Subtitle conversation between EARTH and FOLK
\nSoundtrack by The Eternals, aka Damon Locks<\/p>\n
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– Racism and outer space – Volcano and puppets – Part one of The Volcano Manifesto<\/em> (this + Mines<\/em> + Deep West<\/em>). Volcano Manifesto<\/em> is also the title of an actual manifesto, released as a chapbook<\/a> at an art exhibit<\/a>, which was also titled My Caldera<\/em>, and featured the handmade banners people were holding in Deep West<\/em>. Metal soundtrack by Salvadore & Diego Rafael Rivera. “Cameraless print” process, awesome. Per the notes: “The scratchy, chaotic aesthetic is created through Smith’s proprietary process of placing TikTok video stills onto 35mm film then rendering it in 4k as an artifact of the original footage.”<\/p>\n – Geology \/ wild animals – Photographs \/ fire – “to understand the world through extraction” – from Cauleen’s essay “The Association for the Advancement of Cinematic Creative Maladjustment”:<\/p>\n The Maladjusteds liberate image from narrative. Narrative is the oppressor of the Moving-Image … the Moving-Image can and must do more than slave for narrative. The Moving-Image must rise up and reclaim the power it has for so long surrendered to story. Cauleen Smith came to town to open an art exhibit and screen two nights of shorts programs – I made it to one of those. Songs for Earth and Folk (2013) Subtitle conversation between EARTH and FOLK Soundtrack by The Eternals, aka Damon Locks – Sine at the Canyon, Sine at the Sea (2016) Racism […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2643,3436,3107,402,926,21,2359,1382],"class_list":["post-17926","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2020s","tag-cauleen-smith","tag-geology","tag-puppets","tag-racism","tag-shorts","tag-sign-language","tag-volcano"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=17926"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17926\/revisions"}],"predecessor-version":[{"id":17946,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/17926\/revisions\/17946"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=17926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=17926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=17926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSine at the Canyon, Sine at the Sea<\/em> (2016)<\/strong><\/p>\n
\nSeems tragic that letterboxd just lists “Cast: Richard Spencer”
\nLearned: Kelly Gabron<\/a> = Cauleen Smith.<\/p>\n
\nTriangle Trade<\/em> (2017)<\/strong><\/p>\n
\nCollaborators include J\u00e9r\u00f4me Havre, a Toronto sculptor, and Camille Turner<\/a>.
\nMusic by Justin Hicks<\/a>.<\/p>\n
\nMy Caldera<\/em> (2022)<\/strong><\/p>\n![](\"\/journal\/image25\/cauleen4.jpeg\")
<\/p>\n
\nMines to Caves<\/em> (2023)<\/strong><\/p>\n
\nThis one’s also an installation<\/a>.<\/p>\n
\nAll The Money<\/em> (2024)<\/strong><\/p>\n
\nMusic video<\/a> for a Moor Mother song from her insane album The Great Bailout<\/a>.<\/p>\n
\nThe Deep West Assembly<\/em> (2024)<\/strong><\/p>\n
\npopulations irrupt \/ volcanoes erupt
\nCloses with a sign-language interpretation of a Nina Simone song<\/a>.<\/p>\n![](\"\/journal\/image25\/cauleen5.jpeg\")
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\nsee also:
\nLast Things<\/a><\/em> (Deborah Stratman, rocks)
\nRock Bottom Riser<\/a><\/em> (Fern Silva, volcanoes)<\/p>\n
\n…
\nThe Maladjusteds project their love of the Spectator onto the screens. The Maladjusteds resist corporate pressure to fuel the desires of the Spectator. Rather they seek to excavate her needs.
\n…
\nThe Maladjusted Spectator does not expect to be pleased. She expects to be respected … When she watches a Moving-Image, she revels in the freedom of being responsible for her heart and mind, while trusting the filmmaker to expand and enliven both.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"