{"id":17844,"date":"2025-09-08T21:00:39","date_gmt":"2025-09-09T01:00:39","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=17844"},"modified":"2025-09-07T09:22:01","modified_gmt":"2025-09-07T13:22:01","slug":"macunaima-1969-joaquim-pedro-de-andrade","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/17844","title":{"rendered":"Macuna\u00edma (1969, Joaquim Pedro de Andrade)"},"content":{"rendered":"<p>Still on the &#8220;Left and Revolutionary Cinema&#8221; chapter of the Vogel book, same as <em><a href=\"\/journal\/archives\/17843\">Que Hacer<\/a><\/em> (considered a triple-feature with <em>Mandabi<\/em>).  Loosely based on a major 1928 novel (narrated by a parrot), this is colorful and insane from the opening minute (when our hero is born fully-grown).  After &#8220;growing up&#8221; in the jungle, his mother dies and he turns white and moves to Rio with his brothers.  Ill-prepared for the city, Mac gives all his money to a street magician in exchange for a duck that shits money, gets tricked by another guy into smashing his nuts with a brick, scenes shot in public with passers-by grinning at the camera.  He finally gets a sense of purpose, aiming to recover an amulet belonging to his late wife, now in possession of a man-eating giant.  The adventure over, he returns to his crumbling home, alienates his brothers, tells his story to the parrot, then gets eaten by a mermaid.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image25\/macu1.jpeg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image25\/macu7.jpeg\"><\/p>\n<p><a href=\"https:\/\/www.latimes.com\/archives\/la-xpm-2009-jun-17-et-brazilfilm17-story.html\">Reed Johnson<\/a>: &#8220;Brazilian audiences watching the movie could be counted on to catch its risque jokes and allusions to race relations, Brazil&#8217;s traumatic colonial history, the military dictatorship and other taboo topics.&#8221;  <a href=\"https:\/\/www.sensesofcinema.com\/2023\/cteq\/macunaima-joaquim-pedro-de-andrade-1969\/\">Gustavo in Senses<\/a> gives good context on Brazilian cinema and culture.  &#8220;Ci, the forest queen who is the hero\u2019s most important romantic conquest in the book, is cast in the film as an urban guerrilla, a revolutionary woman who also represents the counterculture and cosmopolitan consumerism.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image25\/macu4.jpeg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image25\/macu5.jpeg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image25\/macu6.jpeg\"><\/p>\n<p>Black Mac starred in <em>Rio Zona Norte<\/em>, White Mac in <em>Ilha Das Flores<\/em>, brother Jigue was in <em>Kiss of the Spider Woman<\/em>, brother Maanape in <em>Killed the Family and Went to the Movies<\/em>, and the Giant starred in <em>Entranced Earth<\/em>.  That covers all the Brazilian directors I&#8217;ve heard of (plus <a href=\"\/journal\/archives\/tag\/kleber-mendonca-filho\">Kleber<\/a>).<\/p>\n<p><em>White Mac and his brothers:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image25\/macu3.jpeg\"><\/p>\n<p><em>Black Mac&#8217;s mom is played by White Mac, whose son is played by Black Mac:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image25\/macu2.jpeg\"><\/p>\n<p><em>Paging Werner Herzog:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image25\/macu8.jpeg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Still on the &#8220;Left and Revolutionary Cinema&#8221; chapter of the Vogel book, same as Que Hacer (considered a triple-feature with Mandabi). Loosely based on a major 1928 novel (narrated by a parrot), this is colorful and insane from the opening minute (when our hero is born fully-grown). After &#8220;growing up&#8221; in the jungle, his mother [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[410,828,30,3433,216,2755,926],"class_list":["post-17844","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1960s","tag-brazil","tag-identity","tag-joaquim-pedro-de-andrade","tag-magic","tag-parrots","tag-racism"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=17844"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17844\/revisions"}],"predecessor-version":[{"id":17906,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17844\/revisions\/17906"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=17844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=17844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=17844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}