{"id":17120,"date":"2024-12-26T22:00:05","date_gmt":"2024-12-27T03:00:05","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=17120"},"modified":"2024-12-25T15:20:03","modified_gmt":"2024-12-25T20:20:03","slug":"shorts-watched-december-2024","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/17120","title":{"rendered":"Shorts watched December 2024"},"content":{"rendered":"<p><strong><em>L&#8217;emission a deja commence<\/em> (2023, Bertrand Mandico)<\/strong><\/p>\n<p>Puppet people talk about truth in media and introduce a series of pissing-fruit cartoons.  How do you explain this sort of thing to potential investors?<\/p>\n<p>&#8211;<br \/>\n<strong><em>The Last Cartoon<\/em> (2022, Bertrand Mandico)<\/strong><\/p>\n<p>Kind of partly a cartoon &#8211; some abstract brightly-colored patterns &#8211; but the performance-art people take over, narrating in French and English about conflicting futures of cinema.<\/p>\n<p>&#8211;<br \/>\n<strong><em>Four Unloved Women Adrift&#8230;<\/em> (2023, David Cronenberg)<\/strong><\/p>\n<p>The autopsy mannequins make heated moaning sounds.<br \/>\nMostly close-ups, only showing the full scene at the end.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshorts12.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>The Menacing Eye<\/em> (1960, Jerzy Skolimowski)<\/strong><\/p>\n<p>If my first short had been a stylish silent 2-minute backstage knife-throwing drama, I would also have grown up to become Jerzy Skolimowski.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshorts10.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Little Hamlet<\/em> (1960, Jerzy Skolimowski)<\/strong><\/p>\n<p>A small group hanging around a half-demolished building plays out a silent slapstick story with musical narration which is sort-of a loose version of Hamlet.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort2.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>The Miu Miu Affair<\/em> (2024, Laura Citarella)<\/strong><\/p>\n<p>Meant to be another fashion ad like <a href=\"\/journal\/archives\/13627\">the Luca<\/a> and <a href=\"\/journal\/archives\/7414\">the Lynch<\/a>, but LC makes a <em><a href=\"\/journal\/archives\/16212\">Trenque Lauquen<\/a><\/em> spinoff, a mystery about a missing fashion model that gets increasingly hazy and vague.  it&#8217;s not great exactly, but it&#8217;s great for one of these.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshorts11.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Let Your Heart Be Light<\/em> (2016, Romvari &#038; Campbell)<\/strong><\/p>\n<p>She trims the tree while half-watching <em>Meet Me in St. Louis<\/em> on a laptop and drinking from her Chantal Akerman mug, then switches to a mix of trad-xmas songs before Sophy comes over to hang out.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort1.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>I\u2019m Hungry, I\u2019m Cold<\/em> (1984, Chantal Akerman)<\/strong><\/p>\n<p>The one who looks familiar is Maria de Medeiros (<em><a href=\"\/journal\/archives\/14152\">The Saddest Music in the World<\/a><\/em>), the less hungry one is Pascale Salkin of <em><a href=\"\/journal\/archives\/359\">Gang of Four<\/a><\/em>.  The most charming and fast-paced Akerman movie since <em><a href=\"\/journal\/archives\/13718\">Saute me ville<\/a><\/em>?<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort3.jpg\"><\/p>\n<p>&#8211;<br \/>\nand some auteur music videos&#8230;<\/p>\n<p>PJ Harvey &#8211; <em>I Inside The Old I Dying<\/em> (Cocina &#038; Leon)<\/p>\n<p>The <em><a href=\"\/journal\/archives\/13265\">Wolf House<\/a><\/em> team creates the illusion of a days-long journey within a single room, so cool.  Man gets chomped to death by a beast, man&#8217;s dog grabs one of his bones and buries it, it grows into a tree.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort4.jpg\"><\/p>\n<p>New Order &#8211; <em>Blue Monday<\/em> (Breer &#038; Wegman)<\/p>\n<p>The main things happening here are (1) Breer animation, (2) a dog balancing on furniture, (3) the band members being bothered by floating tennis balls.  These things get integrated in fun ways (e.g. the band members watch a flipbook of Breer&#8217;s drawings of the dog).<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort5.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort6.jpg\"><\/p>\n<p>The Breeders &#8211; <em>Divine Hammer<\/em> (Richard Kern)<\/p>\n<p>The focus is on Kim pulling poses indoors, and the other three have a minor thread going on a tour of strip clubs.  They should&#8217;ve cut out the shots of Kim as the Flying Nun.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort7.jpg\"><\/p>\n<p>The Roches &#8211; <em>Hammond Song<\/em> (Lewis Klahr)<\/p>\n<p>Lewis does his clip-art mashup thing.  Lucky me to find this right after discovering the group &#8211; I&#8217;ve been playing their debut album this week.  He made this forty years after the song came out.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort8.jpg\"><\/p>\n<p>Mystical Weapons &#8211; <em>Colony Collapse Disorder<\/em> (Martha Colburn)<\/p>\n<p>Instrumental guitar rock by Sean Lennon and Greg Saunier, the only song here I didn&#8217;t already know.  More clip-art, the religious and planetary icons giving flashbacks to the <a href=\"\/journal\/archives\/14396\">Harry Smith shorts<\/a>.  Faster cut than Klahr and with added digital glitch edits (or else my copy was defective).<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image24\/decshort9.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;emission a deja commence (2023, Bertrand Mandico) Puppet people talk about truth in media and introduce a series of pissing-fruit cartoons. How do you explain this sort of thing to potential investors? &#8211; The Last Cartoon (2022, Bertrand Mandico) Kind of partly a cartoon &#8211; some abstract brightly-colored patterns &#8211; but the performance-art people take [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1328,96,2509,954,155,135,3120,1289,3199,2068,3039,534,840,524,21],"class_list":["post-17120","post","type-post","status-publish","format-standard","hentry","category-movie","tag-advertising","tag-animation","tag-bertrand-mandico","tag-chantal-akerman","tag-christmas","tag-david-cronenberg","tag-deragh-campbell","tag-jerzy-skolimowski","tag-laura-citarella","tag-lewis-klahr","tag-martha-colburn","tag-pop-music","tag-robert-breer","tag-shakespeare","tag-shorts"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=17120"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17120\/revisions"}],"predecessor-version":[{"id":17136,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17120\/revisions\/17136"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=17120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=17120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=17120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}