{"id":16740,"date":"2024-09-02T22:00:49","date_gmt":"2024-09-03T02:00:49","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=16740"},"modified":"2024-08-27T10:08:16","modified_gmt":"2024-08-27T14:08:16","slug":"locorazo-2019-2024","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/16740","title":{"rendered":"Locorazo 2019\/2024"},"content":{"rendered":"<p>It\u2019s the sixth annual Locorazo Festival, a reprise of Locarno\u2019s lineup from five years ago, viewed alone at home during this year\u2019s in-person festival.<\/p>\n<p>Locorazo-week viewings linked in green, regular blue links are films I\u2019d seen previously, unlinked are films of interest that I haven\u2019t watched yet.<\/p>\n<p><strong>Concorso Competition<\/strong><\/p>\n<p><em><a href=\"\/journal\/archives\/16698\"><font color=green>South Terminal<\/font><\/a><\/em> (Rabah Ameur-Za\u00efmeche)<br \/>\n<em><a href=\"\/journal\/archives\/16737\"><font color=green>The Science of Fictions<\/font><\/a><\/em> (Yosep Anggi Noen)<br \/>\n<em><a href=\"\/journal\/archives\/14079\">Vitalina Varela<\/a><\/em> (Pedro Costa)<br \/>\n<em><a href=\"\/journal\/archives\/13441\">The Last Black Man in San Francisco<\/a><\/em> (Joe Talbot)<br \/>\n<em>Technoboss<\/em> (Jo\u00e3o Nicolau)<br \/>\n<em>Twelve Thousand<\/em> (Nad\u00e8ge Tr\u00e9bal)<br \/>\n<em>Isadora&#8217;s Children<\/em> (Damien Manivel)<br \/>\n<em>Echo<\/em> (R\u00fanar R\u00fanarsson)<br \/>\n<em>A Voluntary Year<\/em> (Ulrich K\u00f6hler &#038; Henner Winckler)<br \/>\n<em>Maternal<\/em> (Maura Delpero)<br \/>\n<em>Endless Night<\/em> (Eloy Enciso)<br \/>\n<em>A Girl Missing<\/em> (K?ji Fukada)<\/p>\n<p><strong>Filmmakers of the Present<\/strong> (first and second features)<\/p>\n<p><em><a href=\"\/journal\/archives\/16699\"><font color=green>Ham on Rye<\/font><\/a><\/em> (Tyler Taormina)<br \/>\n<em><a href=\"\/journal\/archives\/14123\">Bird Island<\/a><\/em> (Maya Kosa &#038; S\u00e9rgio da Costa)<br \/>\n<em><a href=\"\/journal\/archives\/16481\">The Tree House<\/a><\/em> (Minh Qu\u00fd Tr??ng)<br \/>\n<em><a href=\"\/journal\/archives\/14898\">Oroslan<\/a><\/em> (Matja\u017e Ivani\u0161in)<br \/>\n<em>Nafi&#8217;s Father<\/em> (Mamadou Dia)<br \/>\n<em>Overseas<\/em> (Sung-a Yoon)<br \/>\n<em>Ivana the Terrible<\/em> (Ivana Mladenovi?)<br \/>\n<em>Here for Life<\/em> (Andrea Luka Zimmerman &#038; Adrian Jackson)<\/p>\n<p><strong>Piazza Grande<\/strong> (open air screenings, out of competition)<\/p>\n<p><em><a href=\"\/journal\/archives\/14753\">To the Ends of the Earth<\/a><\/em> (Kiyoshi Kurosawa)<br \/>\n<em><a href=\"\/journal\/archives\/13145\">Once Upon a Time in Hollywood<\/a><\/em> (Quentin Tarantino)<br \/>\n<em>Adoration<\/em> (Fabrice Du Welz)<br \/>\n<em>Vagenda Stories<\/em> (Natascha Beller)<\/p>\n<p><strong>Concorso Shorts<\/strong><\/p>\n<p><em><a href=\"\/journal\/archives\/16738\"><font color=green>Carne<\/font><\/a><\/em> (Camila Kater)<br \/>\n<em><a href=\"\/journal\/archives\/16738\"><font color=green>In Vitro<\/font><\/a><\/em> (Lind &#038; Sansour)<br \/>\n<em><a href=\"\/journal\/archives\/16738\"><font color=green>Volcano: What Does a Lake Dream?<\/font><\/a><\/em> (Diana Vidrascu)<br \/>\n<em><a href=\"\/journal\/archives\/16738\"><font color=green>Our Territory<\/font><\/a><\/em> (Mathieu Volpe)<br \/>\n<em><a href=\"\/journal\/archives\/16738\"><font color=green>White Afro<\/font><\/a><\/em> (Akosua Adoma Owusu)<\/p>\n<p><strong>Fuori Concorso<\/strong> (non-competitive, features by established filmmakers)<\/p>\n<p><em>Giraffe<\/em> (Anna Sofie Hartmann)<br \/>\n<em>Felix in Wonderland<\/em> (Marie Losier)<br \/>\n<em>Wilcox<\/em> (Denis C\u00f4t\u00e9)<\/p>\n<p><strong>Moving Ahead<\/strong> (new forms and innovation)<\/p>\n<p><em><a href=\"\/journal\/archives\/16739\"><font color=green>Krabi, 2562<\/font><\/a><\/em> (Ben Rivers &#038; Anocha Suwichakornpong)<br \/>\n<em><a href=\"\/journal\/archives\/16738\"><font color=green>Swinguerra<\/font><\/a><\/em> (Benjamin de Burca &#038; Barbara Wagner)<br \/>\n<em><a href=\"\/journal\/archives\/14516\">Those That, at a Distance, Resemble Another<\/a><\/em> (Jessica Sarah Rinland)<br \/>\n<em><a href=\"\/journal\/archives\/13547\">The Giverny Document<\/a><\/em> (Ja&#8217;Tovia Gary)<br \/>\n<em><a href=\"\/journal\/archives\/13509\">Distancing<\/a><\/em> (Miko Revereza)<br \/>\n<em><a href=\"\/journal\/archives\/13959\">Lore<\/a><\/em> (Sky Hopinka)<br \/>\n<em>Un film dramatique<\/em> (Eric Baudelaire)<br \/>\n<em>Tourism Studies<\/em> (Joshua Gen Solondz)<br \/>\n<em>Color-Blind<\/em> (Ben Russell)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s the sixth annual Locorazo Festival, a reprise of Locarno\u2019s lineup from five years ago, viewed alone at home during this year\u2019s in-person festival. Locorazo-week viewings linked in green, regular blue links are films I\u2019d seen previously, unlinked are films of interest that I haven\u2019t watched yet. Concorso Competition South Terminal (Rabah Ameur-Za\u00efmeche) The Science [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2284],"class_list":["post-16740","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-lnkarno"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=16740"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16740\/revisions"}],"predecessor-version":[{"id":16761,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/16740\/revisions\/16761"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=16740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=16740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=16740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}