{"id":4878,"date":"2010-09-16T23:31:57","date_gmt":"2010-09-17T03:31:57","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=4878"},"modified":"2010-09-16T23:31:57","modified_gmt":"2010-09-17T03:31:57","slug":"flying-down-to-rio-1933-thornton-freeland","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/4878","title":{"rendered":"Flying Down to Rio (1933, Thornton Freeland)"},"content":{"rendered":"<p>Kind of a clunky picture about a lovestruck band leader who takes his group to Brazil and falls for a local firebrand.  Lots of time wasted on groany romantic drama between musical numbers, then the nine-minute songs wear out their welcome until I start hoping for the return of the groany drama.  It&#8217;s saved by the charisma of the band members and some light filmmaking flourishes &#8211; over-the-top musical bits with oddball camera placement and silly-ass graphic transitions between every scene &#8211; brought to you by Thornton Freeland (directed <em>Brewster&#8217;s Millions<\/em>) and D.P. J. Roy Hunt (who also shot <em><a href=\"\/journal\/archives\/4499\">I Walked With a Zombie<\/a><\/em> &#8211; someone needs to look into this guy).  I don&#8217;t remember anymore why we watched this in film class at Tech (following <em>Wings<\/em> and <em>Things To Come<\/em>), probably something to do with 1930&#8217;s audiences&#8217; love and fascination for new technologies such as the aeroplane (&#8220;electric tie rack! rackin&#8217; up electric ties!&#8221;).<\/p>\n<p>Something like Ginger Rogers&#8217;s 25th film, but Fred Astaire&#8217;s first, and it&#8217;s remembered for that.  Central music number The Carioca was oscar-nominated, but beaten by Astaire &#038; Rogers&#8217; follow-up The Continental from <em>The Gay Divorcee<\/em>.  Both songs are five minutes too long, so I&#8217;d like to cast my belated vote for the third nominee, Bing Crosby and Miriam Hopkins&#8217;s cross-dressing college gangster comedy <em>She Loves Me Not<\/em>.<\/p>\n<p>Dolores del Rio was harmless in this, would turn up in <em>Journey Into Fear<\/em> with Orson Welles a decade later.  Less harmless was star bandleader Gene Raymond, our blonde German-looking chunkhead romantic lead.  Suppose I might have to see him again in <em>Mr. and Mrs. Smith<\/em> or <em>If I Had a Million<\/em>, but mostly he had the courtesy to stay out of the more acclaimed movies of the 30&#8217;s.  Good-natured gentleman Raul Roulien as Dolores&#8217;s family-arranged fiancee failed to make as much of an impression as did Etta Moten (&#8220;the first Negro woman to play a dignified role in pictures&#8221;) who sang a verse of The Carioca, or Eric Blore (Sullivan&#8217;s valet) and Franklin Pangborn (another future Sturges player) as comically uptight hotel managers in the opening scene.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kind of a clunky picture about a lovestruck band leader who takes his group to Brazil and falls for a local firebrand. Lots of time wasted on groany romantic drama between musical numbers, then the nine-minute songs wear out their welcome until I start hoping for the return of the groany drama. It&#8217;s saved by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[343,828,762,304,80],"class_list":["post-4878","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1930s","tag-brazil","tag-fred-astaire","tag-ginger-rogers","tag-musical"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=4878"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4878\/revisions"}],"predecessor-version":[{"id":4948,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/4878\/revisions\/4948"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=4878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=4878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=4878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}