{"id":18520,"date":"2026-04-03T20:00:58","date_gmt":"2026-04-04T00:00:58","guid":{"rendered":"https:\/\/deeperintomovies.net\/journal\/?p=18520"},"modified":"2026-03-30T21:13:08","modified_gmt":"2026-03-31T01:13:08","slug":"inventory-cinema-scope","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/18520","title":{"rendered":"Inventory: Cinema Scope"},"content":{"rendered":"

The ol’ movie blog is almost twenty years old, and for that entire time I’ve been reading Cinema Scope magazine. I subscribed after seeing Guy Maddin on the cover of issue 16 and stayed through Maddin’s cover of the final issue 97. It was a huge influence on what I chose to watch, and how I thought about film, and now that it’s gone, I won’t know how to tell which new movies to take seriously.<\/p>\n

This past month I’ve caught up with a bunch of films that appeared on their front covers and\/or year-end lists. To cap off those hastily-written entries, here’s an incomplete list of 300ish movies I watched and logged here – for better or worse – after reading about them in C. Scope’s pages. Sorted by the year they covered each movie, not when I watched it, which was often a very long time later.<\/p>\n

–
\n2003-2005<\/p>\n

Morvern Callar<\/a><\/em> (Lynne Ramsay)<\/strong>
\nCowards Bend the Knee<\/a><\/em> (Guy Maddin)<\/strong>
\nWaiting For Happiness<\/a><\/em> (Abderrahmane Sissako)<\/strong>
\nIn My Skin<\/a><\/em> (Marina de Van)<\/strong>
\nTarnation<\/a><\/em> (Jonathan Caouette)<\/strong>
\nMondovino<\/a><\/em> (Jonathan Nossiter)<\/strong>
\nKings and Queen<\/a><\/em> (Arnaud Desplechin)<\/strong>
\nL’Enfant<\/a><\/em> (Dardennes)<\/strong>
\nInstructions for a Light and Sound Machine<\/a><\/em> (Peter Tscherkassky)<\/strong>
\nThe Death of Mr. Lazarescu<\/a><\/em> (Cristi Puiu)<\/strong>
\nThree Times<\/a><\/em> (Hou Hsiao-hsien)<\/strong>
\n8 Women<\/a><\/em> (Francois Ozon)<\/strong>
\nBright Future<\/a><\/em> (Kiyoshi Kurosawa)<\/strong>
\nChildstar<\/a><\/em> (Don McKellar)<\/strong><\/p>\n

<\/p>\n

2006<\/p>\n

Homecoming<\/a><\/em> (Joe Dante)<\/strong>
\nThe Regular Lovers<\/a><\/em> (Philippe Garrel)<\/strong>
\nLa Commune<\/a><\/em> (Peter Watkins)<\/strong>
\nIraq in Fragments<\/a><\/em> (James Longley)<\/strong>
\nOld Joy<\/a><\/em> (Kelly Reichardt)<\/strong>
\nMarie-Antoinette<\/a><\/em> (Sofia Coppola)<\/strong>
\nGabrielle<\/a><\/em> (Patrice Ch\u00e9reau)<\/strong>
\nThe Wind That Shakes the Barley<\/a><\/em> (Ken Loach)<\/strong>
\nClimates<\/a><\/em> (Nuri Bilge Ceylan)<\/strong>
\nColossal Youth<\/a><\/em> (Pedro Costa)<\/strong>
\nSouthland Tales<\/a><\/em> (Richard Kelly)<\/strong>
\nOpera Jawa<\/a><\/em> (Garin Nugroho)<\/strong>
\nTales of the Rat Fink<\/a><\/em> (Ron Mann)<\/strong>
\nOffside<\/a><\/em> (Jafar Panahi)<\/strong>
\nSyndromes and a Century<\/a><\/em> (Apichatpong Weerasethakul)<\/strong><\/p>\n

<\/p>\n

2007<\/p>\n

The Last Winter<\/a><\/em> (Larry Fessenden)<\/strong>
\nDeja Vu<\/a><\/em> (Tony Scott)<\/strong>
\nStill Life<\/a><\/em> (Jia Zhang-Ke)<\/strong>
\nQuei loro incontri<\/a><\/em> (Straub\/Huillet)<\/strong>
\nThe Pervert’s Guide to Cinema<\/a><\/em> (Sophie Fiennes)<\/strong>
\n12:08 East of Bucharest<\/a><\/em> (Corneliu Porumboiu)<\/strong>
\nRehearsals for Retirement<\/a><\/em> (Phil Solomon)<\/strong>
\n4 Months, 3 Weeks and 2 Days<\/a><\/em> (Cristian Mungiu)<\/strong>
\nGo Go Tales<\/a><\/em> (Abel Ferrara)<\/strong>
\nThe Trap: What Happened to Our Dream of Freedom<\/a><\/em> (Adam Curtis)<\/strong>
\n37\/78 Tree Again<\/a><\/em> (Kurt Kren)<\/strong>
\nProfit Motive and the Whispering Wind<\/a><\/em> (John Gianvito)<\/strong>
\nParanoid Park<\/a><\/em> (Gus Van Sant)<\/strong><\/p>\n

<\/p>\n

2008<\/p>\n

The Band’s Visit<\/a><\/em> (Eran Kolirin)<\/strong>
\nIn the City of Sylvia<\/a><\/em> (Jos\u00e9 Luis Guer\u00edn)<\/strong>
\nLa France<\/a><\/em> (Serge Bozon)<\/strong>
\nChop Shop<\/a><\/em> (Ramin Bahrani)<\/strong>
\nVictory Over The Sun<\/a><\/em> (Michael Robinson)<\/strong>
\nRR<\/a><\/em> (James Benning)<\/strong>
\nClass Relations<\/a><\/em> (Straub\/Huillet)<\/strong>
\nSilent Light<\/a><\/em> (Carlos Reygadas)<\/strong>
\nBaghead<\/a><\/em> (Jay & Mark Duplass)<\/strong>
\nMock Up on Mu<\/a><\/em> (Craig Baldwin)<\/strong>
\nThe Headless Woman<\/a><\/em> (Lucrecia Martel)<\/strong>
\nOf Time and the City<\/a><\/em> (Terence Davies)<\/strong>
\nHappy-Go-Lucky<\/a><\/em> (Mike Leigh)<\/strong>
\nPontypool<\/a><\/em> (Bruce McDonald)<\/strong>
\nJCVD<\/a><\/em> (Mabrouk El Mechri)<\/strong>
\nMomma’s Man<\/a><\/em> (Azazel Jacobs)<\/strong><\/p>\n

<\/p>\n

2009<\/p>\n

Hunger<\/a><\/em> (Steve McQueen)<\/strong>
\nRevanche<\/a><\/em> (G\u00f6tz Spielmann)<\/strong>
\nDetour<\/a><\/em> (Edgar G. Ulmer)<\/strong>
\nDouble Take<\/a><\/em> (Johan Grimonprez)<\/strong>
\nIndependencia<\/a><\/em> (Raya Martin)<\/strong>
\nBright Star<\/a><\/em> (Jane Campion)<\/strong>
\nLet Each One Go Where He May<\/a><\/em> (Ben Russell)<\/strong>
\nSweetgrass<\/a><\/em> (Lucien Castaing-Taylor & Ilisa Barbarsh)<\/strong>
\nTrash Humpers<\/a><\/em> (Harmony Korine)<\/strong>
\nTetro<\/a><\/em> (Francis Ford Coppola)<\/strong>
\nEveryone Else<\/a><\/em> (Maren Ade)<\/strong><\/p>\n

<\/p>\n

2010<\/p>\n

Collapse<\/a><\/em> (Chris Smith)<\/strong>
\nFilm Socialism<\/a><\/em> (Jean-Luc Godard)<\/strong>
\nCold Weather<\/a><\/em> (Aaron Katz)<\/strong>
\nUncle Boonmee Who Can Recall His Past Lives<\/a><\/em> (Apichatpong Weerasethakul)<\/strong>
\nOf Gods and Men<\/a><\/em> (Xavier Beauvois)<\/strong>
\nThe Oath<\/a><\/em> (Laura Poitras)<\/strong>
\nOki’s Movie<\/a><\/em> (Hong Sang-soo)<\/strong>
\nI Wish I Knew<\/a><\/em> (Jia Zhang-Ke)<\/strong>
\nThe Ghost Writer<\/a><\/em> (Roman Polanski)<\/strong>
\nAlamar<\/a><\/em> (Pedro Gonz\u00e1lez-Rubio)<\/strong><\/p>\n

<\/p>\n

2011<\/p>\n

In the Shadows<\/a><\/em> (Thomas Arslan)<\/strong>
\nSpring in a Small City<\/a><\/em> (Fei Mu)<\/strong>
\nMysteries of Lisbon<\/a><\/em> (Raoul Ruiz)<\/strong>
\nEssential Killing<\/a><\/em> (Jerzy Skolimowski)<\/strong>
\nThe Four Times<\/a><\/em> (Michelangelo Frammartino)<\/strong>
\nEl Sicario Room 164<\/a><\/em> (Gianfranco Rosi)<\/strong>
\nAttenberg<\/a><\/em> (Athina Rachel Tsangari)<\/strong>
\nOn Tour<\/a><\/em> (Mathieu Amalric)<\/strong>
\nThe White Meadows<\/a><\/em> (Mohammad Rasoulof)<\/strong>
\nI Saw the Devil<\/a><\/em> (Jee-woon Kim)<\/strong>
\nRoad to Nowhere<\/a><\/em> (Monte Hellman)<\/strong>
\nThe Turin Horse<\/a><\/em> (B\u00e9la Tarr)<\/strong>
\nDreileben<\/a><\/em> (Graf & Hochhausler & Petzold)<\/strong>
\nTake Shelter<\/a><\/em> (Jeff Nichols)<\/strong>
\nHouse of Tolerance<\/a><\/em> (Bertrand Bonello)<\/strong>
\nMonsieur Lazhar<\/a><\/em> (Philippe Falardeau)<\/strong>
\nDrive<\/a><\/em> (Nicolas Winding Refn)<\/strong>
\nAttack the Block<\/a><\/em> (Joe Cornish)<\/strong>
\nSymbol<\/a><\/em> (Hitoshi Matsumoto)<\/strong>
\nMartha Marcy May Marlene<\/a><\/em> (Sean Durkin)<\/strong>
\nTarget<\/a><\/em> (Alexander Zeldovich)<\/strong>
\nSleeping Sickness<\/a><\/em> (Ulrich K\u00f6hler)<\/strong><\/p>\n

<\/p>\n

2012<\/p>\n

Secret History of the Dividing Line<\/a><\/em> (David Gatten)<\/strong>
\nKill List<\/a><\/em> (Ben Wheatley)<\/strong>
\nTwo Years at Sea<\/a><\/em> (Ben Rivers)<\/strong>
\nCrank<\/a><\/em> (Neveldine & Taylor)<\/strong>
\nTabu<\/a><\/em> (Miguel Gomes)<\/strong>
\nAlps<\/a><\/em> (Yorgos Lanthimos)<\/strong>
\nNeighbouring Sounds<\/a><\/em> (Kleber Mendonca Filho)<\/strong>
\nCosmopolis<\/a><\/em> (David Cronenberg)<\/strong>
\nHoly Motors<\/a><\/em> (Leos Carax)<\/strong>
\nRoom 237<\/a><\/em> (Rodney Ascher)<\/strong>
\nThe Loneliest Planet<\/a><\/em> (Julia Loktev)<\/strong>
\nMuseum Hours<\/a><\/em> (Jem Cohen)<\/strong>
\nGreatest Hits<\/a><\/em> (Nicolas Pereda)<\/strong>
\nDifferently, Molussia<\/a><\/em> (Nicolas Rey)<\/strong>
\nN:O:T:H:I:N:G<\/em> and T,O,U,C,H,I,N,G<\/em><\/a> (Paul Sharits)<\/strong>
\nThe End of Time<\/a><\/em> (Peter Mettler)<\/strong>
\nViola<\/a><\/em> (Matias Pi\u00f1eiro)<\/strong><\/p>\n

<\/p>\n

2013<\/p>\n

Tectonics<\/a><\/em> (Peter Bo Rappmund)<\/strong>
\nGirl from Nowhere<\/a><\/em> (Jean-Claude Brisseau)<\/strong>
\nThe Act of Killing<\/a><\/em> (Joshua Oppenheimer)<\/strong>
\nStories We Tell<\/a><\/em> (Sarah Polley)<\/strong>
\nVic+Flo Saw a Bear<\/a><\/em> (Denis C\u00f4t\u00e9)<\/strong>
\nChumlum<\/a><\/em> (Ron Rice)<\/strong>
\nComputer Chess<\/a><\/em> (Andrew Bujalski)<\/strong>
\nNorte, the End of History<\/a><\/em> (Lav Diaz)<\/strong>
\nStranger by the Lake<\/a><\/em> (Alain Guiraudie)<\/strong>
\nThe Past<\/a><\/em> (Asghar Farhadi)<\/strong>
\nThe Strange Little Cat<\/a><\/em> (Ramon Zurcher)<\/strong>
\nStray Dogs<\/a><\/em> (Tsai Ming-liang)<\/strong>
\nWhat Now? Remind Me<\/a><\/em> (Joaquim Pinto)<\/strong>
\nGrosse Fatigue<\/a><\/em> (Camille Henrot)<\/strong>
\nThe Strange Color of Your Body’s Tears<\/a><\/em> (Cattet & Forzani)<\/strong>
\nA Spell to Ward Off the Darkness<\/a><\/em> (Ben Rivers & Ben Russell)<\/strong><\/p>\n

<\/p>\n

2014<\/p>\n

Tom at the Farm<\/a><\/em> (Xavier Dolan)<\/strong>
\nWhy Don’t You Play in Hell?<\/a><\/em> (Sion Sono)<\/strong>
\nMouton<\/a><\/em> (Gilles Deroo & Marianne Pistone)<\/strong>
\nNew Fancy Foils<\/a><\/em> (Jodie Mack)<\/strong>
\nHard to be a God<\/a><\/em> (Aleksei German)<\/strong>
\nIda<\/a><\/em> (Pawel Pawlikowski)<\/strong>
\nJauja<\/a><\/em> (Lisandro Alonso)<\/strong>
\nForce Majeure<\/a><\/em> (Ruben \u00d6stlund)<\/strong>
\nThe Wonders<\/a><\/em> (Alice Rohrwacher)<\/strong>
\nLi’l Quinquin<\/a><\/em> (Bruno Dumont)<\/strong>
\nApe<\/a><\/em> (Joel Potrykus)<\/strong>
\nStop the Pounding Heart<\/a><\/em> (Roberto Minervini)<\/strong>
\nListen Up Philip<\/a><\/em> (Alex Ross Perry)<\/strong>
\n20,000 Days on Earth<\/a><\/em> (Iain Forsyth & Jane Pollard)<\/strong>
\nLa Sapienza<\/a><\/em> (Eug\u00e8ne Green)<\/strong>
\nThe Second Game<\/a><\/em> (Corneliu Porumboiu)<\/strong><\/p>\n

<\/p>\n

2015<\/p>\n

A Pigeon Sat on a Branch Reflecting on Existence<\/a><\/em> (Roy Andersson)<\/strong>
\nThe Duke of Burgundy<\/a><\/em> (Peter Strickland)<\/strong>
\nOrpheus (Outtakes)<\/a><\/em> (Mary Helena Clark)<\/strong>
\nClouds of Sils Maria<\/a><\/em> (Olivier Assayas)<\/strong>
\nPhoenix<\/a><\/em> (Christian Petzold)<\/strong>
\nBlackhat<\/a><\/em> (Michael Mann)<\/strong>
\nWild Tales<\/a><\/em> (Dami\u00e1n Szifr\u00f3n)<\/strong>
\nMad Max: Fury Road<\/a><\/em> (George Miller)<\/strong>
\nMia Madre<\/a><\/em> (Nanni Moretti)<\/strong>
\nThe Other Side<\/a><\/em> (Roberto Minervini)<\/strong>
\nArabian Nights<\/a><\/em> (Miguel Gomes)<\/strong>
\nMiami Blues<\/a><\/em> (George Armitage)<\/strong>
\nRitual<\/a><\/em> (Joseph Bernard)<\/strong>
\nCosmos<\/a><\/em> (Andrzej Zulawski)<\/strong>
\nThe Club<\/a><\/em> (Pablo Larrain)<\/strong>
\nRight Now, Wrong Then<\/a><\/em> (Hong Sang-soo)<\/strong>
\n88:88<\/a><\/em> (Isiah Medina)<\/strong>
\nNo Home Movie<\/a><\/em> (Chantal Akerman)<\/strong>
\nVisit, or Memories and Confessions<\/a><\/em> (Manoel de Oliveira)<\/strong><\/p>\n

<\/p>\n

2016<\/p>\n

Office<\/a><\/em> (Johnnie To)<\/strong>
\nThe Visit<\/a><\/em> (M. Night Shyamalan)<\/strong>
\nThe Hitch-Hiker<\/a><\/em> (Ida Lupino)<\/strong>
\nEngram of Returning<\/a><\/em> (Da\u00efchi Sa\u00efto)<\/strong>
\nLove It, Leave It<\/a><\/em> (Tom Palazzolo)<\/strong>
\nChristine<\/a><\/em> (Antonio Campos)<\/strong>
\nKate Plays Christine<\/a><\/em> (Robert Greene)<\/strong>
\nSixty Six<\/a><\/em> (Lewis Klahr)<\/strong>
\nThe Wailing<\/a><\/em> (Na Hong-jin)<\/strong>
\nThe Death of Louis XIV<\/a><\/em> (Albert Serra)<\/strong>
\nBleu Shut<\/a><\/em> (Robert Nelson)<\/strong>
\nThings to Come<\/a><\/em> (Mia Hansen-L\u00f8ve)<\/strong>
\nElle<\/a><\/em> (Paul Verhoeven)<\/strong>
\nThe Challenge<\/a><\/em> (Yuri Ancarani)<\/strong>
\nThe Human Surge<\/a><\/em> (Eduardo Williams)<\/strong>
\nAll the Cities of the North<\/a><\/em> (Dane Komljen)<\/strong>
\nBerlin Horse<\/a><\/em> (Malcolm Le Grice)<\/strong>
\nNew York Portrait<\/em> and Boston Fire<\/em><\/a> (Peter Hutton)<\/strong><\/p>\n

<\/p>\n

2017<\/p>\n

The Ornithologist<\/a><\/em> (Jo\u00e3o Pedro Rodrigues)<\/strong>
\nAs Without So Within<\/a><\/em> (Manuela de Laborde)<\/strong>
\nAusterlitz<\/a><\/em> (Sergei Loznitsa)<\/strong>
\nK\u00e9kszak\u00e1ll\u00fa<\/a><\/em> (Gast\u00f3n Solnicki)<\/strong>
\nThe Lost City of Z<\/a><\/em> (James Gray)<\/strong>
\nResident Evil 4 to 6<\/a><\/em> (Paul W.S. Anderson)<\/strong>
\nColumbus<\/a><\/em> (Kogonada)<\/strong>
\nI Am Not Madame Bovary<\/a><\/em> (Feng Xiaogang)<\/strong>
\nGood Time<\/a><\/em> (Ben & Joshua Safdie)<\/strong>
\nWestern<\/a><\/em> (Valeska Grisebach)<\/strong>
\nLet the Sunshine In<\/a><\/em> (Claire Denis)<\/strong>
\n24 Frames<\/a><\/em> (Abbas Kiarostami)<\/strong>
\nOuroboros<\/a><\/em> (Basma Alsharif)<\/strong>
\nDid You Wonder Who Fired the Gun?<\/a><\/em> (Travis Wilkerson)<\/strong>
\nZama<\/a><\/em> (Lucrecia Martel)<\/strong>
\nStrangely Ordinary This Devotion<\/a><\/em> (Dani & Sheilah ReStack)<\/strong>
\nGood Luck<\/a><\/em> (Ben Russell)<\/strong>
\nEx Libris: The New York Public Library<\/a><\/em> (Frederick Wiseman)<\/strong>
\nFirst Reformed<\/a><\/em> (Paul Schrader)<\/strong><\/p>\n

<\/p>\n

2018<\/p>\n

Foxtrot<\/a><\/em> (Samuel Maoz)<\/strong>
\nDawson City: Frozen Time<\/a><\/em> (Bill Morrison)<\/strong>
\nThe Wandering Soap Opera<\/a><\/em> (Raoul Ruiz & Valeria Sarmiento)<\/strong>
\nCocote<\/a><\/em> (Nelson Carlo De Los Santos Arias)<\/strong>
\n3\/4<\/a><\/em> (Ilian Metev)<\/strong>
\nDillinger Is Dead<\/a><\/em> (Marco Ferreri)<\/strong>
\nBodied<\/a><\/em> (Joseph Kahn)<\/strong>
\nThe Rider<\/a><\/em> (Chlo\u00e9 Zhao)<\/strong>
\nBurning<\/a><\/em> (Lee Chang-dong)<\/strong>
\nClimax<\/a><\/em> (Gaspar No\u00e9)<\/strong>
\nLong Day’s Journey Into Night<\/a><\/em> (Bi Gan)<\/strong>
\nShoplifters<\/a><\/em> (Hirokazu Kore-Eda)<\/strong>
\nIn My Room<\/a><\/em> (Ulrich K\u00f6hler)<\/strong>
\nAsako I & II<\/a><\/em> (Ry\u00fbsuke Hamaguchi)<\/strong>
\nRose Gold<\/a><\/em> (Sara Cwynar)<\/strong>
\nBlaze<\/a><\/em> (Ethan Hawke)<\/strong>
\nNight Pulse<\/a><\/em> (Damon Packard)<\/strong>
\nThe Grand Bizarre<\/a><\/em> (Jodie Mack)<\/strong>
\nLa Flor<\/a><\/em> (Mariano Llin\u00e1s)<\/strong>
\nFausto<\/a><\/em> (Andrea Bussmann)<\/strong>
\nAn Elephant Sitting Still<\/a><\/em> (Hu Bo)<\/strong>
\nHappy as Lazzaro<\/a><\/em> (Alice Rohrwacher)<\/strong><\/p>\n

<\/p>\n

2019<\/p>\n

Belmonte<\/a><\/em> (Federico Veiroj)<\/strong>
\nRojo<\/a><\/em> (Benjam\u00edn Naishtat)<\/strong>
\nA Land Imagined<\/a><\/em> (Siew Hua Yeo)<\/strong>
\nSynonyms<\/a><\/em> (Nadav Lapid)<\/strong>
\nThe Last Black Man in San Francisco<\/a><\/em> (Joe Talbot)<\/strong>
\nJust Don’t Think I’ll Scream<\/a><\/em> (Frank Beauvais)<\/strong>
\nFourteen<\/a><\/em> (Dan Sallitt)<\/strong>
\nThe Plagiarists<\/a><\/em> (Peter Parlow)<\/strong>
\nI Was at Home, But…<\/a><\/em> (Angela Schanelec)<\/strong>
\nMS Slavic 7<\/a><\/em> (Sofia Bohdanowicz)<\/strong>
\nUnfriended 2: Dark Web<\/a><\/em> (Stephen Susco)<\/strong>
\nIndefinite Pitch<\/a><\/em> (James Wilkins)<\/strong>
\nPortrait of Ga<\/a><\/em> (Margaret Tait)<\/strong>
\nIt has to be lived once and dreamed twice<\/a><\/em> (Rainer Kohlberger)<\/strong>
\nDiamantino<\/a><\/em> (Gabriel Abrantes & Daniel Schmidt)<\/strong>
\nAtlantics<\/a><\/em> (Mati Diop)<\/strong>
\nIt Must Be Heaven<\/a><\/em> (Elia Suleiman)<\/strong>
\nThe Traitor<\/a><\/em> (Marco Bellocchio)<\/strong>
\nBird Island<\/a><\/em> (Sergio Da Costa & Maya Kosa)<\/strong>
\nMartin Eden<\/a><\/em> (Pietro Marcello)<\/strong>
\nThose That, at a Distance, Resemble Another<\/a><\/em> (Jessica Sarah Rinland)<\/strong>
\nOroslan<\/a><\/em> (Matjaz Ivanisin)<\/strong>
\nAnne at 13,000 Ft.<\/a><\/em> (Kazik Radwanski)<\/strong><\/p>\n

<\/p>\n

2020<\/p>\n

Little Joe<\/a><\/em> (Jessica Hausner)<\/strong>
\nPortrait of a Lady on Fire<\/a><\/em> (C\u00e9line Sciamma)<\/strong>
\nThe 20th Century<\/a><\/em> (Matthew Rankin)<\/strong>
\nThe Assistant<\/a><\/em> (Kitty Green)<\/strong>
\nDays<\/a><\/em> (Tsai Ming-liang)<\/strong>
\nThe Truffle Hunters<\/a><\/em> (Michael Dweck & Gregory Kershaw)<\/strong>
\nCilaos & La Bouche<\/a><\/em> (Camilo Restrepo)<\/strong>
\nThis Is Not a Burial, It’s a Resurrection<\/a><\/em> (Lemohang Jeremiah Mosese)<\/strong>
\nThe Resurrected<\/a><\/em> (Dan O’Bannon)<\/strong>
\nThe Works and Days (of Tayoko Shiojiri in the Shiotani Basin)<\/a><\/em> (Edstr\u00f6m Anders & CW Winter)<\/strong>
\nDust Devil<\/a><\/em> (Richard Stanley)<\/strong>
\nPossessor<\/a><\/em> (Brandon Cronenberg)<\/strong>
\nNotturno<\/a><\/em> (Gianfranco Rosi)<\/strong><\/p>\n

<\/p>\n

2021<\/p>\n

La Nature<\/a><\/em> (Artavazd Peleshian)<\/strong>
\nRock Bottom Riser<\/a><\/em> (Fern Silva)<\/strong>
\nFaya Dayi<\/a><\/em> (Jessica Beshir)<\/strong>
\nTaming the Garden<\/a><\/em> (Salom\u00e9 Jashi)<\/strong>
\nHappy Valley<\/a><\/em> and E-Ticket<\/a><\/em> (Simon Liu)<\/strong>
\nThe Beta Test<\/a><\/em> (Jim Cummings & PJ McCabe)<\/strong>
\nFabian: Going to the Dogs<\/a><\/em> (Dominik Graf)<\/strong>
\nThe Empty Man<\/a><\/em> (David Prior)<\/strong>
\nWoodlands Dark and Days Bewitched<\/a><\/em> (Kier-La Janisse)<\/strong>
\nWhat Do We See When We Look at the Sky?<\/a><\/em> (Aleksandre Koberidze)<\/strong>
\nSocial Hygiene<\/a><\/em> (Denis C\u00f4t\u00e9)<\/strong>
\nEl Planeta<\/a><\/em> (Amalia Ulman)<\/strong>
\nThe Scary of Sixty-First<\/a><\/em> (Dasha Nekrasova)<\/strong>
\nTitane<\/a><\/em> (Julia Ducournau)<\/strong>
\nFriends and Strangers<\/a><\/em> (James Vaughan)<\/strong><\/p>\n

<\/p>\n

2022<\/p>\n

Celia<\/a><\/em> (Ann Turner)<\/strong>
\nEl Gran Movimiento<\/a><\/em> (Kiro Russo)<\/strong>
\nEarwig<\/a><\/em> (Lucile Hadzihalilovic)<\/strong>
\nThe Sacred Spirit<\/a><\/em> (Chema Garc\u00eda Ibarra)<\/strong>
\nOutside Noise<\/a><\/em> (Ted Fendt)<\/strong>
\nA Man and a Camera<\/a><\/em> (Guido Hendrikx)<\/strong>
\nMutzenbacher<\/a><\/em> (Ruth Beckermann)<\/strong>
\nQueens of the Qing Dynasty<\/a><\/em> (Ashley McKenzie)<\/strong>
\nThe Tale of King Crab<\/a><\/em> (Matteo Zoppis & Alessio Rigo de Righi)<\/strong>
\nA New Old Play<\/a><\/em> (Jiongjiong Qiu)<\/strong>
\nEnys Men<\/a><\/em> (Mark Jenkin)<\/strong>
\nIshtar<\/a><\/em> (Elaine May)<\/strong><\/p>\n

<\/p>\n

2023-2024<\/p>\n

Saint Omer<\/a><\/em> (Alice Diop)<\/strong>
\nTrenque Lauquen<\/a><\/em> (Laura Citarella)<\/strong>
\nRewind & Play<\/a><\/em> (Alain Gomis)<\/strong>
\nBlackBerry<\/a><\/em> (Matt Johnson)<\/strong>
\nFata Morgana<\/a><\/em> (Werner Herzog)<\/strong>
\nHere<\/a><\/em> (Bas Devos)<\/strong>
\nEverything Everywhere Again Alive<\/a><\/em> (Keith Lock)<\/strong>
\nStrange Codes<\/a><\/em> (Arthur Lipsett)<\/strong>
\nFallen Leaves<\/a><\/em> (Aki Kaurism\u00e4ki)<\/strong>
\nAnatomy of a Fall<\/a><\/em> (Justine Triet)<\/strong>
\nDo Not Expect Too Much of the End of the World<\/a><\/em> (Radu Jude)<\/strong>
\nBouquets<\/a><\/em> (Rose Lowder)<\/strong>
\nLast Summer<\/a><\/em> (Catherine Breillat)<\/strong>
\nTourism<\/em> and We Don’t Talk<\/em> (Joshua Gen Solondz)<\/strong>
\nThe Delinquents<\/a><\/em> (Rodrigo Moreno)<\/strong><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The ol’ movie blog is almost twenty years old, and for that entire time I’ve been reading Cinema Scope magazine. I subscribed after seeing Guy Maddin on the cover of issue 16 and stayed through Maddin’s cover of the final issue 97. It was a huge influence on what I chose to watch, and how […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588],"class_list":["post-18520","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/18520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=18520"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/18520\/revisions"}],"predecessor-version":[{"id":18542,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/18520\/revisions\/18542"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=18520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=18520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=18520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}