{"id":4266,"date":"2010-03-12T23:01:23","date_gmt":"2010-03-13T04:01:23","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=4266"},"modified":"2014-12-15T15:38:32","modified_gmt":"2014-12-15T21:38:32","slug":"small-change-1976-francois-truffaut","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/4266","title":{"rendered":"Small Change (1976, Francois Truffaut)"},"content":{"rendered":"<p>Scenes with kids in town and school, episodic with a couple more-central characters (I&#8217;m thinking of the poor boy with abusive parents who gets rescued by social services at the end).  Katy&#8217;s favorite part was the girl whose parents went out for dinner without her so she yelled &#8220;I&#8217;m hungry, I&#8217;m hungry&#8221; through a bullhorn out her window until the neighbors sent a picnic basket to her window using ropes and pulleys.  I liked the double date at the movies, where the meek boy loses out and his friend takes both girls.  Also wonderful, an <em><a href=\"\/journal\/archives\/3630\">Antichrist<\/a><\/em>-recalling scene with a toddler chasing a cat slooowly out a tenth-floor window, finally falling and bouncing harmlessly upon the ground.  It&#8217;s frightening at first until I realized (and assured Katy) that Truffaut doesn&#8217;t kill children, especially not in a comedy.  Ebert liked &#8220;the painful earnestness that goes into the recitation of a dirty joke that neither the teller nor the listeners quite understand.&#8221;<\/p>\n<p>Ebert again: &#8220;He correctly remembers that childhood itself is episodic: Each day seems separate from any other, each new experience is sharply etched, and important discoveries and revelations become great events surrounded by a void. It&#8217;s the accumulation of all those separate moments that create, at last, a person.&#8221;<\/p>\n<p>Of all the kids, how many went on to further acting careers?  Only Eva Truffaut, unsurprisingly.  More unexpected is that only a few of the adult actors have any other acting credits.  Hairdresser Mrs. Riffle (Tania Torrens) was in <em>The Lover<\/em>, Lydie Richet (Virginie Thevenet) was in Chabrol&#8217;s <em>Cry of the Owl<\/em>, and new father Mr. Richet the schoolteacher (Jean-Francois Stevenin) played Marlon in <em>Out 1<\/em> and more recently appeared in <em><a href=\"\/journal\/archives\/2519\">The Limits of Control<\/a><\/em>.  Same cowriter (Suzanne Schiffman) and cinematographer as <em><a href=\"\/journal\/archives\/229\">Out 1<\/a><\/em>, too.<\/p>\n<p>Oddly, the U.S. poster I found online says &#8220;Roger Corman presents&#8230;&#8221;<\/p>\n<p>Should&#8217;ve been called <em>Pocket Money<\/em> (French is <em>L&#8217;argent de poche<\/em>) but the name was taken by a Lee Marvin\/Paul Newman flick a couple years before.  The Truffaut movie plus the Tom Waits &#8220;Small Change&#8221; album released the same year (the two are unrelated; nobody in the film gets rained on with his own thirty-eight) effectively wiped the Lee Marvin film&#8217;s title from the English language&#8230; now we wouldn&#8217;t dream of naming a movie <em>Pocket Money<\/em>.<\/p>\n<p>Nominated for a Golden Globe (remember those?) but beaten by Bergman.  It&#8217;s nice to see shouts-out to Bergman and Truffaut in a year when every actress in <em>Freaky Friday<\/em> was nominated.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scenes with kids in town and school, episodic with a couple more-central characters (I&#8217;m thinking of the poor boy with abusive parents who gets rescued by social services at the end). Katy&#8217;s favorite part was the girl whose parents went out for dinner without her so she yelled &#8220;I&#8217;m hungry, I&#8217;m hungry&#8221; through a bullhorn [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[400,170,53,46],"class_list":["post-4266","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1970s","tag-children","tag-francois-truffaut","tag-roger-corman"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=4266"}],"version-history":[{"count":11,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4266\/revisions"}],"predecessor-version":[{"id":9670,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4266\/revisions\/9670"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=4266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=4266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=4266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}