{"id":6257,"date":"2011-06-08T19:42:11","date_gmt":"2011-06-08T23:42:11","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=6257"},"modified":"2015-10-02T15:10:04","modified_gmt":"2015-10-02T20:10:04","slug":"graveyard-of-honor-2002-takashi-miike","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/6257","title":{"rendered":"Graveyard of Honor (2002, Takashi Miike)"},"content":{"rendered":"<p>Stylish and well shot Miike gangster film from the same year as <em>Dead or Alive Final<\/em> and <em>Sabu<\/em>.  Jump cuts galore, and a badass tone that outdoes <em><a href=\"\/journal\/archives\/6254\">Outrage<\/a><\/em>.  Based on a Fukusaku film from the 70&#8217;s &#8211; Miike&#8217;s first remake?  He&#8217;s done a couple more lately, with <em><a href=\"\/journal\/archives\/6285\">13 Assassins<\/a><\/em> and <em>Harakiri<\/em>.<\/p>\n<p>Ishimatsu (Goro Kishitani, lately in <em>Like a Dragon<\/em> and <em>Crows Zero<\/em>) is already a violent sociopath when he enters yakuza life, recruited from his dishwashing job after saving the boss man Sawada (Shingo Yamashiro of the original <em>Graveyard of Honor<\/em>) from an assassination attempt.  Fond of murder and rape, he fits right in, but his new bosses don&#8217;t realize just how much of a loose cannon he&#8217;ll be.<\/p>\n<p>Ishi in his element:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image11\/graveyard3.jpg\"><\/p>\n<p>He&#8217;s locked up early on after an assignment to kill a guy who stirred up trouble in a gambling parlor, and in prison makes friends with scar-faced Imamura.  Also at some point he gets rape victim Harumi Inoue (star of <em>Freeze Me<\/em>) to marry him.  After a misunderstanding when Ishi wants his money right fucking now and thinks the godfather (who is at the dentist) is avoiding him, he whups everyone&#8217;s ass, and cracks the skull of middle man Yuwada (Renji Ishibashi, below, always receiving dentist-related injuries in movies, played the mob boss who got shoddy oral surgery from Kitano in <em>Outrage<\/em>).<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image11\/graveyard4.jpg\"><\/p>\n<p>This is bad for sure, and it&#8217;s possible that Ishi could run some damage control or do some kind of penance, but he wants his fucking money, busts into the boss&#8217;s house and shoots Sawada, who was reaching for the cash to pay Ishi.  Oops, another misunderstanding, and now Ishi stays on the run, sheltered by his friend Imamura.<\/p>\n<p><em>I think this is Imamura, but a second scar-faced character was placed in the movie to confuse me:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image11\/graveyard1.jpg\"><\/p>\n<p>A detective (Rikiya Yasuoka of <em>Tampopo<\/em>) gets involved.  Goons beat up Ishi&#8217;s wife and he wails on their faces with a metal pipe.  Another misunderstanding and Ishi stabs his friend.  Yakuzas panic, fingers are cut off, tear gas is fired, and finally he lets himself be captured, later knocking out a guard in prison then climbing a tower and jumping to his death, unleashing a typically Miike-overkill rainstorm of blood.<\/p>\n<p>B. Sachs:<\/p>\n<blockquote><p>What makes it different from most of its forebears is that Takashi Miike works to avoid any intimations of a narrative arc. Instead of setting up a pattern of hubris and comeuppance, Miike organizes the film as an accumulation of detail, with a special preoccupation with how things work: the way yakuza from different families forge alliances, how a prisoner can give himself salmonella to get into the infirmary, how the body reacts to heroin. For all the instructive, caught-in-the-moment observation, though, it is a frighteningly amoral film, less an object lesson in criminal psychopathology than an attempt to meet that psychopath on his level.<\/p><\/blockquote>\n<p><em>Ishi makes his &#8220;escape&#8221; from prison:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image11\/graveyard2.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stylish and well shot Miike gangster film from the same year as Dead or Alive Final and Sabu. Jump cuts galore, and a badass tone that outdoes Outrage. Based on a Fukusaku film from the 70&#8217;s &#8211; Miike&#8217;s first remake? He&#8217;s done a couple more lately, with 13 Assassins and Harakiri. Ishimatsu (Goro Kishitani, lately [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[369,1243,36,104],"class_list":["post-6257","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2000s","tag-gangsters","tag-japan","tag-takashi-miike"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/6257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=6257"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/6257\/revisions"}],"predecessor-version":[{"id":10374,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/6257\/revisions\/10374"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=6257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=6257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=6257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}