True\/False Fest is happening now and we are skipping it for budgetary reasons. We discovered the fest in 2017 and faithfully attended (virtually in 2021) for eight years, with all the t-shirts and posters to prove it. Sure, I complained about the quality of films the last couple years and started making alternative “False\/True” lists of movies that should’ve played the fest, but we’re always happy to be there in packed theaters, applauding movies destined for streaming which will never be seen on the big screen again, with their directors present for intros and Q&As, grabbing beers and pierogis and talking about pictures and stories instead of our regular lives for one long weekend. We’ll try to think of something to replace it this year, but in the meantime here’s a roundup of those years (not counting shorts, since this is already long enough).<\/p>\n
2017:<\/strong><\/p>\n Abacus: Small Enough to Jail<\/a> 2018:<\/strong><\/p>\n Adriana\u2019s Pact 2019:<\/strong><\/p>\n Amazing Grace 2020:<\/strong><\/p>\n Bloody Nose, Empty Pockets<\/font><\/a> 2021:<\/strong><\/p>\n All Light, Everywhere<\/font><\/a> 2022:<\/strong><\/p>\n 2nd Chance<\/a> 2023:<\/strong><\/p>\n Anhell69<\/a> 2024:<\/strong><\/p>\n Agent of Happiness<\/font><\/a> True\/False Fest is happening now and we are skipping it for budgetary reasons. We discovered the fest in 2017 and faithfully attended (virtually in 2021) for eight years, with all the t-shirts and posters to prove it. Sure, I complained about the quality of films the last couple years and started making alternative “False\/True” lists […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2245],"class_list":["post-17363","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-true-false"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=17363"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17363\/revisions"}],"predecessor-version":[{"id":17367,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17363\/revisions\/17367"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=17363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=17363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=17363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBrimstone & Glory<\/a>
\nCasting JonBenet<\/a>
\nCommunion
\nDid You Wonder Who Fired the Gun?<\/font><\/a>
\nDina
\nDistant Constellation<\/font><\/a>
\nDonkeyote<\/font><\/a>
\nGulistan, Land of Roses
\nHyperNormalization<\/a>
\nI Am Not Your Negro<\/a>
\nLindy Lou, Juror Number 2
\nLong Strange Trip
\nLoveTrue<\/font><\/a>
\nManifesto<\/font><\/a>
\nMimi (2003)
\nQuest<\/font><\/a>
\nRat Film<\/font><\/a>
\nStep<\/font><\/a>
\nStill Tomorrow<\/font><\/a>
\nStranger in Paradise<\/font><\/a>
\nStrong Island<\/font><\/a>
\nThe Challenge<\/a>
\nThe Graduation
\nThe Grown-Ups
\nThe Road Movie<\/a>
\nVenus
\nWhose Streets?<\/a>
\n* Austerlitz<\/a>
\n* Dawson City: Frozen Time<\/a>
\n* Escapes<\/a>
\n* Fire at Sea<\/a><\/p>\n
\nAmerica
\nAmerican Animals<\/font><\/a>
\nBisbee ’17<\/font><\/a>
\nBlack Mother<\/a>
\nCaniba<\/a>
\nCombat Obscura
\nCrime + Punishment<\/font><\/a>
\nGabriel and the Mountain
\nGrace Jones: Bloodlight and Bami<\/a>
\nHale County This Morning, This Evening<\/font><\/a>
\nHandsworth Songs (1987)<\/font><\/a>
\nKinshasa Makambo<\/font><\/a>
\nLa Flor de la Vida<\/a>
\nLovers of the Night
\nMakala<\/font><\/a>
\nThe Next Guardian<\/font><\/a>
\nOf Fathers and Sons<\/font><\/a>
\nPrimas<\/font><\/a>
\nShakedown
\nShirkers<\/font><\/a>
\nTaming the Horse<\/a>
\nThe Task<\/font><\/a>
\nTestament (1988)<\/font><\/a>
\nThe Family
\nThe Rider<\/a>
\nThree Identical Strangers<\/a>
\nWon\u2019t You Be My Neighbor?<\/a>
\n* Ex Libris: The New York Public Library<\/a>
\n* Faces Places<\/a>
\n* Infinite Football<\/a>
\n* Narcissister Organ Player<\/a>
\n* A River Below<\/a>
\n* Wormwood<\/a><\/p>\n
\nAmerican Factory<\/a>
\nApollo 11<\/font><\/a>
\nAtman (1997)<\/font><\/a>
\nCaballerango
\nChinese Portrait<\/font><\/a>
\nCold Case Hammarskj\u00f6ld<\/font><\/a>
\nFinding Frances
\nThe Game
\nThe Grand Bizarre<\/font><\/a>
\nThe Hottest August<\/font><\/a>
\nIsland of the Hungry Ghosts<\/a>
\nThe Magic Life of V
\nMidnight Traveler
\nMike Wallace is Here
\nMr. Soul!
\nNow Something Is Slowly Changing<\/a>
\nOne Child Nation<\/a>
\nSegunda Vez<\/font><\/a>
\nTanjuska and the 7 Devils (1993)
\nTreasure Island<\/font><\/a>
\nUntitled Amazing Johnathan Documentary<\/a>
\nUp the Mountain<\/font><\/a>
\n* Aquarela<\/a>
\n* Just Don’t Think I’ll Scream<\/a>
\n* Recorder: The Marion Stokes Project<\/a>
\n* What You Gonna Do When the World’s on Fire?<\/a><\/p>\n
\nBoys State<\/a>
\nCatskin
\nCollective<\/font><\/a>
\nCrestone<\/a>
\nDick Johnson Is Dead<\/font><\/a>
\nDope is Death<\/a>
\nThe Faculties<\/font><\/a>
\nThe Giverny Document<\/a>
\nMalni, towards the ocean, towards the shore<\/font><\/a>
\nThe Metamorphosis of Birds<\/font><\/a>
\nThe Mole Agent<\/font><\/a>
\nRidge
\nSo Late So Soon<\/font><\/a>
\nSome Kind of Heaven<\/font><\/a>
\nStill\/Here (2001)
\nTalking About Trees<\/a>
\nThat Cloud Never Left<\/font><\/a>
\nThose That, at a Distance, Resemble Another<\/a>
\nTime<\/font><\/a>
\nThe Viewing Booth<\/a>
\n* The American Sector<\/a>
\n* Fireball: Visitors from Darker Worlds<\/a>
\n* In Transit (2015)<\/a>
\n* Swimming Out Till the Sea Turns Blue<\/a>
\n* This Is Not a Movie: Robert Fisk and the Politics of Truth<\/a>
\n* The Truffle Hunters<\/a><\/p>\n
\nDelphine’s Prayers<\/font><\/a>
\nFaya Dayi<\/font><\/a>
\nFrom the Wild Sea<\/font><\/a>
\nThe Grocer’s Son, the Mayor, the Village and the World<\/font><\/a>
\nNo Kings<\/font><\/a>
\nRock Bottom Riser<\/font><\/a>
\nSongs that Flood the River<\/font><\/a>
\nSummer of Soul<\/a>
\nThe Two Faces of a Bamileke Woman
\nThis Rain Will Never Stop
\nUsers
\n* Can’t Get You Out of My Head<\/a>
\n* Gunda<\/a>
\n* Her Socialist Smile<\/a>
\n* In the Same Breath<\/a>
\n* A Man and A Camera<\/a>
\n* The Mole: Undercover in North Korea<\/a>
\n* Radiograph of a Family<\/a>
\n* Terra Femme<\/a>
\n* Town Bloody Hall (1979)<\/a><\/p>\n
\nAfter Sherman<\/font><\/a>
\nThe Balcony Movie<\/font><\/a>
\nBrotherhood
\nCanoa: A Shameful Memory (1976)
\nChildren of the Mist<\/font><\/a>
\nDos Estaciones
\nEventually<\/font><\/a>
\nFire of Love<\/font><\/a>
\nI Didn\u2019t See You There
\nIt Runs in the Family<\/font><\/a>
\nLast Days of August<\/font><\/a>
\nMija<\/font><\/a>
\nNo U-Turn<\/font><\/a>
\nOctopus
\nRiotsville, U.S.A.<\/font><\/a>
\nSirens<\/font><\/a>
\nThe Territory<\/font><\/a>
\nWe Met in Virtual Reality
\nWhere Are We Headed?
\n* Burial<\/a>
\n* Il Buco<\/a>
\n* Language of Birds<\/a>
\n* Mutzenbacher<\/a>
\n* Procession<\/a>
\n* Rewind & Play<\/a>
\n* Taming the Garden<\/a>
\n* Topology of Sirens<\/a>
\n* The United States of America<\/a><\/p>\n
\nArt Talent Show<\/a>
\nBad Press
\nBobi Wine
\nCrossing Voices<\/font><\/a>
\nDogwatch
\nFeet in Water, Head on Fire<\/font><\/a>
\nForms of Forgetting<\/font><\/a>
\nGoing to Mars: The Nikki Giovanni Project<\/font><\/a>
\nGoing Varsity in Mariachi<\/font><\/a>
\nHummingbirds
\nLast Things<\/font><\/a>
\nMilisuthando<\/font><\/a>
\nA Moment of Innocence (1996)
\nMoosa Lane<\/font><\/a>
\nOur Body
\nRamona<\/font><\/a>
\nThree Women<\/font><\/a>
\nTime Bomb Y2K
\n* All That Breathes<\/a>
\n* The Fire Within: A Requiem for Katia and Maurice Krafft<\/a>
\n* Reality<\/a>
\n* Subject<\/a>
\n* The Tuba Thieves<\/a><\/p>\n
\nAlien Island<\/font><\/a>
\nAs the Tide Comes In
\nDaughters<\/font><\/a>
\nGirls State<\/font><\/a>
\nGwetto<\/font><\/a>
\nIbelin
\nLook Into My Eyes<\/font><\/a>
\nMagic Mountain<\/font><\/a>
\nThe Other Profile
\nA Photographic Memory<\/font><\/a>
\nSpermworld<\/a>
\nSr<\/font><\/a>
\nThere Was, There Was Not<\/font><\/a>
\nThree Promises<\/font><\/a>
\nUnion<\/a>
\n* Dahomey<\/a>
\n* Flipside<\/a>
\n* Menus Plaisirs – Les Troisgros<\/a>
\n* The Night Visitors<\/a>
\n* Pictures of Ghosts<\/a>
\n* Ren Faire<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"