{"id":5725,"date":"2011-01-13T22:34:45","date_gmt":"2011-01-14T03:34:45","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=5725"},"modified":"2015-10-20T08:11:44","modified_gmt":"2015-10-20T13:11:44","slug":"standard-operating-procedure-2008-errol-morris","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/5725","title":{"rendered":"Standard Operating Procedure (2008, Errol Morris)"},"content":{"rendered":"<p>It&#8217;s Political Documentary Month!  We will see how long that lasts.  Katy asked if all Errol Morris&#8217;s films are about death (as far as I know they are) and commented that the square photos within a widescreen strip within our square TV across the room made her feel blind, so I brought up stylistic differences between Morris and Ken Burns, figuring we&#8217;re being punished for watching a theatrical feature in the same way we&#8217;d watch a television program.  Afterwards, I showed her <em><a href=\"\/journal\/archives\/3017\">In The Loop<\/a><\/em>, which I thought worked much better than <em>S.O.P.<\/em> on the TV screen.  I was psyched to revisit it but she didn&#8217;t like at all, since it doesn&#8217;t count as satire on government if it&#8217;s exactly the way she imagines government works, and anyway it&#8217;s not funny.<\/p>\n<p>S.O.P. was surprisingly tame.  As one of the former prison guards points out, it&#8217;s not like they were beating prisoners or killing them, although that happens when the CIA bring in their own prisoner, a guy who they&#8217;re told &#8220;was never here.&#8221;  Unfortunately for the CIA, photos of that incident leaked along with the rest &#8211; the ones with prisoners tied up in &#8220;stress positions&#8221; with panties on their heads, handcuffed into simulated sex scenarios and stacked in naked pyramids, all with Lynndie England flashing a thumbs-up in front.  The prison holds a confusing number of military and government groups and private organizations &#8211; it would&#8217;ve taken a whole other movie to get it all straight.  The guards certainly weren&#8217;t clear about it themselves.  A side-effect of Morris&#8217;s technique here is that he&#8217;s made the opposite of <em><a href=\"\/journal\/archives\/209\">The Road to Guantanamo<\/a><\/em>, which was told from the prisoners&#8217; point of view.  This movie is an analysis of the photographs, of the circumstances behind them, but only from the guards&#8217; points of view.  The nameless prisoners, degraded and objectified in those photographs, remain anonymously dehumanized in the film, enigmatic vessels of suspicion (they are, after all, &#8220;enemy combatants&#8221;) and sympathy (for the torture\/s.o.p. depicted).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s Political Documentary Month! We will see how long that lasts. Katy asked if all Errol Morris&#8217;s films are about death (as far as I know they are) and commented that the square photos within a widescreen strip within our square TV across the room made her feel blind, so I brought up stylistic differences [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[369,93,421,230,469],"class_list":["post-5725","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2000s","tag-documentary","tag-errol-morris","tag-iraq","tag-torture"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=5725"}],"version-history":[{"count":5,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5725\/revisions"}],"predecessor-version":[{"id":10508,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5725\/revisions\/10508"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=5725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=5725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=5725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}