{"id":331,"date":"2007-07-19T11:30:13","date_gmt":"2007-07-19T15:30:13","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/archives\/331"},"modified":"2011-09-24T20:23:21","modified_gmt":"2011-09-25T00:23:21","slug":"tilai-1990-idrissa-ouedraogo","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/331","title":{"rendered":"Tilai (1990, Idrissa Ouedraogo)"},"content":{"rendered":"<p>&#8220;The Law&#8221;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/images\/tilai1.jpg\" alt=\"image\"><\/p>\n<p>Ouedraogo, from Burkina Faso, was a student of Gaston Kabore, director of last week&#8217;s <em><a href=\"\/journal\/archives\/324\">Wend Kuuni<\/a><\/em>, and also worked with Ousmane Sembene.<\/p>\n<p>Saga (actor also in <em><a href=\"\/journal\/archives\/45\">Moolaade<\/a><\/em>, <em>Yaaba<\/em>, <em>Night of Truth<\/em>) has been away for a couple years, and returns to find that the woman he was promised as a wife is now married to his father.  She and Saga are in love and resume their affair, with disastrous results.  Saga&#8217;s brother is sent to kill him, but allows him to escape, and the illicit lovers go off to Saga&#8217;s aunt&#8217;s house&#8230; but he comes back for his mom&#8217;s funeral, exposing himself to the townspeople.  The father banishes the brother, who then shoots Saga, oh and the girl&#8217;s dad hangs himself for having a part in all this.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/images\/tilai2.jpg\" alt=\"image\"><\/p>\n<p>Fine story (a darker <em><a href=\"\/journal\/archives\/327\">Ten Canoes<\/a><\/em>?), fine acting, plays at a good pace, not at all as bleak and awful as it sounds from my plot description.  Won the Cannes Grand Jury Prize (a step up from the prize <em>Yeelen<\/em> won three years before), second place to Lynch&#8217;s <em><a href=\"\/journal\/archives\/2207\">Wild At Heart<\/a><\/em> and beating out Godard, Zhang Yimou and Ken Loach.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/images\/tilai3.jpg\" alt=\"image\"><\/p>\n<p>Little music.  A vocalist sings &#8220;Tilai&#8230; Tilai&#8221; a couple times and that&#8217;s it.  Long shots, but not distractingly long.<\/p>\n<p>&#8220;Claire Denis, the director of the autobiographical film <em>Chocolat<\/em>, set in colonial West Africa, notes that in <em>Tilai<\/em> every sentence starts with the name of the person who is addressed, in contrast to what she calls the vacuousness of communication among white colonials.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/images\/tilai4.jpg\" alt=\"image\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The Law&#8221; Ouedraogo, from Burkina Faso, was a student of Gaston Kabore, director of last week&#8217;s Wend Kuuni, and also worked with Ousmane Sembene. Saga (actor also in Moolaade, Yaaba, Night of Truth) has been away for a couple years, and returns to find that the woman he was promised as a wife is now [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[451,42,859,1045,144],"class_list":["post-331","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1990s","tag-africa","tag-burkina-faso","tag-idrissa-ouedraogo","tag-revenge"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/331","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=331"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/331\/revisions"}],"predecessor-version":[{"id":6688,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/331\/revisions\/6688"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=331"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=331"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=331"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}