{"id":17118,"date":"2024-12-28T21:00:48","date_gmt":"2024-12-29T02:00:48","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=17118"},"modified":"2024-12-28T15:13:57","modified_gmt":"2024-12-28T20:13:57","slug":"zorn-i-iii-2010-2022-mathieu-amalric","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/17118","title":{"rendered":"Zorn I-III (2010-2022, Mathieu Amalric)"},"content":{"rendered":"<p><strong><em>Zorn I (2010-2016)<\/em><\/strong><\/p>\n<p>Rehearsing bands, mixing albums&#8230; setting up and breaking down equipment, cleaning his sax, unglamorous work.  It documents JZ&#8217;s first time working with Nate Smith at The Stone, which is such a small place.  Amalric is recruited to read some Rimbaud on the <em>Conneries<\/em> album.  No onscreen text but if you cross-reference with Discogs you can figure out when some of the scenes took place.  When I am rich, after buying every Tzadik album I&#8217;d like to find or recreate the black t-shirts Zorn is always wearing with his different ensemble designs.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/zorn101.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Zorn II (2016-2018)<\/em><\/strong><\/p>\n<p>&#8220;It was terrible when John started working with people who could actually read music. It fucked things up for the rest of us&#8221; &#8211; Ribot.  Zorn and Dave Lombardo played a duo set at the Louvre.  They soundtrack Harry Smith films, and during a dance scene Amalric cuts in some Maya Deren.  This episode is more concert-backstage, shows and rehearsals, almost wall-to-wall music, and is therefore great.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/zorn201.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/zorn202.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Zorn III (2018 &#8211; 2022)<\/em><\/strong><\/p>\n<p>Emails between Barbara Hannigan and JZ combines with some Cobra philosophy scenes to make this one about the composer&#8217;s relationship with the musician, really good.  Prepping a difficult vocal piece which will be Hannigan&#8217;s JZ debut in Lisbon with Gosling as her pianist.  Gave me a better appreciation for that first BH\/JZ CD, which I&#8217;d written off as &#8220;not my thing&#8221; a few weeks earlier.  Amalric seems intent on making each of these movies a different type of thing (this one is intensive prep\/process) instead of just &#8220;more adventures in the life of Zorn.&#8221;  Good quotes:<br \/>\n&#8220;You&#8217;ll see me start to die.  That&#8217;ll be your cue.&#8221;<br \/>\n&#8220;You can go relatively satanic on this one.&#8221;<br \/>\n&#8220;I keep forgetting you people have to breathe.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/zorn301.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/zorn302.jpg\"><\/p>\n<p>&#8211;<br \/>\nMust hear soon:<br \/>\nMasada box<br \/>\nMoonchild trio<br \/>\n<em>Psychomagia<\/em><br \/>\nZorn\/Hannigan 1 and 2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zorn I (2010-2016) Rehearsing bands, mixing albums&#8230; setting up and breaking down equipment, cleaning his sax, unglamorous work. It documents JZ&#8217;s first time working with Nate Smith at The Stone, which is such a small place. Amalric is recruited to read some Rimbaud on the Conneries album. No onscreen text but if you cross-reference with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2643,1491,2074,2093,2073,2680],"class_list":["post-17118","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2020s","tag-jazz","tag-john-zorn","tag-mathieu-amalric","tag-rock-doc","tag-trilogy"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=17118"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17118\/revisions"}],"predecessor-version":[{"id":17138,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17118\/revisions\/17138"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=17118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=17118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=17118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}