{"id":1638,"date":"2009-01-09T20:34:10","date_gmt":"2009-01-10T00:34:10","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=1638"},"modified":"2009-01-21T16:57:51","modified_gmt":"2009-01-21T20:57:51","slug":"gabrielle-2005-patrice-chereau","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/1638","title":{"rendered":"Gabrielle (2005, Patrice Ch\u00e9reau)"},"content":{"rendered":"<p>&#8220;Time doesn&#8217;t matter, I&#8217;ve learned.  It does as it likes.&#8221;<\/p>\n<p>In the same week that I declared I wouldn&#8217;t watch any more French movies and then <a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/1631\">watched one anyway<\/a>, I decided as long as I was transgressing I&#8217;d go ahead and watch another French movie and make it one which I&#8217;d actually like.  And I <em>did<\/em> like it, but I didn&#8217;t exactly see what&#8217;s the big deal about it.  The impetus for watching this now was the two articles on the film and director in this month&#8217;s <em>Film Comment<\/em>, so after watching, I read both of those and didn&#8217;t get a whole lot out of &#8217;em.  Now I&#8217;m thinking I shouldn&#8217;t have futzed about with High Art while I was sick, maybe just watched a zombie movie.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/gabrielle2.jpg\" alt=\"image\"><\/p>\n<p>Gabrielle (Isabelle Huppert of <em>The Piano Teacher<\/em> and <em>Time of the Wolf<\/em>) leaves a note and walks out on her husband of ten loveless years.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/gabrielle3.jpg\" alt=\"image\"><\/p>\n<p>Husband (Pascal Greggory of Time Regained) reads the note, questions the servants, gets upset&#8230; but then she returns a few hours later.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/gabrielle4.jpg\" alt=\"image\"><\/p>\n<p>They argue, sometimes quietly among themselves, sometimes loudly in front of servants and guests.  She&#8217;s upset, but always seems to have the upper hand.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/gabrielle1.jpg\" alt=\"image\"><\/p>\n<p>Finally he cries out for her love, and she says there was never any.  He walks out defeated, to never return.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/gabrielle5.jpg\" alt=\"image\"><\/p>\n<p>Her affair is with her husband&#8217;s editor (an employee, I think), Thierry Hancisse of the last Costa-Gavras film.  Don&#8217;t remember him having any dialogue.  He&#8217;s at the house for two parties at the beginning and end of the movie (I think action spans a week) nervously reacting to their looks and words.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/gabrielle6.jpg\" alt=\"image\"><\/p>\n<p>Gabrielle alternately confides in her servant Yvonne (Claudia Coli) and pretends to confide in her&#8230; acts cruelly superior to her and treats her with empathy.  It&#8217;s an even more interesting balance than the one with her husband.<\/p>\n<p>Based on Joseph Conrad.  Same cinematographer as <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/1476\">A Christmas Tale<\/a><\/em>.  Would&#8217;ve been nice to see this in theaters, all low light and heavy grain, switching between black\/white and color.  The three-review round-up on Indiewire\/Reverse Shot says plenty about the film which I don&#8217;t feel compelled to repeat here.  Nice batch of DVD extras which I might go through sometime.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Time doesn&#8217;t matter, I&#8217;ve learned. It does as it likes.&#8221; In the same week that I declared I wouldn&#8217;t watch any more French movies and then watched one anyway, I decided as long as I was transgressing I&#8217;d go ahead and watch another French movie and make it one which I&#8217;d actually like. And I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[34,790],"class_list":["post-1638","post","type-post","status-publish","format-standard","hentry","category-movie","tag-france","tag-patrice-chereau"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/1638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=1638"}],"version-history":[{"count":7,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/1638\/revisions"}],"predecessor-version":[{"id":1750,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/1638\/revisions\/1750"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=1638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=1638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=1638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}