{"id":5104,"date":"2010-10-15T21:08:41","date_gmt":"2010-10-16T01:08:41","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=5104"},"modified":"2010-10-15T21:08:41","modified_gmt":"2010-10-16T01:08:41","slug":"royal-wedding-1951-stanley-donen","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/5104","title":{"rendered":"Royal Wedding (1951, Stanley Donen)"},"content":{"rendered":"<p>Katy found some rare free time to watch a movie (she was sick), so we watched another Fred Astaire musical (our sixth).  SHOCKtober will resume shortly.<\/p>\n<p>For once, Fred Astaire&#8217;s costar isn&#8217;t his romantic partner but his sister.  Fred was in his 50&#8217;s, looking slightly rough in close-up but having lost no charm, and sister Jane Powell was only 32, of course.  The two are dancing partners in a hit show in New York &#8211; he&#8217;s the consummate professional and she&#8217;s always out with a different guy.  Their agent books them a gig in London (supposedly it&#8217;s the same show, but prefiguring <em><a href=\"\/journal\/archives\/4342\">The Band Wagon<\/a><\/em>, none of the music numbers we see from it seem vaguely related to each other) and they each find true love.  Jane Powell recognizes a kindred spirit in royal womanizer Peter Lawford (who costarred in <em>Easter Parade<\/em> with Astaire and Judy Garland in 1948, the same year Jane Powell starred in <em>A Date With Judy<\/em>), and Astaire meets pretty redhead Sarah Churchill (who wasn&#8217;t in a ton of movies, but guess whose daughter she was).  And they live happily et cetera.<\/p>\n<p>Of course the group\/duo dances are very nice, but Astaire kills it in the solo segments.  He does two of his most famous and elegant dances &#8211; one on the walls and ceiling (even after I explained, Katy still can&#8217;t figure how he did this), and one ingeniously with a coat rack as his partner, a clear influence on David Byrne in <em>Stop Making Sense<\/em>.  For her own solo numbers, Powell sings.  And I did not have to turn to IMDB to know that she&#8217;s a big fan of Jeanette MacDonald, the piercing Snow White soprano of <em><a href=\"\/journal\/archives\/2867\">Monte Carlo<\/a><\/em> and <em><a href=\"\/journal\/archives\/402\">Love Me Tonight<\/a><\/em>.  Powell isn&#8217;t as horribly shrill, and recording equipment was of higher quality in 1951, but it&#8217;s still not my favorite vocal style.<\/p>\n<p>Young director Stanley Donen&#8217;s next musical would be <em>Singin&#8217; in the Rain<\/em>, and this was the first movie by writer Alan Jay Lerner, who&#8217;d write <em><a href=\"\/journal\/archives\/4437\">Gigi<\/a><\/em> and <em><a href=\"\/journal\/archives\/371\">My Fair Lady<\/a><\/em>.  Sarah&#8217;s bartender dad is Irishman Albert Sharpe, who returned in Lerner&#8217;s <em>Brigadoon<\/em>.  Keenan Wynn seemed awfully proud of himself, but was frankly stupid as both the couple&#8217;s New York agent Irving, and his twin brother in England, Edgar.  He would improve into the 60&#8217;s, appearing in <em><a href=\"\/journal\/archives\/79\">Dr. Strangelove<\/a><\/em> and <em>Point Blank<\/em>, before falling to the depths of <em>Laserblast<\/em> and <em>Parts: The Clonus Horror<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katy found some rare free time to watch a movie (she was sick), so we watched another Fred Astaire musical (our sixth). SHOCKtober will resume shortly. For once, Fred Astaire&#8217;s costar isn&#8217;t his romantic partner but his sister. Fred was in his 50&#8217;s, looking slightly rough in close-up but having lost no charm, and sister [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[342,102,236,762,80,776],"class_list":["post-5104","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1950s","tag-britain","tag-dance","tag-fred-astaire","tag-musical","tag-stanley-donen"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=5104"}],"version-history":[{"count":6,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5104\/revisions"}],"predecessor-version":[{"id":5168,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5104\/revisions\/5168"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=5104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=5104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=5104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}