{"id":298,"date":"2007-06-14T11:54:08","date_gmt":"2007-06-14T15:54:08","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/archives\/298"},"modified":"2010-11-26T14:11:39","modified_gmt":"2010-11-26T19:11:39","slug":"martin-arnold-shorts-1989-1998","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/298","title":{"rendered":"Martin Arnold shorts (1989-1998)"},"content":{"rendered":"<p>All seen on a wonderful DVD called The Cineseizure.<\/p>\n<p><strong>Pi\u00e8ce touch\u00e9e (1989)<\/strong> &#8211; girl is reading, guy walks in the door, they kiss, he crosses behind her, she gets up.  But for 15 minutes, painstakingly and obsessively re-enacted, rewound, stalled and repeated.  Arnold mirrors the shot about halfway in, and flips it upside-down towards the end.  An intriguing start.  The main fault with this one is the annoying machine-loop audio.<\/p>\n<p><strong>Passage \u00c3\u00a0 l&#8217;acte (1993)<\/strong> &#8211; looks like a dinner scene from <em>To Kill a Mockingbird<\/em>.  Boy comes running in, tells girl to hurry up, &#8220;I&#8217;m trying to&#8221;, &#8220;come on&#8221;, they run out but she stops to kiss her dad first.  But all one frame at a time, with the obsessive back-forth repetition.  The sound from the movie is here, so this is much less annoying than <em>Piece Touchee<\/em>&#8230; a large step towards the Andy Hardy movie, which, even had I not been told before I saw it, would recognize as the masterpiece of this bunch.<\/p>\n<p>Extras: <em>Psycho<\/em> trailer (just a shower head, no text, clever), <em>Jesus Walking On Screen<\/em> trailer (&#8220;master, give me sight&#8221;), another trailer (in a train station), and a relatively serene montage of old clips called <em>Der Osterreichfilm<\/em>.<\/p>\n<p>Also rewatched <strong>Alone. Life Wastes Andy Hardy (1998)<\/strong> a couple times.  I had <a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/91\">very little to say about it<\/a> back in September &#8217;06.<\/p>\n<p>I&#8217;ll bet the actors in these films would be horrified by what Martin Arnold does to them, calling attention to every single tiny expression and movement and gesture.  Sure is fun\/interesting to watch though.  IMDB says he did one in 2002 called <em>Deanimated<\/em> and it sounds like he&#8217;s working with some new techniques.<\/p>\n<p>Arnold: &#8220;The cinema of Hollywood is a cinema of exclusion, reduction and denial, a cinema of repression. There is always something behind that which is being represented, which was not represented. And it is exactly that that is most interesting to consider.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>All seen on a wonderful DVD called The Cineseizure. Pi\u00e8ce touch\u00e9e (1989) &#8211; girl is reading, guy walks in the door, they kiss, he crosses behind her, she gets up. But for 15 minutes, painstakingly and obsessively re-enacted, rewound, stalled and repeated. Arnold mirrors the shot about halfway in, and flips it upside-down towards the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[451,74,289,21],"class_list":["post-298","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1990s","tag-avant-garde","tag-martin-arnold","tag-shorts"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/298\/revisions"}],"predecessor-version":[{"id":5427,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/298\/revisions\/5427"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}