{"id":16061,"date":"2023-11-30T20:00:40","date_gmt":"2023-12-01T01:00:40","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=16061"},"modified":"2023-11-29T07:46:45","modified_gmt":"2023-11-29T12:46:45","slug":"killers-of-the-flower-moon-2023-martin-scorsese","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/16061","title":{"rendered":"Killers of the Flower Moon (2023, Martin Scorsese)"},"content":{"rendered":"<p>Prieto: &#8220;I used a LUT that emulated the beginning of color and still photography.&#8221;  You do the best you can in the times you live in, and in <em>Flower Moon<\/em> and <em><a href=\"\/journal\/archives\/7076\">Hugo<\/a><\/em>, Scorsese is idolizing early photography while living in a fallen digital world.  I sat too close to the screen at Movieland, imagining I was watching a Scorsese Film and not an Apple Studios DCP, but ended up noticing the pixel borders, &#8220;watching television in public.&#8221;  The sound was excellent, which is something to remember when I eventually rewatch at a proper distance from a nice TV to see the picture properly while getting the arbitrary surround-squished-into-stereo-speakers audio mix.  You&#8217;re not Chris Nolan with your IMAX fetish, and Apple gave you a hundred million to make your dream project, so you do your best.  But <em><a href=\"\/journal\/archives\/16065\">Kings of the Road<\/a><\/em> on blu-ray looks better, so something has gone wrong.<\/p>\n<p>I watched <a href=\"\/journal\/archives\/16053\">two movies<\/a> this week where someone survives their spouse&#8217;s attempted murder by slow poisoning.  <a href=\"https:\/\/www.theringer.com\/movies\/2023\/10\/24\/23929317\/killers-of-the-flower-moon-review-martin-scorsese\">Adam Nayman<\/a>: &#8220;Scorsese opts for an agonizing realism that does not preclude two terrible possibilities. One, that Ernest truly loves his wife, though not enough to stop hurting her; and two, that Mollie understands what\u2019s happening to her and is too heartbroken to fight back. &#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prieto: &#8220;I used a LUT that emulated the beginning of color and still photography.&#8221; You do the best you can in the times you live in, and in Flower Moon and Hugo, Scorsese is idolizing early photography while living in a fallen digital world. I sat too close to the screen at Movieland, imagining I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2643,1671,636,830,2969,705],"class_list":["post-16061","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2020s","tag-leonardo-dicaprio","tag-martin-scorsese","tag-native-americans","tag-poison","tag-robert-deniro"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=16061"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16061\/revisions"}],"predecessor-version":[{"id":16080,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16061\/revisions\/16080"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=16061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=16061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=16061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}