{"id":397,"date":"2007-11-02T15:14:43","date_gmt":"2007-11-02T19:14:43","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/archives\/397"},"modified":"2012-07-24T21:05:33","modified_gmt":"2012-07-25T01:05:33","slug":"zazie-dans-le-metro-1960-louis-malle","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/397","title":{"rendered":"Zazie dans le metro (1960, Louis Malle)"},"content":{"rendered":"<p>&#8220;I just got enganged.&#8221;<br \/>\n&#8220;Are you pregnant?&#8221;<br \/>\n&#8220;Not yet, but we&#8217;re getting married anyway&#8221;<\/p>\n<p>Awesomely insane comedy following a girl (Zazie, who apparently had a cameo the following year in <em>A Woman is a Woman<\/em>) through Paris for a weekend vacation in the care of her uncle Gabriel (Philippe Noiret of <a href=\"\/journal\/archives\/6916\">Agnes Varda&#8217;s debut feature<\/a> and <em>La Grande bouffe<\/em>).<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/images\/zazie1.jpg\" alt=\"image\"><\/p>\n<p>Zazie quickly escapes her uncle.  She teams up with an icky-seeming man who I&#8217;m not sure is trying to kidnap her or not, and the uncle (who is incidentally a cross-dressing dancer) teams with his cab-driver friend Charles.  There are car accidents and cops and the uncle is kidnapped by tourists&#8230; all plot description attempts are useless.  I also wasn&#8217;t paying total attention because it was on TV and I couldn&#8217;t pause when making dinner.  Should be fun to watch again sometime.<\/p>\n<p>Came out a year after <em><a href=\"\/journal\/archives\/416\">The 400 Blows<\/a><\/em>, half a year after <em><a href=\"\/journal\/archives\/5203\">Breathless<\/a><\/em>, and there&#8217;s already a &#8220;new wave&#8221; joke in it.<\/p>\n<p>Wasn&#8217;t letterboxed.  I got screenshots from elsewhere.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/images\/zazie2.jpg\" alt=\"image\"><\/p>\n<p>Time out review:<\/p>\n<blockquote><p>Malle&#8217;s third feature plunges us straight back into the world of New Wave jiggery-pokery, with jump-cuts, lavish in-jokes, and a whirlwind narrative (taken from Raymond Queneau&#8217;s delightful novel) centred around a precocious brat (Demongeot) lewd enough to give a few tips to the Jodie Foster of <em>Taxi Driver<\/em>.  It has survived the years much better than other indulgent frolics, mainly because Malle really does seem motivated by gleeful malice and anarchy &#8211; he&#8217;s not just toying with a fashionable mood.  This spirit captured even underground guru Jonas Mekas, who commented on the original US release, &#8216;The fact that the film is a failure means nothing.  Didn&#8217;t God create a failure too?&#8217;<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"\/journal\/images\/zazie3.jpg\" alt=\"image\"><\/p>\n<p>Jonathan Rosenbaum:<\/p>\n<blockquote><p>Arguably Louis Malle&#8217;s best work.  Based on Raymond Queneau&#8217;s farcical novel about a little girl (Catherine Demongeot) left in Paris for a weekend with her decadent uncle (Philippe Noiret), this wild spree goes overboard reproducing Mack Sennett-style slapstick, parodying various films of the 1950s, and playing with editing and color effects (Henri Decae&#8217;s cinematography is especially impressive), though gradually it becomes a rather disturbing nightmare about fascism.  Forget the preposterous claim by a few critics that the movie&#8217;s editing influenced Alain Resnais, but there&#8217;s no doubt that Malle affected Richard Lester&#8211;and was clearly influenced himself by William Klein, whom he credited on the film as a visual consultant.  A rather sharp, albeit soulless, film, packed with ideas and glitter and certainly worth a look.<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"\/journal\/images\/zazie4.jpg\" alt=\"image\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I just got enganged.&#8221; &#8220;Are you pregnant?&#8221; &#8220;Not yet, but we&#8217;re getting married anyway&#8221; Awesomely insane comedy following a girl (Zazie, who apparently had a cameo the following year in A Woman is a Woman) through Paris for a weekend vacation in the care of her uncle Gabriel (Philippe Noiret of Agnes Varda&#8217;s debut feature [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[410,33,199],"class_list":["post-397","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1960s","tag-comedy","tag-louis-malle"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=397"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/397\/revisions"}],"predecessor-version":[{"id":7979,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/397\/revisions\/7979"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}