{"id":4306,"date":"2010-03-04T18:52:03","date_gmt":"2010-03-04T23:52:03","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=4306"},"modified":"2016-06-02T13:28:23","modified_gmt":"2016-06-02T18:28:23","slug":"cannes-memory","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/4306","title":{"rendered":"Cannes Memory"},"content":{"rendered":"<p>Looking over the decade list and reading up on <em><a href=\"\/journal\/archives\/4205\">Va Savoir<\/a><\/em>, I realized I&#8217;ve seen eight of the ten top prize winners at the Cannes Film Festival from the last decade, and all in theaters, no less.  I only missed <strong>The Class<\/strong> and <strong>The Son&#8217;s Room<\/strong>.<\/p>\n<p>Other Cannes winners I should check out sometime:<\/p>\n<p><strong>Eternity and a Day<\/strong> (Theo Angelopoulos)<br \/>\n<del><a href=\"\/journal\/archives\/10844\">Rosetta<\/a><\/del> (even though I didn&#8217;t love <em><a href=\"\/journal\/archives\/20\">L&#8217;Enfant<\/a><\/em>)<br \/>\n<strong>Secrets &#038; Lies<\/strong> (Mike Leigh)<br \/>\n<strong>The Best Intentions<\/strong> (3-hour film written by Ingmar Bergman)<br \/>\n<strong>Pelle the Conqueror<\/strong> (same director as <em>The Best Intentions<\/em>)<br \/>\n<strong>Under the Sun of Satan<\/strong> (Maurice Pialat)<br \/>\n<strong>The Mission<\/strong> (follow-up to <em>The Killing Fields<\/em>)<br \/>\n<strong>When Father was Away on Business<\/strong> (Kusturica)<br \/>\n<strong>The Ballad of Narayama<\/strong> (Imamura)<br \/>\n<strong>Missing<\/strong><br \/>\n<strong>Yol<\/strong> (from Turkey)<br \/>\n<del><a href=\"\/journal\/archives\/9302\">All That Jazz<\/a><\/del><br \/>\n<strong>Kagemusha<\/strong><br \/>\n<strong>The Tree of Wooden Clogs<\/strong> (Ermanno Olmi)<br \/>\n<strong>Padre Padrone<\/strong><br \/>\n<strong>Chronicle of the Years of Fire<\/strong> (Algerian)<br \/>\n<strong>Scarecrow<\/strong> (Hackman\/Pacino)<br \/>\n<strong>The Hireling<\/strong><br \/>\n<strong>The Mattei Affair<\/strong><br \/>\n<strong>The Working Class Goes to Heaven<\/strong><br \/>\n<del><a href=\"\/journal\/archives\/6758\">The Go-Between<\/a><\/del> (Losey)<br \/>\n<strong>Signore &#038; Signori<\/strong><br \/>\n<strong>A Man and a Woman<\/strong> (Lelouch)<br \/>\n<strong>The Knack&#8230; and How to Get it<\/strong><br \/>\n<strong>Payer of Promises<\/strong><br \/>\n<strong>The Long Absence<\/strong> (written by Marguerite Duras)<br \/>\n<strong>Friendly Persuasion<\/strong><br \/>\n<strong>The Silent World<\/strong><br \/>\n<strong>Marty<\/strong><br \/>\n<strong>Gate of Hell<\/strong><br \/>\n<strong>Two Cents Worth of Hope<\/strong><br \/>\n<strong>Miss Julie<\/strong><br \/>\n<strong>Miracle in Milan<\/strong><\/p>\n<p>Why have I only even <em>heard<\/em> of fewer than half of these?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Looking over the decade list and reading up on Va Savoir, I realized I&#8217;ve seen eight of the ten top prize winners at the Cannes Film Festival from the last decade, and all in theaters, no less. I only missed The Class and The Son&#8217;s Room. Other Cannes winners I should check out sometime: Eternity [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1052,152],"class_list":["post-4306","post","type-post","status-publish","format-standard","hentry","category-movie","tag-cannes-golden-palm","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=4306"}],"version-history":[{"count":9,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4306\/revisions"}],"predecessor-version":[{"id":11115,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4306\/revisions\/11115"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=4306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=4306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=4306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}