{"id":5510,"date":"2010-12-26T18:09:45","date_gmt":"2010-12-26T23:09:45","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=5510"},"modified":"2016-11-28T13:35:05","modified_gmt":"2016-11-28T19:35:05","slug":"a-couple-of-auteur-lists","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/5510","title":{"rendered":"A couple of auteur lists"},"content":{"rendered":"

I’ve taken to posting lists of movies I’d like to watch on this blog, which is unnecessary since I already keep a master list<\/a> of movies I’d like to see in a database. Keeping extra lists here just means I’ve made everything less efficient. But no matter. A month or two ago I declared The Auteurist Completion Project<\/strong>, with aims to watch the last few remaining titles by directors I care about whose complete works I’d almost<\/em> seen. Here’s the status report for that particular goal.<\/p>\n

P. Anderson:<\/font><\/strong> The Dirk Diggler Story<\/a><\/del>
\nW. Anderson:<\/font><\/strong> Bottle Rocket<\/a> (short)<\/del>
\nAnger:<\/font><\/strong> Invocation of My Demon Brother<\/a><\/del>, Lucifer Rising<\/strong>, Anger Sees Red<\/a><\/del>, The Man We Want to Hang<\/strong>
\nArnold:<\/font><\/strong> Deanimated<\/strong>
\nBahrani:<\/font><\/strong> Man Push Cart<\/strong>, Plastic Bag<\/a><\/del>
\nBaldwin:<\/font><\/strong> Spectres of the Spectrum<\/strong>
\nBong:<\/font><\/strong> Memories of Murder<\/a><\/del>, Barking Dogs Never Bite<\/strong>, Influenza<\/strong>
\nCocteau:<\/font><\/strong> Eagle Has Two Heads<\/strong>, 8×8<\/a><\/del>
\nCronenberg:<\/font><\/strong> From the Drain<\/strong>, Italian Machine<\/a><\/del>
\nDante:<\/font><\/strong> Second Civil War<\/strong>, The Hole<\/a><\/del>
\nFuller:<\/font><\/strong> Day of Reckoning<\/a><\/del>, Crimson Kimono<\/a><\/del>, Verboten<\/strong>, The Command<\/strong>, The Tanks are Coming<\/strong>
\nGilliam:<\/font><\/strong> Storytime<\/a><\/del>, Tideland<\/a><\/del>
\nGondry:<\/font><\/strong> The Letter<\/strong>, Thorn in the Heart<\/strong>
\nGuest:<\/font><\/strong> For Your Consideration<\/a><\/del>
\nHartley:<\/font><\/strong> Fay Grim<\/strong>, shorts vol. 2<\/strong>
\nHaynes:<\/font><\/strong> Poison<\/strong>
\nHillcoat:<\/font><\/strong> Ghosts of the Civil Dead<\/strong>, To Have and to Hold<\/strong>
\nJarmusch:<\/font><\/strong> Permanent Vacation<\/a><\/del>, Year of the Horse<\/a><\/del>
\nJodorowsky:<\/font><\/strong> Santa Sangre<\/a><\/del>, The Rainbow Thief<\/strong>
\nKeaton:<\/font><\/strong> The Navigator<\/a><\/del>, Battling Butler<\/a><\/del>
\nKorine:<\/font><\/strong> Trash Humpers<\/a><\/del>, Julien Donkey-Boy<\/strong>
\nKubrick:<\/font><\/strong> Fear and Desire<\/strong>
\nLang:<\/font><\/strong> Harakiri<\/a><\/del>, The Wandering Image<\/a><\/del>, Four Around a Woman<\/a><\/del>
\nLeone:<\/font><\/strong> Duck You Sucker<\/strong>, My Name is Nobody<\/strong>
\nLinklater:<\/font><\/strong> Me and Orson Welles<\/a><\/del>, It’s Impossible to Learn to Plow…<\/strong>
\nLynch:<\/font><\/strong> On The Air<\/strong>
\nMarker:<\/font><\/strong> Loneliness of the Long Distance Singer<\/a><\/del>, The Last Bolshevik<\/a><\/del>, Level Five<\/a><\/del>
\nMoore:<\/font><\/strong> Pets or Meat<\/strong>, Slacker Uprising<\/strong>
\nMurnau:<\/font><\/strong> Haunted Castle<\/a><\/del>, Burning Soil<\/strong>, 4 Devils<\/strong>
\nPanahi:<\/font><\/strong> White Balloon<\/strong>, The Mirror<\/strong>
\nPark:<\/font><\/strong> Chicken Run<\/strong>, Creature Comforts<\/strong>
\nQuays:<\/font><\/strong> Piano Tuner of Earthquakes<\/strong>, Songs for Dead Children<\/strong>, Inventorium Sladow<\/strong>
\nRaimi:<\/font><\/strong> Within the Woods<\/a><\/del>
\nSoderbergh:<\/font><\/strong> King of the Hill<\/strong>, The Girlfriend Experience<\/a><\/del>, And Everything Is Going Fine<\/a><\/del>
\nSvankmajer:<\/font><\/strong> Jabberwocky<\/a><\/del>, Sileni<\/a><\/del>, Surviving Life<\/a><\/del>
\nTarkovsky:<\/font><\/strong> Nostalghia<\/a><\/del>, Mirror<\/a><\/del>, Steamroller and the Violin<\/strong>
\nTarr:<\/font><\/strong> Macbeth<\/strong>, Almanac of Fall<\/strong>, Damnation<\/a><\/del>
\nTati:<\/font><\/strong> Jour de Fete<\/a><\/del>, School for Postmen<\/strong>, Trafic<\/strong>
\nTaymor:<\/font><\/strong> Juan Darien<\/strong>, The Tempest<\/strong>
\nWelles:<\/font><\/strong> Around the World<\/strong>, Chimes at Midnight<\/a><\/del>, Fountain of Youth<\/strong>, The OW Show<\/strong>
\nWong:<\/font><\/strong> In the Mood DVD extras<\/strong><\/p>\n

Deleted from list because I was missing more titles than expected:<\/strong> Miike, De Palma, Dreyer, Tashlin, Van Sant, Varda, Demy, Bunuel, Cassavetes, Kieslowski, Kitano, Powell\/Pressburger, Sally Potter, Dennis Potter, Renoir, Resnais, Rivette, Scorsese, Watkins.<\/p>\n

If I was planning to make my annual end-of-year list of movies which I simply must watch next<\/em> year (which I’m not, since I feel like having a freeform 2011), those titles would probably be on there. Though it would be more fun to tackle famed filmmakers whose works I’m largely (or in most cases, completely) unfamiliar with<\/strong>, so here’s a handy list of those, too.<\/p>\n

Joseph Losey<\/a><\/del>
\nAnthony Mann<\/a><\/del>
\nRainer Fassbinder<\/a><\/del>
\nJosef von Sternberg<\/a><\/del>
\nCecil B. DeMille<\/strong>
\nRoberto Rossellini<\/a><\/del>
\nOtto Preminger<\/strong>
\nWilliam Wyler<\/a><\/del>
\nAlexander Dovzhenko<\/a><\/del>
\nKing Vidor<\/a><\/del>
\nLuc Moullet<\/a><\/del>
\nPier Paolo Pasolini<\/a><\/del>
\nMikio Naruse<\/strong>
\nJean Eustache<\/strong>
\nMarcel Carn\u00e9<\/a><\/del>
\nRaoul Walsh<\/strong>
\nDerek Jarman<\/strong>
\nElia Suleiman<\/strong>
\nJulien Duvivier<\/strong>
\nTerayama Shuji<\/strong>
\nLuchino Visconti<\/a><\/del>
\nAleksandr Sokurov<\/a><\/del>
\nFatty Arbuckle<\/strong>
\nRitwik Ghatak<\/a><\/del>
\nMasahiro Shinoda<\/strong>
\nYevgeni Bauer<\/strong>
\nJames Benning<\/a><\/del>
\nStanley Kwan<\/a><\/del>
\nCarlos Saura<\/strong>
\nMaurice Pialat<\/strong>
\nJacques Becker<\/strong>
\nMarguerite Duras<\/strong>
\nTheo Angelopoulos<\/strong>
\nMarcel L’Herbier<\/strong>
\nJo\u00e3o C\u00e9sar Monteiro<\/strong>
\nHerschell Gordon Lewis<\/a><\/del>
\nHumphrey Jennings<\/strong>
\nOtar Iosseliani<\/strong>
\nChantal Akerman<\/a><\/del>
\nLee Chang-dong<\/a><\/del>
\nPaul Leni<\/strong>
\nHiroshi Shimizu<\/strong>
\nAlbert Brooks<\/strong>
\nRene Clement<\/strong>
\nWhit Stillman<\/a><\/del>
\nJean Epstein<\/a><\/del>
\nBertrand Tavernier<\/strong>
\nTran Anh Hung<\/strong>
\nBarbet Schroeder<\/strong>
\nZhuangzhuang Tian<\/strong>
\nAndrea Arnold<\/strong>
\nMarco Bellocchio<\/strong>
\nPere Portabella<\/strong>
\nVera Chytilov\u00e1<\/a><\/del>
\nAnthony Asquith<\/strong>
\nBasil Dearden<\/strong>
\nMark Rappaport<\/strong>
\nHong Sang-soo<\/a><\/del>
\nTakashi Ito<\/strong>
\nJan Sver\u00e1k<\/strong>
\nYoussef Chahine<\/strong>
\nKarel Zeman<\/strong>
\nBruno Dumont<\/a><\/del>
\nFrancesco Rosi<\/strong>
\nKarel Reisz<\/strong>
\nDon Siegel<\/strong>
\nRoger Vadim<\/strong>
\nGuy Debord<\/strong>
\nMara Mattuschka<\/strong>
\nHenry Hills<\/a><\/del>
\nAndy Warhol<\/a><\/del><\/p>\n","protected":false},"excerpt":{"rendered":"

I’ve taken to posting lists of movies I’d like to watch on this blog, which is unnecessary since I already keep a master list of movies I’d like to see in a database. Keeping extra lists here just means I’ve made everything less efficient. But no matter. A month or two ago I declared The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-5510","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=5510"}],"version-history":[{"count":29,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5510\/revisions"}],"predecessor-version":[{"id":11618,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5510\/revisions\/11618"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=5510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=5510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=5510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}