{"id":4677,"date":"2010-06-13T23:10:27","date_gmt":"2010-06-14T03:10:27","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=4677"},"modified":"2015-10-02T15:43:59","modified_gmt":"2015-10-02T20:43:59","slug":"my-favorite-wife-1940-garson-kanin","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/4677","title":{"rendered":"My Favorite Wife (1940, Garson Kanin)"},"content":{"rendered":"<p>Garson Kanin would quit directing during WWII, went on to write <em><a href=\"\/journal\/archives\/512\">Adam&#8217;s Rib<\/a><\/em> and <em><a href=\"\/journal\/archives\/4584\">Born Yesterday<\/a><\/em>.  Written by the Spewack family (<em>Kiss Me Kate<\/em>) with help from producer Leo McCarey (<em><a href=\"\/journal\/archives\/614\">Ruggles of Red Gap<\/a><\/em>, <em><a href=\"\/journal\/archives\/515\">The Awful Truth<\/a><\/em>).  Shot by Rudolph Mat\u00e9 (who&#8217;d later direct <em>D.O.A.<\/em>) and edited by Robert Wise (who&#8217;d direct <em><a href=\"\/journal\/archives\/60\">Day The Earth Stood Still<\/a><\/em>, <em>The Haunting<\/em> and <em><a href=\"\/journal\/archives\/9566\">West Side Story<\/a><\/em>).  That&#8217;s altogether too much talent for one light comedy to stand!  It holds up just fine, though<\/p>\n<p>Three years after <em>The Awful Truth<\/em>, Cary Grant and Irene Dunne again play a couple in trouble.  This time it&#8217;s not simple divorce proceedings &#8211; she has been missing for years, stranded on an island with hunky Randolph Scott (a year before <em>Western Union<\/em>), and Grant has just declared her legally dead so he can marry young Gail Patrick (the bad sister in <em><a href=\"\/journal\/archives\/1191\">My Man Godfrey<\/a><\/em>).  But it&#8217;s clear from the beginning that Dunne and Grant need to end up back together since, first of all they have kids and this is the 40&#8217;s, and secondly Randolph and Gail are never taken seriously by the movie, as romantic mates or anything else.  And so that&#8217;s what happens, and I suppose Randolph and Gail end up together but I can&#8217;t remember for sure.  Ends with a bonkers scene, Grant trying to sleep on a broken cot in the attic before he gives up and comes down to join his wife.  Something about male stubbornness I guess.<\/p>\n<p>Wikipedia calls it screwball but I think that word is tossed around too much.  Bosley Crowther at the Times was in a weird mood, calling it &#8220;a frankly fanciful farce, a rondo of refined ribaldries,&#8221; also giving thumbs-up to Granville Bates as the judge in two major scenes.  Remade with Doris Day and James Garner in the 60&#8217;s.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Garson Kanin would quit directing during WWII, went on to write Adam&#8217;s Rib and Born Yesterday. Written by the Spewack family (Kiss Me Kate) with help from producer Leo McCarey (Ruggles of Red Gap, The Awful Truth). Shot by Rudolph Mat\u00e9 (who&#8217;d later direct D.O.A.) and edited by Robert Wise (who&#8217;d direct Day The Earth [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[416,73,964,487,713],"class_list":["post-4677","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1940s","tag-cary-grant","tag-irene-dunne","tag-leo-mccarey","tag-robert-wise"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=4677"}],"version-history":[{"count":7,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4677\/revisions"}],"predecessor-version":[{"id":10401,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4677\/revisions\/10401"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=4677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=4677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=4677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}