{"id":2236,"date":"2009-05-04T23:28:40","date_gmt":"2009-05-05T03:28:40","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=2236"},"modified":"2009-05-04T23:28:40","modified_gmt":"2009-05-05T03:28:40","slug":"the-fall-2006-tarsem-singh","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/2236","title":{"rendered":"The Fall (2006, Tarsem Singh)"},"content":{"rendered":"

Tarsem’s previous movie The Cell<\/em> had a crappy story and bad acting wrapped around a handful of intensely cool but disconnected imagery. This one has a simple but decent story and good acting, with about half the movie being intensely cool imagery, finely intertwined with the rest of the plot. A quantum leap forward!<\/p>\n

The gimmick of not having a gimmick (no digital effects, etc) was distracting as hell. We were always “what country do you think that is” or “THAT isn’t a real place is it” or “aha, that’s GOT to be a digital effect” or “is the little girl acting or not, she seems so natural.” From online trivia we learn it’s a remake of a 1981 Bulgarian film and the little girl was often improvising.<\/p>\n

Movie itself is a wonder. In Princess Bride’s<\/em> framing story, grandpa Peter Falk is reading a great, classic storybook, so the bulk movie has to be great and classic, and it lives up – but in The Fall<\/strong> we have an unreliable narrator, suicidal, heartbroken, wasted on morphine, making it up as he goes along. In a sense this makes the story more unpredictable, but it’s also a huge cop-out because if the writing is poor you can say “oh it’s supposed to be poor, didn’t you get that?” And it is kinda poor. Our hero the masked bandit with his lost love and archnemesis kinda fizzles, and his side characters Luigi (“explosives expert” who only uses explosives once, suicidally at the very end), The Ex-Slave and The Indian just make poses and look beautiful against the exotic scenery, getting shown up by the problem-solving Charles Darwin and his pet monkey. So it doesn’t sound too good and it’s probably not, but if you’re gonna throw out images this nice, I’ll let your thin plot slide. Carried over from The Cell<\/em> we’ve still got some nightmarish imagery too. When their guide The Mystic is captured, being chopped to death with an axe (barely offscreen), crying and repeating the safe word “googly googly”, small birds flying out of his mouth, that’s a thing that gets stuck terribly in my head while I’m trying to sleep.<\/p>\n

Movie ends with a montage of Keaton and Chaplin stunt scenes, half of which I recognized, in a belated homage to stunt men (our hero is one, ended up in the hospital with the little girl by falling badly off a bridge). Weird. Nobody I’ve heard of in the cast, which makes sense. If you’re shooting a self-financed movie over four years in 20+ countries, you’re not gonna get many recognizable actors to sign up. However, Lee Pace (our storytelling hero) is now starring in Pushing Daisies<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tarsem’s previous movie The Cell had a crappy story and bad acting wrapped around a handful of intensely cool but disconnected imagery. This one has a simple but decent story and good acting, with about half the movie being intensely cool imagery, finely intertwined with the rest of the plot. A quantum leap forward! The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[42,629,408,200,411,371,113,688,225,862,87,864,863,171],"class_list":["post-2236","post","type-post","status-publish","format-standard","hentry","category-movie","tag-africa","tag-argentina","tag-bolivia","tag-china","tag-czechoslovakia","tag-egypt","tag-india","tag-indonesia","tag-italy","tag-nepal","tag-romania","tag-storytelling","tag-tarsem-singh","tag-turkey"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=2236"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2236\/revisions"}],"predecessor-version":[{"id":2292,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2236\/revisions\/2292"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=2236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=2236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=2236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}