href=\"\/journal\/archives\/14986\">The Blues Accordin&#8217; to Lightnin&#8217; Hopkins<\/a><\/em> (1970, Les Blank)<\/strong><br \/>\n<strong>13. <em><a href=\"\/journal\/archives\/15065\">A La Mode<\/a><\/em> and <em><a href=\"\/journal\/archives\/15065\">Science Friction<\/a><\/em> (Stan Vanderbeek)<\/strong><br \/>\n<strong>14. <em><a href=\"\/journal\/archives\/15068\">Owl<\/a><\/em> (2019, Kelly Reichardt &#038; Christopher Blauvelt)<\/strong><br \/>\n<strong>15. <em><a href=\"\/journal\/archives\/15086\">Something to Remember<\/a><\/em> (2019, Niki Lindroth Von Bahr)<\/strong><br \/>\n<strong>16. <em><a href=\"\/journal\/archives\/15116\">Saturday<\/a><\/em> and <em><a href=\"\/journal\/archives\/15116\">Strife of Love in a Dream<\/a><\/em> and <em><a href=\"\/journal\/archives\/15116\">Grosse Fatigue<\/a><\/em> (Camille Henrot)<\/strong><br \/>\n<strong>17. <em><a href=\"\/journal\/archives\/15119\">Who Killed Cock Robin?<\/a><\/em> and <em><a href=\"\/journal\/archives\/15119\">The Brave Little Tailor<\/a><\/em> and <em><a href=\"\/journal\/archives\/15119\">The Band Concert<\/a><\/em><\/strong><br \/>\n<strong>18. <em><a href=\"\/journal\/archives\/15121\">Wasteland<\/em> series<\/a> and <em><a href=\"\/journal\/archives\/15121\">Hoarders Without Borders<\/a><\/em> (Jodie Mack)<\/strong><br \/>\n<strong>19. <em><a href=\"\/journal\/archives\/15122\">Ride Like Lightning, Crash Like Thunder<\/a><\/em> (2017, Fern Silva)<\/strong><br \/>\n<strong>20. <em><a href=\"\/journal\/archives\/15123\">Messages 1-5<\/a><\/em> (2021, Pat O&#8217;Neill)<\/strong><br \/>\n<strong>21. <em><a href=\"\/journal\/archives\/15124\">These Hammers Don&#8217;t Hurt Us<\/a><\/em> and <em><a href=\"\/journal\/archives\/15124\">Polycephaly in D<\/a><\/em> (Michael Robinson)<\/strong><br \/>\n<strong>22. <em><a href=\"\/journal\/archives\/15126\">The Newest Olds<\/a><\/em> (2022, Pablo Mazzolo)<\/strong><br \/>\n<strong>23. <em><a href=\"\/journal\/archives\/15197\">Scaffold<\/a><\/em> and <em><a href=\"\/journal\/archives\/15197\">Indefinite Pitch<\/a><\/em><\/strong><br \/>\n<strong>24. <em><a href=\"\/journal\/archives\/15197\">Cilaos<\/a><\/em> and <em><a href=\"\/journal\/archives\/15197\">La Bouche<\/a><\/em> (Camilo Restrepo)<\/strong><br \/>\n<strong>25. <em><a href=\"\/journal\/archives\/15256\">Notebook<\/a><\/em> and <em><a href=\"\/journal\/archives\/15256\">Lights<\/a><\/em> (Marie Menken)<\/strong><\/p>\n<p>&#8211;<br \/>\nFavorite TV watched this year:<\/p>\n<p><strong><em><a href=\"\/journal\/archives\/15257\">The Rehearsal<\/a><\/em><\/strong><br \/>\n<strong><em>How To with John Wilson<\/em> <a href=\"\/journal\/archives\/15257\">season 2<\/a><\/strong><br \/>\n<strong><em>Kids in the Hall<\/em> <a href=\"\/journal\/archives\/15257\">season 6<\/a><\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/15419\">Irma Vep<\/a><\/em><\/strong><br \/>\n<strong><em>Cabinet of Curiosities<\/em><\/strong> <a href=\"\/journal\/archives\/15365\">(1)<\/a> <a href=\"\/journal\/archives\/15369\">(2)<\/a><br \/>\n<strong><em>Travel Man<\/em> <a href=\"\/journal\/archives\/15005\">season 1<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Favorite shorts watched this year (chronological): 1. Rose Gold and Red Film (Sara Cwynar) 2. Les Escargots (1965, Rene Laloux) 3. The Human Voice (2020, Pedro Almod\u00f3var) 4. By Pain and Rhyme and Arabesques of Foraging (2013, David Gatten) 5. Labor of Love (2020, Sylvia Schedelbauer) 6. Voyage d&#8217;une Main (1985, Raoul Ruiz) 7. On [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-15450","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15450"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15450\/revisions"}],"predecessor-version":[{"id":15468,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15450\/revisions\/15468"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}