{"id":3767,"date":"2009-12-26T16:49:17","date_gmt":"2009-12-26T21:49:17","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=3767"},"modified":"2009-12-26T16:49:17","modified_gmt":"2009-12-26T21:49:17","slug":"fury-1936-fritz-lang","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/3767","title":{"rendered":"Fury (1936, Fritz Lang)"},"content":{"rendered":"<p>Mob violence must&#8217;ve been on Fritz Lang&#8217;s mind, after making <em>M<\/em> and fleeing nazis.  This is my second or third favorite of his films, a powerhouse drama with a simmering Spencer Tracy, a wrong-man revenge tale.  Makes me all upset every time I watch it.  I always forget the incriminating word slip that reveals to Tracy&#8217;s girl that he&#8217;s still alive: it&#8217;s memento\/momentum.<\/p>\n<p>It&#8217;s hard to skim Patrick McGilligan&#8217;s Lang bio since it&#8217;s full of conflicting stories told by Lang himself, a notorious fabricator.  It seems in the original script, Joe was an honest lawyer and after he&#8217;s presumed dead his wife (not fiancee) falls in love with a rival attorney.  Joe plans to let the townsfolk\/mob hang after some are convicted, but he&#8217;s discovered by the attorney\/wife who run to stop the hanging.  No redemption for Joe &#8211; he pulls a gun to stop them.  Lang suggested Joe become more likable and the wife take over the story after Joe is &#8220;killed&#8221; so women will have more to enjoy from the film.  &#8220;There was indeed a tremendous amount of social awareness in the early versions, which featured breadlines, black characters, even a settlement house where Katherine worked.  [Newspaperman, <em>The Front Page<\/em> screenwriter] Cormack&#8217;s first rewrite cleared away some of the social commentary; more would disappear as he honed the script.&#8221;  Lang had shot scenes to visualize Joe&#8217;s guilt: ghosts emerging from behind trees to chase him.  At the first test screening, which was Lang&#8217;s own cut, &#8220;after the ghosts came on the public didn&#8217;t stop laughing.&#8221;  So producer Joe Mankiewicz recut the film, removing the ghosts and shooting a final scene where Joe&#8217;s wife hugs him forgivingly (which was never in the Lang version) and the movie opened to acclaim.  Lang began a lifelong feud with Mankiewicz and studio head Louis Mayer swore Lang would never work at MGM again &#8211; some way to begin his Hollywood career.  <em>Fury<\/em> made a star out of Spencer Tracy and exiled Fritz Lang to make <a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/244\">westerns and sequels<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mob violence must&#8217;ve been on Fritz Lang&#8217;s mind, after making M and fleeing nazis. This is my second or third favorite of his films, a powerhouse drama with a simmering Spencer Tracy, a wrong-man revenge tale. Makes me all upset every time I watch it. I always forget the incriminating word slip that reveals to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[343,5,894,82],"class_list":["post-3767","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1930s","tag-fritz-lang","tag-mob-violence","tag-spencer-tracy"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/3767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=3767"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/3767\/revisions"}],"predecessor-version":[{"id":3861,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/3767\/revisions\/3861"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=3767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=3767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=3767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}