{"id":571,"date":"2008-05-28T23:52:28","date_gmt":"2008-05-29T03:52:28","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=571"},"modified":"2010-11-21T12:13:41","modified_gmt":"2010-11-21T17:13:41","slug":"lovers-on-the-bridge-1991-leos-carax","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/571","title":{"rendered":"Lovers on the Bridge (1991, Leos Carax)"},"content":{"rendered":"<p>I am pleased to say that the movie never quite dives into gritty, depressing realism.  It seems like it will&#8230; I mean, the second scene is set in a horrible homeless shelter with our hero lying half dead on the floor, his leg smashed after a car ran over it, being dragged unconscious into the showers by the shelter&#8217;s other miserable-looking occupants.  But forty minutes later he is motoring down the Seine towing Juliette Binoche on waterskiis, surrounded by fireworks in what must&#8217;ve been one of the most exuberant film sequences of the decade.  When he&#8217;s sick of it, he throws away his crutch and in the next scene his cast is gone too.  The movie reminds us of real-world problems but its heroes are above them&#8230; homeless, sick, injured, lonely, hungry, fighting with each other, but never so bad that the next scene can&#8217;t fix everything.<\/p>\n<p>Guy with the busted leg is Alex, resourceful homeless guy who lives on the under-construction bridge with his scary mentor Hans (who dispenses whatever drug Alex needs to sleep at night).  Binoche is heartbroken Michelle who was a painter before she started going blind and ran away from her treatment.  After they fall in love, Alex rebels when he hears that a search is on to find and cure Michelle, preferring her to be dependent on his care.  But she finds out and gets the cure, while he inadvertently lights a guy on fire and goes to jail for a couple years.  Very romantic-comedy-like, they make a date to meet on Christmas on the repaired bridge and end up together.  Sounds dreadfully obvious, and it does get a bit indie-film-cutesy, but the love story and the ballsy storytelling pulled me right in&#8230; loved the movie.<\/p>\n<p>Binoche was nominated for a best actress Cesar, but running against Emmanuelle Beart for <em><a href=\"\/journal\/archives\/542\">La Belle noiseuse<\/a><\/em> and Irene Jacob for <em><a href=\"\/journal\/archives\/151\">Double Life of Veronique<\/a><\/em>, the &#8220;brave young actress in awesome art film&#8221; vote was split, and the award went to elder Jeanne Moreau for a comedy I&#8217;ve never heard of.  But up against a completely different group of actresses, Binoche took the European Film Award that year.  Denis Lavant, also star of Carax&#8217;s <em>Bad Blood<\/em> and Denis&#8217;s <em>Beau travail<\/em>, unsurprisingly (because he&#8217;s funny-lookin&#8217;) later appeared in <em><a href=\"\/journal\/archives\/5\">A Very Long Engagement<\/a><\/em>.  Hans was Klaus-Michael Gr\u00fcber, previously a director for television, who has appeared in nothing else.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image08\/loversonthebridge1.jpg\" alt=\"image\"><\/p>\n<p>Learned some stuff on other sites.  Everyone wants to talk about the movie&#8217;s huge spiraling budget as Carax, unable to use the bridge itself, built a new bridge (and the surrounding buildings!) over a lake for a movie set.  And everyone wants to talk about the movie being a flop upon release in theaters.  And Americans want to gripe about the nine-year-delayed release to theaters here.  And everyone makes a point of mentioning that Leos Carax is a made-up name, but I only saw one mention that the character Alex is a stand-in for the director (real name Alex), who was dating Juliette Binoche while this was in production.  Also found plenty of comparisons to other films:<\/p>\n<p><em>Titanic<\/em> &#8211; for the ending (&#8220;king of the world&#8221; bit on the barge), fact that it&#8217;s a super-expensive movie but plot is a simple two-person love story.<\/p>\n<p><em>One From The Heart<\/em> &#8211; for the romantic tone, but mostly for the huge, awesomely expensive artificial set created for the movie, and the subsequent damage to the director&#8217;s career after the movie was not well-received.<\/p>\n<p><em>City Lights<\/em> &#8211; blind girl, in love with a homeless man, regains her sight at the end.  Clearly an influence on the story.<\/p>\n<p><em><a href=\"\/journal\/archives\/405\">L&#8217;Atalante<\/a><\/em> &#8211; ahh, there&#8217;s the one Carax probably had in mind.  Protagonists are poor but resourceful, in love but in a rocky relationship, joined by a moody father-figure old man, end up together on a barge.  Perfect.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am pleased to say that the movie never quite dives into gritty, depressing realism. It seems like it will&#8230; I mean, the second scene is set in a horrible homeless shelter with our hero lying half dead on the floor, his leg smashed after a car ran over it, being dragged unconscious into the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[395,226,34,394,71,177,855],"class_list":["post-571","post","type-post","status-publish","format-standard","hentry","category-movie","tag-blindness","tag-charlie-chaplin","tag-france","tag-francis-ford-coppola","tag-jean-vigo","tag-juliette-binoche","tag-leos-carax"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=571"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/571\/revisions"}],"predecessor-version":[{"id":5352,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/571\/revisions\/5352"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}