{"id":496,"date":"2008-02-19T00:28:16","date_gmt":"2008-02-19T04:28:16","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/archives\/496"},"modified":"2008-02-19T00:28:16","modified_gmt":"2008-02-19T04:28:16","slug":"his-girl-friday-1940-howard-hawks","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/496","title":{"rendered":"His Girl Friday (1940, Howard Hawks)"},"content":{"rendered":"<p>I guess I don&#8217;t know what makes a Howard Hawks movie a Howard Hawks movie.  No anti-auteurism implied, but I have an awfully hard time detecting the directorial stamp in pre-1960&#8217;s studio films like those by Hawks and Lang.  This is an awesome movie, one of the best comedies ever made, but at first glance the camera work and editing don&#8217;t seem to be helping.  We put Rosalind and Cary in frame and they recite the screenplay as fast as they can manage and voila, instant classic.  It can&#8217;t be that simple though, and every Hawks movie seems to be superb so there&#8217;s something Hawksian here, even if it&#8217;s only in his ability to attract the best scripts and collaborators.  Let&#8217;s go to the experts.  Actually let&#8217;s just go to Senses of Cinema:<\/p>\n<p>&#8220;Hawks was able to impress upon these genre films his own personal worldview. It is essentially comic, rather than tragic, existential rather than religious, and irreverent rather than earnestly sentimental.&#8221;<\/p>\n<p>&#8220;Nicknames point to the primacy of the group over the individual; the value of male bonding through rivalry or through rite of passage; the elevation of male communities validated by codes of ethics and professionalism; the potential for women to gain access to male groups in unconventional ways; and the articulation of mystique-laden alternative forms of social and sexual arrangements outside of Hollywood&#8217;s idealisation of the nuclear family. These are the traits of Hawks&#8217; work which are almost universally noted by film critics.&#8221;<\/p>\n<p>&#8220;Hawks&#8217; own characteristic plain vanilla style (eye-level camera privileging dense formations of actors in the frame)&#8230;&#8221;<\/p>\n<p>So not a mise-en-scene thing so much as an expression of a certain world-view.  I get it.<\/p>\n<p>This was the third or fourth time I&#8217;ve watched &#8220;His Girl Friday&#8221; since 2001, and I watched it not as a work that I know well, but as something new and exciting but vaguely familiar.  When something happens I go &#8220;oh yeah, that&#8217;s what happened&#8221; but I have little prior recall of plot, character or dialogue.  I am seriously thinking of renaming this site &#8220;The Amnesiac Filmgoer&#8221;.  So rather than recount what happened in the movie and put up screenshots, I&#8217;m going to go ahead and forget it again so it&#8217;ll be just as new and exciting the next time I watch it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I guess I don&#8217;t know what makes a Howard Hawks movie a Howard Hawks movie. No anti-auteurism implied, but I have an awfully hard time detecting the directorial stamp in pre-1960&#8217;s studio films like those by Hawks and Lang. This is an awesome movie, one of the best comedies ever made, but at first glance [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[73,33,103],"class_list":["post-496","post","type-post","status-publish","format-standard","hentry","category-movie","tag-cary-grant","tag-comedy","tag-howard-hawks"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=496"}],"version-history":[{"count":0,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/496\/revisions"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}