It’s the fifth annual Locorazo Festival, a reprise of Locarno’s lineup from five years ago, viewed alone at home during this year’s in-person festival.<\/p>\n
Locorazo-week viewings linked in green, regular blue links are films I’d seen previously, unlinked are films of interest that I haven’t watched yet.<\/p>\n
Concorso Competition<\/strong><\/p>\n A Land Imagined<\/font><\/a><\/em> (Yeo Siew Hua) Filmmakers of the Present<\/strong> (first and second features)<\/p>\n Fausto<\/font><\/a><\/em> (Andrea Bussmann) Piazza Grande<\/strong> (open air screenings, out of competition)<\/p>\n Coincoin and the Extra-Humans<\/a><\/em> (Bruno Dumont) Signs of Life<\/strong> (new forms and innovation)<\/p>\n The Glorious Acceptance of Nicolas Chauvin<\/font><\/a><\/em> (Benjamin Crotty) Fuori Concorso<\/strong> (non-competitive, features by established filmmakers)<\/p>\n Narcissister Organ Player<\/font><\/a><\/em> (Narcissister) Other Sections and One-Offs<\/strong><\/p>\n An Elephant Sitting Still<\/font><\/a><\/em> (Hu Bo) It’s the fifth annual Locorazo Festival, a reprise of Locarno’s lineup from five years ago, viewed alone at home during this year’s in-person festival. Locorazo-week viewings linked in green, regular blue links are films I’d seen previously, unlinked are films of interest that I haven’t watched yet. Concorso Competition A Land Imagined (Yeo Siew Hua) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2284],"class_list":["post-15860","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-lnkarno"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=15860"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15860\/revisions"}],"predecessor-version":[{"id":15882,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/15860\/revisions\/15882"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=15860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=15860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=15860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nHotel by the River<\/font><\/a><\/em> (Hong Sangsoo)
\nLa Flor<\/a><\/em> (Mariano Llin\u00e1s)
\nA Family Tour<\/em> (Ying Liang)
\nGenesis<\/em> (Philippe Lesage)
\nRay & Liz<\/em> (Richard Billingham)
\nToo Late to Die Young<\/em> (Dominga Sotomayor)
\nAlice T.<\/em> (Radu Muntean)
\nDiane<\/em> (Kent Jones)
\nYara<\/em> (Abbas Fahdel)
\nM<\/em> (Yolande Zauberman)<\/p>\n
\nSophia Antipolis<\/em> (Virgil Vernier)
\nA Family Submerged<\/em> (Mar\u00c3\u00ada Alch\u00e9)
\nDead Horse Nebula<\/em> (Tarik Aktas)
\nAll Good<\/em> (Eva Trobisch)<\/p>\n
\nBlacKkKlansman<\/a><\/em> (Spike Lee)
\nBlaze<\/a><\/em> (Ethan Hawke)
\nBirds of Passage<\/em> (Ciro Guerra & Cristina Gallego)
\nRuben Brandt, Collector<\/em> (Milorad Krsti\u00c4\u2021)
\nSearching<\/em> (Aneesh Chaganty)
\nManila in the Claws of Light<\/em> (Lino Brocka)
\nLiberty<\/em> (Leo McCarey)<\/p>\n
\nHow Fernando Pessoa Saved Portugal<\/font><\/a><\/em> (Eug\u00e8ne Green)
\nA Room with a Coconut View<\/font><\/a><\/em> (Tulapop Saenjaroen)
\nErased, Ascent of the Invisible<\/font><\/a><\/em> (Ghassan Halwani)
\nMan in the Well<\/font><\/a><\/em> (Hu Bo)
\nGulyabani<\/font><\/a><\/em> (G\u00fcrcan Keltek)
\nThe Grand Bizarre<\/a><\/em> (Jodie Mack)
\nVeslem\u00f8y’s Song<\/a><\/em> (Sofia Bohdanowicz)
\nCommunion Los Angeles<\/em> (Peter Bo Rappmund & Adam Levine)
\nSedu\u00e7\u00e3o da Carne<\/em> (J\u00falio Bressane)<\/p>\n
\nAcid Forest<\/font><\/a><\/em> (Rugil\u00c4\u2014 Barzd\u017eiukait\u00c4\u2014)<\/p>\n
\nWords, Planets<\/a><\/em> (Laida Lertxundi)
\nSeymour: an introduction<\/em> (Ethan Hawke)
\nL’Humanite<\/em> (Bruno Dumont)
\nand a full Leo McCarey retrospective<\/p>\n","protected":false},"excerpt":{"rendered":"