{"id":15730,"date":"2023-06-22T20:00:02","date_gmt":"2023-06-23T00:00:02","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=15730"},"modified":"2023-06-21T08:26:03","modified_gmt":"2023-06-21T12:26:03","slug":"how-to-blow-up-a-pipeline-2022-daniel-goldhaber","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/15730","title":{"rendered":"How to Blow Up a Pipeline (2022, Daniel Goldhaber)"},"content":{"rendered":"<p>It&#8217;s Wednesday, so I checked the theater site to see what&#8217;s playing this weekend, or more specifically if Kelly Reichardt&#8217;s <em>Showing Up<\/em> is opening here, but nope.  Hey the new Paul Schrader, that&#8217;s something.  <em>Pipeline<\/em>&#8216;s final showtime is this afternoon, after holding on for nearly a month &#8211; I&#8217;m very proud of it and <em>Blackberry<\/em> for their long theatrical lives, even though the only time I&#8217;ve personally been out since True\/False was to see those <a href=\"\/journal\/archives\/15684\">city symphony<\/a> shorts.  Anyway, time to watch <em>Pipeline<\/em> on video like a chump (and later to chump-watch <em>Blackberry<\/em> and the Schrader and, alas, <em>Showing Up<\/em>).<\/p>\n<p>And hey, it&#8217;s good!  Speaking of Reichardt, I expected to be reminded of <em><a href=\"\/journal\/archives\/11513\">Night Moves<\/a><\/em>, but this is more procedural, less psychological, with less murder and guilt, but still some heavy repercussions to the (successful) titular operation.  Really good fakeout about a member of the group who&#8217;s spying for the cops &#8211; true, but she&#8217;s feeding them misinformation so half the group will stay anonymous.<\/p>\n<p>I only knew Sasha Lane &#8211; also feat. Leo&#8217;s son from <em><a href=\"\/journal\/archives\/10829\">The Revenant<\/a><\/em>, the Idaho girl from <em><a href=\"\/journal\/archives\/13955\">The Assistant<\/a><\/em>, a Marvel kid, a <em>White Lotus<\/em> dude, a <em>Woman King<\/em> warrior, a Pixar <a href=\"\/journal\/archives\/10812\">dinosaur<\/a>, Disney&#8217;s Pocahontas, and the bad boyfriend from the beginning of <em><a href=\"\/journal\/archives\/9865\">It Follows<\/a><\/em>.<\/p>\n<p>Based on a manifesto and adapted a la <em>Fast Food Nation<\/em> into a narrative, a level-up from Goldhaber&#8217;s <em><a href=\"\/journal\/archives\/12924\">Cam<\/a><\/em>.   In the excellent <a href=\"https:\/\/filmmakermagazine.com\/116293-interview-daniel-goldhaber-how-to-blow-up-a-pipeline\/\">Filmmaker interview<\/a> he says it was 19 months from conception to premiere, and calls it a heist film:<\/p>\n<blockquote><p>Nobody watches a bank robbery movie from the &#8217;40s and says, \u201cThese people are trying to get people to go rob banks.\u201d They see that movie and say, \u201cThis is a movie that&#8217;s talking about structural inequality and getting me to empathize with characters who feel like they have no other option than to rob a bank.\u201d This movie follows eight young people who feel like they have no option but to blow up a pipeline. I don&#8217;t think of the movie as propagandistic, because there&#8217;s no cause and effect. They don&#8217;t blow up a pipeline and solve climate change. The doing of it is the narrative catharsis in the same way that it is in a heist movie. I want this movie to be given the same dramatic permission that genre is given.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s Wednesday, so I checked the theater site to see what&#8217;s playing this weekend, or more specifically if Kelly Reichardt&#8217;s Showing Up is opening here, but nope. Hey the new Paul Schrader, that&#8217;s something. Pipeline&#8216;s final showtime is this afternoon, after holding on for nearly a month &#8211; I&#8217;m very proud of it and Blackberry [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2643,2519,1738],"class_list":["post-15730","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2020s","tag-daniel-goldhaber","tag-ecology"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15730"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15730\/revisions"}],"predecessor-version":[{"id":15752,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15730\/revisions\/15752"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}