{"id":4111,"date":"2010-02-18T20:48:23","date_gmt":"2010-02-19T01:48:23","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=4111"},"modified":"2015-10-02T16:04:51","modified_gmt":"2015-10-02T21:04:51","slug":"the-thin-man-1934-w-s-van-dyke","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/4111","title":{"rendered":"The Thin Man (1934, W.S. Van Dyke)"},"content":{"rendered":"<p>This must be my fourth time watching, and I still can&#8217;t remember who&#8217;s the killer (it&#8217;s the dead scientist&#8217;s lawyer!).  Don&#8217;t think this counts as screwball comedy despite the fast-paced, often racy, comedic dialogue &#8211; it&#8217;s a detective comedy with screwball tendencies.  Came out the same year as <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/577\">Twentieth Century<\/a><\/em> and <em><a href=\"http:\/\/deeperintomovies.net\/journal\/archives\/355\">The Gay Divorcee<\/a><\/em> &#8211; I think I like this one best of the three.<\/p>\n<p>The titular thin man wasn&#8217;t meant to refer to detective William Powell (retired since marrying rich socialite Myrna Loy), but the missing, turns-out-to-be-murdered old scientist Wynant (Edward Ellis, sheriff in <em><a href=\"\/journal\/archives\/3767\">Fury<\/a><\/em>).  Nobody mentions this in the dialogue, hence all the Looney Tunes <a href=\"\/journal\/archives\/3725\">caricatures<\/a> of Powell as a paper-thin man, and the carrying of the Thin Man title across the sequels.<\/p>\n<p>Movie is a light joy to watch, so I won&#8217;t weigh it down by fussing over plot for three pages &#8211; there&#8217;s certainly enough of it.  Powell (recently in <em><a href=\"\/journal\/archives\/399\">Double Harness<\/a><\/em>, not yet in <em><a href=\"\/journal\/archives\/1191\">My Man Godfrey<\/a><\/em>) and Loy (post-<em><a href=\"\/journal\/archives\/402\">Love Me Tonight<\/a><\/em>, pre-<em><a href=\"\/journal\/archives\/9712\">Great Ziegfeld<\/a><\/em>) don&#8217;t appear for a while but make up for lost time.  Wynant&#8217;s death and the lawyer&#8217;s guilt aren&#8217;t revealed until the last minute at a grand suspects&#8217; dinner party with cops as waiters (Katy thought the lawyer-as-killer was unjustified).  Two older blonde women seem interchangeable until one is killed (the dead man&#8217;s girlfriend, Natalie Moorhead, no relation to Agnes).  Dead man&#8217;s daughter (Maureen O&#8217;Sullivan of <em>Devil Doll<\/em>, <em>The Big Clock<\/em>, <em>Song o&#8217;My Heart<\/em>) and ex-wife Mimi (Minna Gombell, the law-breaking aunt in <em><a href=\"\/journal\/archives\/2076\">Wild Boys of the Road<\/a><\/em>) and some other fools (including Cesar Romero, The Joker in TV&#8217;s <em>Batman<\/em>, and Porter Hall, a newsman in both <em><a href=\"\/journal\/archives\/472\">Ace in the Hole<\/a><\/em> and <em><a href=\"\/journal\/archives\/496\">His Girl Friday<\/a><\/em>) run around lying to each other for ninety minutes.  All those actors, and the only one I recognize from other films is the dog, Asta, a main character in <em><a href=\"\/journal\/archives\/515\">The Awful Truth<\/a><\/em> and <em><a href=\"\/journal\/archives\/603\">Bringing Up Baby<\/a><\/em>.<\/p>\n<p>Van Dyke directed three of the five sequels before dying of cancer. Prior to this, he made MGM&#8217;s first sound picture, <em>White Shadows in the South Seas<\/em>, which somehow involved Robert Flaherty.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This must be my fourth time watching, and I still can&#8217;t remember who&#8217;s the killer (it&#8217;s the dead scientist&#8217;s lawyer!). Don&#8217;t think this counts as screwball comedy despite the fast-paced, often racy, comedic dialogue &#8211; it&#8217;s a detective comedy with screwball tendencies. Came out the same year as Twentieth Century and The Gay Divorcee &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[343,974,681],"class_list":["post-4111","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1930s","tag-myrna-loy","tag-william-powell"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=4111"}],"version-history":[{"count":8,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4111\/revisions"}],"predecessor-version":[{"id":10416,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4111\/revisions\/10416"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=4111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=4111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=4111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}