{"id":4708,"date":"2010-06-08T22:42:40","date_gmt":"2010-06-09T02:42:40","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=4708"},"modified":"2010-06-08T22:42:40","modified_gmt":"2010-06-09T02:42:40","slug":"wonderroot-filmmakers-night","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/4708","title":{"rendered":"WonderRoot Filmmakers&#8217; Night"},"content":{"rendered":"<p>WonderRoot&#8217;s Generally Local, Mostly Independent Filmmakers&#8217; Night<\/p>\n<p><strong><em>Atlanta, Day One<\/em> (John Duke and Kris Valeriano)<\/strong><br \/>\nI liked.  KV wears a three-dollar suit, tours picturesque ruins of Atlanta before he starts breaking down.  I dig the editing at the end, as it cuts between scenes where he&#8217;s in the same physical pose, giving the impression of one movement transporting across locations.<\/p>\n<p><strong><em>Mouth 2 Mouth<\/em> (Patrick Coll and Chris Chambers)<\/strong><br \/>\nHilarious, very short animation.<\/p>\n<p><strong><em>Until Dust<\/em> (Nathan Honnold)<\/strong><br \/>\nI remember saying to Jimmy afterwards that it&#8217;s good to know I&#8217;m not the only <a href=\"\/journal\/archives\/tag\/guy-maddin\">Guy Maddin<\/a> fan in Atlanta, but I don&#8217;t remember much else.  Oh wait, here it is on Vimeo!  Blurry-focus titles, one of which says &#8220;hairdressing school,&#8221; yep, I stand by my Maddin comparison.  Too bad it&#8217;s one of the only pieces projected interlaced, since it was shot originally on super8 film.<\/p>\n<p><strong><em>Rex<\/em> (Jackson McDonald)<\/strong><br \/>\nA guy picks up girls to feed to his hungry dragon.  Shot decently and colorfully, complete with flashbacks.<\/p>\n<p><strong><em>Breathe<\/em> (Fletcher Holmes)<\/strong><br \/>\nClever special-effects demo, shot underwater and somehow keyed, breathing SFX added later prompting a &#8220;how&#8217;d you DO that?&#8221; from the crowd.<\/p>\n<p><strong><em>17 Degrees Ain&#8217;t Nothing<\/em> (Carlton Mackey and Dane Jefferson)<\/strong><br \/>\nTwo dudes got a camera, but what to film?  They chose to interview some homeless people for an hour &#8211; and that hour <em>changed their lives<\/em> (the lives of the two dudes, not of the homeless people).  A year later, footage is edited, theme songs are written, still photos are panned and zoomed, and lessons are learned.<\/p>\n<p><strong><em>The Charm and Rant of Charlotte Pomerate<\/em> (Beth Malone)<\/strong><br \/>\nThe filmmaker has, what was it, a grandfather involved in &#8220;very far left&#8221; politics?  And his wife wrote children&#8217;s books.  And she was interviewed by her granddaughter, then the interview was turned into a claymation video&#8230; but it&#8217;s more &#8220;clay&#8221; than &#8220;mation&#8221;. Clay-still-life.  Combines two styles I don&#8217;t like (documentaries about one&#8217;s relatives + animating audio conversations) but it was cute so I couldn&#8217;t stay mad.<\/p>\n<p><strong><em>Passion Seeker<\/em> (Chris Chamber)<\/strong><br \/>\nVideo for a song by Little Tybee and Adron edited from 1930&#8217;s-90&#8217;s film clips.  Played at around 2fps, and it&#8217;d be important to know whether that was intentional.  If so, I&#8217;m not a big fan.  If not, hey WonderRoot, I can give you advice on how to fix that.  The song was nice.<\/p>\n<p><strong><em>Christmas and Hanukkah<\/em> (Garry Bowden)<\/strong><br \/>\n&#8220;Love is coming for us all,&#8221; says the description.  A straight-faced romance soap-opera that inspired derisive laughter from the audience. Could Bowden be the Tommy Wiseau of Atlanta?  Could he even be of Atlanta?  I didn&#8217;t recognize any of the scenery, and it&#8217;s mostly shot outdoors.  Story follows two people who find each other after sour breakups, shot by a man with a handicam but without a plan.<\/p>\n<p><strong><em>Heaven<\/em> (Chris Sailor)<\/strong><br \/>\nHeaven is a parking lot where echoes both precede and follow your words.  You should be quiet, according to the man behind you in a creepy mask, but you are not.  Also, you&#8217;d like a cigarette.<\/p>\n<p><strong><em>One Minute Fluid Toons on Paper<\/em> (Brett W. Thompson)<\/strong><br \/>\nFinally, the long-awaited return of <a href=\"\/journal\/archives\/47\">Fluid Toons<\/a>!  Less narrative (and without the awesome sound effects) than the last installment, but any Fluid Toons is good Fluid Toons.<\/p>\n<p><strong><em>Godamsterdam: Yellow Fever<\/em> (Ben Cohen)<\/strong><br \/>\nPart of a web series celebrating political incorrectness.  It&#8217;s no <em>Sarah Silverman Program<\/em> but it made me chuckle.  Probably the most ambitious project here, setting up a regular cast of characters and a whole series of shorts, with higher than usual production values.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>WonderRoot&#8217;s Generally Local, Mostly Independent Filmmakers&#8217; Night Atlanta, Day One (John Duke and Kris Valeriano) I liked. KV wears a three-dollar suit, tours picturesque ruins of Atlanta before he starts breaking down. I dig the editing at the end, as it cuts between scenes where he&#8217;s in the same physical pose, giving the impression of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[96,684,93,1086,21],"class_list":["post-4708","post","type-post","status-publish","format-standard","hentry","category-movie","tag-animation","tag-atlanta","tag-documentary","tag-plaza-theater","tag-shorts"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=4708"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4708\/revisions"}],"predecessor-version":[{"id":4769,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4708\/revisions\/4769"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=4708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=4708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=4708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}