{"id":5837,"date":"2011-02-16T23:20:25","date_gmt":"2011-02-17T04:20:25","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=5837"},"modified":"2015-10-02T15:39:02","modified_gmt":"2015-10-02T20:39:02","slug":"8-x-8-a-chess-sonata-in-8-movements-1957-hans-richter","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/5837","title":{"rendered":"8 X 8: A Chess Sonata in 8 Movements (1957, Hans Richter)"},"content":{"rendered":"<p>&#8220;This film deals with the world of fantasy.  It is a fairy-tale for grown-ups.  It explores the realm behind the magic mirror wich served Lewis Carroll 100 years ago to stimulate your imagination. &#8230; This film has been produced by artists.  We have made use of the traditional freedom of the artist to follow our inspiration.&#8221;<\/p>\n<p>The producers felt compelled to append that little preface, probably to distinguish their movie from contemporary films like <em><a href=\"\/journal\/archives\/4735\">Desk Set<\/a><\/em>, <em>Bridge on the River Kwai<\/em> and <em>I Was a Teenage Werewolf<\/em>.  But this was also the year of artistic masterworks <em><a href=\"\/journal\/archives\/4303\">The Cranes Are Flying<\/a><\/em>, <em><a href=\"\/journal\/archives\/86\">Letter From Siberia<\/a><\/em> and <em><a href=\"\/journal\/archives\/9537\">The Seventh Seal<\/a><\/em>, none of which felt the need to open their piece with a pretentious prelude pointing out its poetry.<\/p>\n<p><em>Cocteau, I think:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image11\/8x81.jpg\"><\/p>\n<p>With the participation of Louis and Bebe Barron (<em>Forbidden Planet<\/em>), Max Ernst, Alexander Calder, dada artist Marcel Duchamp and Man Ray, some of whom had previously worked on more justifiably renowned films like <em>Entre&#8217;act<\/em>, <em><a href=\"\/journal\/archives\/17\">L&#8217;Age d&#8217;Or<\/a><\/em> and Richter&#8217;s own <em>Dreams That Money Can Buy<\/em>.<\/p>\n<p>Short, playful episodes, all somehow chess-related.  For instance, in one scene a man is paralyzed and confounded by a chess board, mocked by a coat rack in the room shaped just like the king piece, while white mice run around his black shoes.  A naked woman arrives and suddenly he is able to take his turn, while a horrible horn plays and the mice, captured by a folding chess board, transform into pigeons.  This all sounds like it should make for a fine bit of visual poetry, except that the pacing makes it tedious, and most of the movie features intolerable flute, trumpet, accordion and violin music.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image11\/8x82.jpg\"><\/p>\n<p>Richter was around 70 when he made this.  Seems more like something he did with\/for his buddies rather than general audiences.  Titles and occasionally narration in English.  I liked some stop-motion, a Svankmajeresque dance of rattles, mobiles and masks made from repurposed found objects.  Liked the 1950&#8217;s fashions.  Otherwise it&#8217;s a pleasant waste of time, maybe not the Great Lost Cocteau Film I was hoping for.  I wouldn&#8217;t mind watching again if it ever surfaces with less appalling picture quality than my copy.<\/p>\n<p>Allmovie:<\/p>\n<blockquote><p>The idea is to present chess conundrums cinematically the way Lewis Carroll did in literature, particularly in Through the Looking Glass. Filmmaker Hans Richter, who&#8217;d previously collaborated on Cocteau&#8217;s <em><a href=\"\/journal\/archives\/80\">Blood of a Poet<\/a><\/em>, designed his films like paintings; as a result <em>8 X 8<\/em> is visually dazzling, especially segment #2 (\u201cA New Twist\u201d) \u2014 even when the viewer is at a loss to understand what is going on.<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"\/journal\/image11\/8x83.jpg\"><\/p>\n<p>Grunes:<\/p>\n<blockquote><p>The first episode is a period piece depicting royal intrigue in the woods. It includes a lady&#8217;s tripped-up, trapped bare foot: one of numerous erotic images. In another, Calder constructs a mobile and uses his breath to blow it into life. Here, also, is randomness\u2014of the found objects, various movements resulting from disparate shapes and weights, etc. A woman&#8217;s kiss elsewhere turns a royal doll into a human beloved, but, unwilling to cede any power, the woman submits the man&#8217;s head and neck to a succession of hats (including a large one with a chessboard design) and ties, preferring to wear the crown herself, and converts the man into a puppet on a string. In perhaps the most wonderful episode, an adventure in \u201cthe fortunes of love,\u201d Max Ernst pursues another chess piece, wife Dorothea Tanning, throughout Lower Manhattan\u2014initially, in unexpected black and white. &#8230; A clock turns counterclockwise, erasing its numerical indicators. The film&#8217;s irresolution suggests that life is a chess game in endless play.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;This film deals with the world of fantasy. It is a fairy-tale for grown-ups. It explores the realm behind the magic mirror wich served Lewis Carroll 100 years ago to stimulate your imagination. &#8230; This film has been produced by artists. We have made use of the traditional freedom of the artist to follow our [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[342,74,939,664,323],"class_list":["post-5837","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1950s","tag-avant-garde","tag-chess","tag-hans-richter","tag-jean-cocteau"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=5837"}],"version-history":[{"count":11,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5837\/revisions"}],"predecessor-version":[{"id":10397,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/5837\/revisions\/10397"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=5837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=5837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=5837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}