{"id":2073,"date":"2009-04-12T23:30:17","date_gmt":"2009-04-13T03:30:17","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=2073"},"modified":"2009-04-12T23:30:17","modified_gmt":"2009-04-13T03:30:17","slug":"duplicity-2009-tony-gilroy","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/2073","title":{"rendered":"Duplicity (2009, Tony Gilroy)"},"content":{"rendered":"<p>When Clive Owen is drugged and scammed by Julia Roberts at the start of the movie, you know they&#8217;ll be together a few scenes later.  It doesn&#8217;t look like the kind of romantic comedy that&#8217;s going to artificially keep them apart for eighty minutes followed by a super-romantic get-together at the end, especially after such a confrontational intro to their characters.  But when they end up working together &#8211; sure enough, a few scenes later &#8211; are they going to stay together, or end up tricking each other in a series of unsatisfying twist endings?<\/p>\n<p><abbr title=\"especially given the title of the film\">Surprisingly<\/abbr>, their relationship is real and they stay together through the whole picture, though pretending they hate each other in public.  Plot revolves around their counter-intelligence jobs at Paul Giamatti&#8217;s huge faux-Proctor &#038; Gamble company, trying to steal <abbr title=\"a cure for baldness!\">a big secret formula<\/abbr> from Tom Wilkinson&#8217;s rival company, with Roberts as the inside man.  Giamatti&#8217;s plan is to beat Tom to the patent office and take his product public before he has the chance, and Roberts\/Owen&#8217;s plan is to let Giamatti think he&#8217;s won while they take the formula to Europe and sell it for millions.  The Big Twist: Wilkinson and his company&#8217;s superior counter-intel program knew everything all along and the formula was a fake.<\/p>\n<p>A very fun movie with classy, classic style and charming acting.  Some floaty split-screen montages give the light Soderbergh feeling of <abbr title=\"or less charitably, Ang Lee's Hulk\">an Ocean&#8217;s Eleven sequel<\/abbr>.  Opening title sequence featuring a slow-motion airport-runway throwdown between the two CEO&#8217;s sets the comic tone.  Chronology-juggling gradually, effectively reveals the depth of Roberts and Owen&#8217;s relationship and their scam, seems more purposeful than the chronojuggling he did in <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/464\">Michael Clayton<\/a><\/em>.  Same producers, cinematographer (Robert Elswitt, <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/471\">There Will Be Blood<\/a><\/em>), editor (the director&#8217;s brother) and composer (James Newton Howard) as the previous movie.  I am already looking forward to whatever Gilroy does next.  Critics would disagree, judging from the rotten tomatometer, and Katy thought it was just pretty good.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Clive Owen is drugged and scammed by Julia Roberts at the start of the movie, you know they&#8217;ll be together a few scenes later. It doesn&#8217;t look like the kind of romantic comedy that&#8217;s going to artificially keep them apart for eighty minutes followed by a super-romantic get-together at the end, especially after such [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[655,849],"class_list":["post-2073","post","type-post","status-publish","format-standard","hentry","category-movie","tag-paul-giamatti","tag-tony-gilroy"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=2073"}],"version-history":[{"count":5,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2073\/revisions"}],"predecessor-version":[{"id":2169,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2073\/revisions\/2169"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=2073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=2073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=2073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}