{"id":156,"date":"2006-11-29T23:48:17","date_gmt":"2006-11-30T03:48:17","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/archives\/156"},"modified":"2012-06-22T02:51:20","modified_gmt":"2012-06-22T06:51:20","slug":"kill-1968-kihachi-okamoto","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/156","title":{"rendered":"KILL! (1968, Kihachi Okamoto)"},"content":{"rendered":"<p>Terrific!  Maybe the best samurai movie I&#8217;ve seen.  I never cared much for samurai movies, though&#8230; still, this was a blast.  Stylish and musical in that late-60&#8217;s manner, with all the zooms and close-ups and depth-of-field tricks that you&#8217;d want.<\/p>\n<p>Tatsuya Nakadai is Genta, &#8220;a former samurai haunted by his past, prefers living anonymously with gangsters&#8221; and Etsushi Takahashi is Hanji, &#8220;previously a farmer, longs to become a noble samurai&#8221;.  Criterion&#8217;s promo blurb continues: &#8220;But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin.  Based on the same source novel as Akira Kurosawa&#8217;s <em>Sanjuro<\/em>, <em>Kill!<\/em> playfully tweaks samurai film convention, borrowing elements from established chanbara classics and seasoning them with a little Italian western.&#8221;<\/p>\n<p>Tatsuya Nakadai starred in <em><a href=\"\/journal\/archives\/7263\">When a Woman Ascends the Stairs<\/a><\/em>, <em>Sanjuro<\/em> (second-billed to Mifune), <em>Harakiri<\/em>, <em>High and Low<\/em> (again second to Mifune), <em>Kwaidan<\/em>, <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/335\">The Face of Another<\/a><\/em>, <em>Sword of Doom<\/em>, <em>Samurai Rebellion<\/em>, <em>Kagemusha<\/em> (title role), <em>Ran<\/em> (the elderly lord) and this year&#8217;s <em>The Inugamis<\/em>.  Wowie.<\/p>\n<p>Lots of samurai movie recommendations in Chris D&#8217;s essay at the Criterion site.  One day when I&#8217;ve completely run out of must-see movies, I must see the whole <em>Zatoichi<\/em> series.  &#8220;What is so rewarding about <em>Kill!<\/em> is Okamoto&#8217;s expert balance of seemingly disparate elements.  He walks a tightrope, skillfully juggling humorous moments, fierce swordplay, and more sober, dramatic sequences, all punctuated by Masaru Sato&#8217;s alternately whimsical and wistful score.&#8221;  Howard Hampton&#8217;s essay is useful too, and saves me from attempting a character description: &#8220;Tatsuya Nakadai as a hobo swordsman, plus a peasant bumpkin turned would-be samurai, a dispossessed retainer, one kidnapped chamberlain and one kidnap-per-chamberlain, a mercenary who needs thirty ryo to buy his wife&#8217;s freedom from a brothel, and even seven squabbling samurai in search of a raison d&#8217;\u00eatre.&#8221;<\/p>\n<p>Guess I strongly prefer these late 60&#8217;s samurai movies to the stuffy, slow, traditional 50&#8217;s ones that everyone so reveres.  This one, darker and more cynical, reminds me more of Seijun Suzuki than Akira Kurosawa.  Fun, nimble little movie, and brilliant looking camerawork throughout.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Terrific! Maybe the best samurai movie I&#8217;ve seen. I never cared much for samurai movies, though&#8230; still, this was a blast. Stylish and musical in that late-60&#8217;s manner, with all the zooms and close-ups and depth-of-field tricks that you&#8217;d want. Tatsuya Nakadai is Genta, &#8220;a former samurai haunted by his past, prefers living anonymously with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[13,36,1545],"class_list":["post-156","post","type-post","status-publish","format-standard","hentry","category-movie","tag-criterion","tag-japan","tag-kihachi-okamoto"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=156"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/156\/revisions"}],"predecessor-version":[{"id":3389,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/156\/revisions\/3389"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}