{"id":2507,"date":"2009-06-04T20:47:12","date_gmt":"2009-06-05T00:47:12","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=2507"},"modified":"2009-06-04T20:47:12","modified_gmt":"2009-06-05T00:47:12","slug":"pillow-talk-1959-michael-gordon","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/2507","title":{"rendered":"Pillow Talk (1959, Michael Gordon)"},"content":{"rendered":"<p>From the director of&#8230; I&#8217;m not sure.  The writers won an oscar for this, beating their own screenplay for <em>Operation Petticoat<\/em> as well as beloved classics <em>North By Northwest<\/em> (admittedly the writing isn&#8217;t the best thing about <em>NxNW<\/em>) and <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/416\">The 400 Blows<\/a><\/em> and <em>Wild Strawberries<\/em> (disadvantage: foreign).<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/pillowtalk3.jpg\" alt=\"image\"><\/p>\n<p>Kinda surprising, because it&#8217;s just your standard gimmicky romantic comedy.  I mean, we liked it and all, I&#8217;m just saying I wouldn&#8217;t have thought &#8220;best writing of the year.&#8221;  Doris Day (in between her Hitchcock film and her Tashlin films) and Rock Hudson (a few years after <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/497\">Written on the Wind<\/a><\/em> and <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/1798\">Magnificent Obsession<\/a><\/em>) share a phone line (because the phone company doesn&#8217;t have enough!) and hate each other.  The problem is that she occasionally needs the phone for business, but he&#8217;s always chatting up some woman &#8211; always a different woman.  Day, a serious businessperson with no need for a man in her life, resents him and makes rules and starts fights.<\/p>\n<p><em>Katy said Doris Day isn&#8217;t pretty.  Insanity!<\/em><br \/>\n<img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/pillowtalk5.jpg\" alt=\"image\"><\/p>\n<p>So Rock disguises his voice when he meets her in person and romances her as hard as he can as a practical joke, leading to lots of fun visual innuendo&#8230;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/pillowtalk6.jpg\" alt=\"image\"><\/p>\n<p>And more, even saucier innuendo!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/pillowtalk1.jpg\" alt=\"image\"><\/p>\n<p>She learns what he&#8217;s up to and takes revenge as only a professional interior decorator can &#8211; by redecorating his apartment.  Ho!  But of course they fall truly in love at the end.<\/p>\n<p>I&#8217;d assumed Thelma Ritter would be my favorite actor in this movie, but that turned out to be Tony Randall.  Maybe after <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/100\">Pickup On South Street<\/a><\/em> I hold her to unrealistically high expectations&#8230; all she does here is drink and then act hungover, albeit hilariously.  That was still enough to get her a fifth oscar nomination.<br \/>\n<img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/pillowtalk7.jpg\" alt=\"image\"><\/p>\n<p>Tony &#8220;<a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/525\">Rock Hunter<\/a>&#8221; Randall is a rich guy who&#8217;s always after Doris.  He thinks he might end up with her there at the end, but he&#8217;s just her fallback guy while she works out her feelings for Rock.  Poor Tony.<br \/>\n<img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image09\/pillowtalk4.jpg\" alt=\"image\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From the director of&#8230; I&#8217;m not sure. The writers won an oscar for this, beating their own screenplay for Operation Petticoat as well as beloved classics North By Northwest (admittedly the writing isn&#8217;t the best thing about NxNW) and The 400 Blows and Wild Strawberries (disadvantage: foreign). Kinda surprising, because it&#8217;s just your standard gimmicky [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[342,895,896],"class_list":["post-2507","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1950s","tag-doris-day","tag-tony-randall"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=2507"}],"version-history":[{"count":8,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2507\/revisions"}],"predecessor-version":[{"id":2614,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/2507\/revisions\/2614"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=2507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=2507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=2507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}