{"id":17816,"date":"2025-09-02T21:00:15","date_gmt":"2025-09-03T01:00:15","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=17816"},"modified":"2025-09-02T20:08:43","modified_gmt":"2025-09-03T00:08:43","slug":"locorazo-2021-2025","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/17816","title":{"rendered":"Locorazo 2021\/2025"},"content":{"rendered":"<p>It\u2019s the seventh <a href=\"\/journal\/archives\/13722\">annual<\/a> Locorazo Festival, a reprise of Locarno\u2019s lineup from five* years ago, viewed alone at home during this year\u2019s in-person festival.<\/p>\n<p>*Oops, there was a global pandemic in 2020, so we&#8217;re switching things up this time.  Skipping ahead to the 2021 selections, also looking through this year&#8217;s fest and seeing if there are any 2025 programmed directors whose earlier works I&#8217;ve been meaning to watch, or any 2025 Histoire(s)\/Retrospective films I can catch up with.<\/p>\n<p>Locorazo-week viewings linked in green, regular blue links are films I\u2019d otherwise seen, unlinked are items of interest that I haven\u2019t watched yet.<\/p>\n<p><strong>Played Locarno 2021:<\/strong><\/p>\n<p><em><a href=\"\/journal\/archives\/17815\"><font color=green>The Sadness<\/font><\/a><\/em> (Robert Jabbaz)<br \/>\n<em><a href=\"\/journal\/archives\/17777\"><font color=green>Little Solange<\/font><\/a><\/em> (Axelle Ropert)<br \/>\n<em>She Will<\/em> (Charlotte Colbert)<br \/>\n<em><a href=\"\/journal\/archives\/14613\">Mad God<\/a><\/em> (Phil Tippett)<br \/>\n<em><a href=\"\/journal\/archives\/14840\">Taming the Garden<\/a><\/em> (Salom\u00e9 Jashi)<br \/>\n<em>The Case Of The Vanishing Gods<\/em> (Ross Lipman)<br \/>\n<em>From the Planet of the Humans<\/em> (Giovanni Cioni)<br \/>\n<em><a href=\"\/journal\/archives\/14948\">The Balcony Movie<\/a><\/em> (Pawel Lozinski)<br \/>\n<em>Vengeance Is Mine, All Others Pay Cash<\/em> (Edwin)<br \/>\n<em><a href=\"\/journal\/archives\/15095\">After Blue (Dirty Paradise)<\/a><\/em> (Bertrand Mandico)<br \/>\n<em><a href=\"\/journal\/archives\/15576\">A New Old Play<\/a><\/em> (Qiu Jiongjiong)<br \/>\n<em>Medea<\/em> (Aleksandr Zeldovich)<br \/>\n<em><a href=\"\/journal\/archives\/15399\">The Sacred Spirit<\/a><\/em> (Chema Garc\u00eda Ibarra)<br \/>\n<em><a href=\"\/journal\/archives\/14956\">Zeros and Ones<\/a><\/em> (Abel Ferrara)<br \/>\n<em>Luzifer<\/em> (Peter Brunner)<br \/>\n<em>Vortex<\/em> (Gaspar No\u00e9)<br \/>\n<em>Lynx<\/em> (Laurent Geslin)<br \/>\n<em>Brotherhood<\/em> (Francesco Montagner)<br \/>\n<em>Actual People<\/em> (Kit Zauhar)<\/p>\n<p><strong>2025 Filmmakers:<\/strong><\/p>\n<p>Joachim Trier<br \/>\nAlessio Rigo de Righi &#038; Matteo Zoppis (<em><a href=\"\/journal\/archives\/17814\"><font color=green>The Tale of King Crab<\/font><\/a><\/em>)<br \/>\nJafar Panahi<br \/>\nRadu Jude<br \/>\n<a href=\"\/journal\/archives\/14757\">Alexandre Koberidze<\/a><br \/>\n<a href=\"\/journal\/archives\/15193\">Dane Komljen<\/a><br \/>\nBen Rivers<br \/>\nAbbas Fahdel<br \/>\nElsa Kremser &#038; Levin Peter (<em><a href=\"\/journal\/archives\/17778\"><font color=green>Space Dogs<\/font><\/a><\/em>)<br \/>\nKamal Aljafari<br \/>\nSophy Romvari (<em><a href=\"\/journal\/archives\/17813\"><font color=green>Pumpkin Movie<\/font><\/a><\/em> +2)<br \/>\nRadu Muntean<br \/>\n<a href=\"\/journal\/archives\/15658\">Lemohang Mosese<\/a><br \/>\nPark Sye-young (<em><a href=\"\/journal\/archives\/17809\"><font color=green>Fifth Thoracic Vertebra<\/font><\/a><\/em>)<br \/>\nJulian Radlmaier<\/p>\n<p><strong>2025 Retrospectives:<\/strong><\/p>\n<p><em><a href=\"\/journal\/archives\/17810\"><font color=green>Project A<\/font><\/a><\/em> (1983)<br \/>\n<em><a href=\"\/journal\/archives\/17811\"><font color=green>A Diary for Timothy<\/font><\/a><\/em> (1945)<br \/>\n<em><a href=\"\/journal\/archives\/17811\"><font color=green>The Stranger Left No Card<\/font><\/a><\/em> (1952)<br \/>\n<em><a href=\"\/journal\/archives\/17154\">Sense and Sensibility<\/a><\/em> (1995)<br \/>\n<em>Costa Brava, Lebanon<\/em> (2021)<br \/>\n<em>Nebraska<\/em> (2013)<br \/>\n<em>The Descendants<\/em> (2011)<br \/>\n<em><a href=\"\/journal\/archives\/405\">L&#8217;Atalante<\/a><\/em> (1934)<br \/>\n<em>Anno Uno<\/em> (1974)<br \/>\n<em><a href=\"\/journal\/archives\/11488\">A Bay of Blood<\/a><\/em> (1971)<br \/>\n<em><a href=\"\/journal\/archives\/8588\">Silent Light<\/a><\/em> (2007)<br \/>\n<em><a href=\"\/journal\/archives\/58\">The Fallen Idol<\/a><\/em> (1948)<br \/>\n<em>Hell Drivers<\/em> (1957)<br \/>\n<em>Night and the City<\/em> (1950)<br \/>\n<em>Obsession<\/em> (1948)<br \/>\n<em><a href=\"\/journal\/archives\/10863\">Odd Man Out<\/a><\/em> (1947)<br \/>\n<em>The Passionate Friends<\/em> (1949)<br \/>\n<em><a href=\"\/journal\/archives\/513\">Peeping Tom<\/a><\/em> (1960)<br \/>\n<em><a href=\"\/journal\/archives\/17316\">A Portrait of Ga<\/a><\/em> (1952)<br \/>\n<em>The Shining<\/em> (1980)<br \/>\n<em>Time Without Pity<\/em> (1957)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s the seventh annual Locorazo Festival, a reprise of Locarno\u2019s lineup from five* years ago, viewed alone at home during this year\u2019s in-person festival. *Oops, there was a global pandemic in 2020, so we&#8217;re switching things up this time. Skipping ahead to the 2021 selections, also looking through this year&#8217;s fest and seeing if there [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2284],"class_list":["post-17816","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-lnkarno"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=17816"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17816\/revisions"}],"predecessor-version":[{"id":17881,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17816\/revisions\/17881"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=17816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=17816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=17816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}