{"id":16481,"date":"2024-06-04T20:00:36","date_gmt":"2024-06-05T00:00:36","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=16481"},"modified":"2024-06-01T17:44:14","modified_gmt":"2024-06-01T21:44:14","slug":"the-tree-house-2019-truong-minh-quy","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/16481","title":{"rendered":"The Tree House (2019, Truong Minh Quy)"},"content":{"rendered":"<p>Suspicious noise on the soundtrack, sounds exactly like the interference I get when I put my digital audio recorder in the same pocket as my phone.  Second movie <a href=\"\/journal\/archives\/16480\">in a row<\/a> with suspected audio glitches?  A slow art-fest-film that raises more questions than it answers. When there\u2019s an unexplained scene of people sitting in a field eating a white paste wrapped in leaves I just wanted to know why they were wearing plaid shirts with collars instead of something more field suitable.  Anthropological doc camerawork.  I skipped ahead &#8211; I hereby invoke <a href=\"\/journal\/archives\/14741\">the <em>Petrov\u2019s Flu<\/em> Precedent<\/a>.  I like the director&#8217;s narration voice, at least, sounded very sad.  It did end up having a point, maybe, becoming self referential about filmmaking.  Per <a href=\"https:\/\/mubi.com\/en\/notebook\/posts\/locarno-2019-vital-transmissions\">Daniel Kasman<\/a>, &#8220;an evocative but purposefully inconclusive essay on a precarious indigenous existence&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/treehouse1.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/treehouse2.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suspicious noise on the soundtrack, sounds exactly like the interference I get when I put my digital audio recorder in the same pocket as my phone. Second movie in a row with suspected audio glitches? A slow art-fest-film that raises more questions than it answers. When there\u2019s an unexplained scene of people sitting in a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,3268,407],"class_list":["post-16481","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-truong-minh-quy","tag-vietnam"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=16481"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16481\/revisions"}],"predecessor-version":[{"id":16533,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16481\/revisions\/16533"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=16481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=16481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=16481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}