{"id":16322,"date":"2024-04-06T21:00:46","date_gmt":"2024-04-07T01:00:46","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=16322"},"modified":"2024-04-01T14:18:08","modified_gmt":"2024-04-01T18:18:08","slug":"two-by-michael-andrianaly","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/16322","title":{"rendered":"Two by Michael Andrianaly"},"content":{"rendered":"<p><strong><em>Gwetto<\/em> (2023) and <em>Todisoa and the Black Stones<\/em> (2013)<\/strong><\/p>\n<p>&#8220;Economically disadvantaged,&#8221; they call themselves in <em>Gwetto<\/em> &#8211; true of both movies, though the displaced people of <em>Todisoa<\/em> are also geographically disadvantaged.  They&#8217;re forcibly relocated by white exploiters who run a mine with local labor.  A guy carrying charcoal to the next town inevitably reminds of the much more interesting <em><a href=\"\/journal\/archives\/12562\">Makala<\/a><\/em>.  <em>Gwetto<\/em> is car wash kids who are stressed that the neighbors think they&#8217;re thugs.  Katy calls it impressionistic &#8211; we don&#8217;t get to know these guys individually.  One bit of excitement outside a carnival where you can see people in the background clambering on the outside of the ferris wheels.  Andrianaly won a T\/F career award, but Katy and I are suddenly less interested in catching up with his <em>Nofinofy<\/em>.<\/p>\n<p><em>Gwetto:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image24\/tf24-07.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gwetto (2023) and Todisoa and the Black Stones (2013) &#8220;Economically disadvantaged,&#8221; they call themselves in Gwetto &#8211; true of both movies, though the displaced people of Todisoa are also geographically disadvantaged. They&#8217;re forcibly relocated by white exploiters who run a mine with local labor. A guy carrying charcoal to the next town inevitably reminds of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2643,93,3231,3232,2245],"class_list":["post-16322","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2020s","tag-documentary","tag-madagascar","tag-michael-andrianaly","tag-true-false"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=16322"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16322\/revisions"}],"predecessor-version":[{"id":16352,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16322\/revisions\/16352"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=16322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=16322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=16322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}