{"id":7122,"date":"2011-12-31T22:30:09","date_gmt":"2012-01-01T03:30:09","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=7122"},"modified":"2011-12-31T01:15:29","modified_gmt":"2011-12-31T06:15:29","slug":"favorite-movies-watched-on-video-in-2011","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/7122","title":{"rendered":"Favorite Movies watched on video in 2011"},"content":{"rendered":"<p><strong>1. Three by Raoul Ruiz: <em><a href=\"\/journal\/archives\/6315\">City of Pirates<\/a><\/em> (1984), <em><a href=\"\/journal\/archives\/6530\">Manuel on the Island of Wonders<\/a><\/em> (1985), and <em><a href=\"\/journal\/archives\/6149\">That Day<\/a><\/em> (2003)<\/strong><br \/>\n<em>City of Pirates<\/em> has been the one to beat since I watched it this summer.  I can&#8217;t say <em>Manuel<\/em> beats it exactly, but they are highly complimentary (both concern islands, pirates, children with identity issues, etc).  The other (and of course <em>Mysteries of Lisbon<\/em>) is happy proof that Ruiz never stopped making brilliant work to the end of his life.  I look forward to catching up with all the rest.<\/p>\n<p><strong>2. Three by Bergman: <em><a href=\"\/journal\/archives\/6601\">Smiles of a Summer Night<\/a><\/em> (1955), <em><a href=\"\/journal\/archives\/6288\">The Magician<\/a><\/em> (1958) and <em><a href=\"\/journal\/archives\/6842\">The Virgin Spring<\/a><\/em> (1960)<\/strong><br \/>\nI didn&#8217;t even think I liked Bergman very much until I saw <em>Monika<\/em> at Emory early this year.  Then I watched each of these expecting to be let down, but I never was.  So I&#8217;m grudgingly redefining myself as a huge Bergman fan.<\/p>\n<p><strong>3. Four by Josef von Sternberg: <em><a href=\"\/journal\/archives\/6110\">Underworld<\/a><\/em> (1927), <em><a href=\"\/journal\/archives\/6198\">The Last Command<\/a><\/em> (1928), <em><a href=\"\/journal\/archives\/6202\">Docks of New York<\/a><\/em> (1928) and <em><a href=\"\/journal\/archives\/6937\">Dishonored<\/a><\/em> (1931)<\/strong><\/p>\n<p><strong>4. Russian Silents: <em><a href=\"\/journal\/archives\/6200\">Battleship Potemkin<\/a><\/em> (Eisenstein), <em><a href=\"\/journal\/archives\/6284\">By the Law<\/a><\/em> (Kuleshov), <em><a href=\"\/journal\/archives\/6076\">Mother<\/a><\/em> (Pudovkin) and <em><a href=\"\/journal\/archives\/6529\">Arsenal<\/a><\/em> (Dovzhenko)<\/strong><\/p>\n<p><strong>5. <em><a href=\"\/journal\/archives\/6134\">A Tale of the Wind<\/a><\/em> (1988, Ivens &#038; Loridan)<\/strong><br \/>\n<strong>6. <em><a href=\"\/journal\/archives\/5914\">The Best Years of Our Lives<\/a><\/em> (1946, William Wyler)<\/strong><\/p>\n<p><strong>7. Victor Sjostrom: <em><a href=\"\/journal\/archives\/6816\">The Phantom Carriage<\/a><\/em> (1921) and <em><a href=\"\/journal\/archives\/6760\">He Who Gets Slapped<\/a><\/em> (1924)<\/strong><\/p>\n<p><strong>8. <em><a href=\"\/journal\/archives\/6310\">The Wind Will Carry Us<\/a><\/em> (1999, Abbas Kiarostami)<\/strong><\/p>\n<p><strong>9. Renoir in the 1930&#8217;s: <em><a href=\"\/journal\/archives\/6279\">La Chienne<\/a><\/em>, <em><a href=\"\/journal\/archives\/6337\">Night at the Crossroads<\/a><\/em>, <em><a href=\"\/journal\/archives\/6464\">Boudu Saved From Drowning<\/a><\/em> and <em><a href=\"\/journal\/archives\/7072\">Toni<\/a><\/em><\/strong><br \/>\nI didn&#8217;t get to <em>Grand Illusion<\/em> in time.<\/p>\n<p><strong>10. Kaneto Shindo horrors: <em><a href=\"\/journal\/archives\/6866\">Onibaba<\/a><\/em> (1964) and <em><a href=\"\/journal\/archives\/6887\">Kuroneko<\/a><\/em> (1968)<\/strong><\/p>\n<p>I don&#8217;t care if it&#8217;s cheating to put 25 titles in my top-10.<\/p>\n<p><strong>11. <em><a href=\"\/journal\/archives\/5869\">Finis Terrae<\/a><\/em> (1929, Jean Epstein)<\/strong><br \/>\n<strong>12. <em><a href=\"\/journal\/archives\/5757\">Nostalghia<\/a><\/em> (1983, Andrei Tarkovsky)<\/strong><br \/>\n<strong>13. <em><a href=\"\/journal\/archives\/6761\">I Was a Male War Bride<\/a><\/em> (1949, Howard Hawks)<\/strong><\/p>\n<p><strong>14. Two by Alain Resnais: <em><a href=\"\/journal\/archives\/6074\">Love Unto Death<\/a><\/em> (1984) and <em><a href=\"\/journal\/archives\/6417\">Melo<\/a><\/em> (1986)<\/strong><br \/>\nToo bad about <em><a href=\"\/journal\/archives\/6180\">I Want To Go Home<\/a><\/em>.<\/p>\n<p><strong>15. <em><a href=\"\/journal\/archives\/6498\">Century of the Self<\/a><\/em> (2002, Adam Curtis)<\/strong><br \/>\n<strong>16. <em><a href=\"\/journal\/archives\/6033\">For All Mankind<\/a><\/em> (1989, Al Reinert)<\/strong><br \/>\nTwo extremely different documentaries.<\/p>\n<p><strong>17. <em><a href=\"\/journal\/archives\/5705\">Bigger Than Life<\/a><\/em> (1956, Nicholas Ray)<\/strong><br \/>\n<strong>18. <em><a href=\"\/journal\/archives\/5902\">The Apartment<\/a><\/em> (1960, Billy Wilder)<\/strong><br \/>\n<strong>19. <em><a href=\"\/journal\/archives\/6916\">La Pointe-courte<\/a><\/em> (1956, Agnes Varda)<\/strong><br \/>\n<strong>20. <em><a href=\"\/journal\/archives\/6519\">Withnail &#038; I<\/a><\/em> (1986, Bruce Robinson)<\/strong><\/p>\n<p><strong>21. <em><a href=\"\/journal\/archives\/5801\">Make Way For Tomorrow<\/a><\/em> (1937, Leo McCarey)<\/strong><br \/>\n<strong>22. <em><a href=\"\/journal\/archives\/6032\">Center Stage<\/a><\/em> (1991, Stanley Kwan)<\/strong><br \/>\n<strong>23. Powell &#038; Pressburger: <em><a href=\"\/journal\/archives\/5800\">A Canterbury Tale<\/a><\/em> and <em><a href=\"\/journal\/archives\/6759\">Gone to Earth<\/a><\/em><\/strong><br \/>\n<strong>24. <em><a href=\"\/journal\/archives\/5784\">Hail the Conquering Hero<\/a><\/em> (1944, Preston Sturges)<\/strong><br \/>\n<strong>25. <em><a href=\"\/journal\/archives\/6813\">Gothic<\/a><\/em> (1986, Ken Russell)<\/strong><br \/>\n<strong>26. <em><a href=\"\/journal\/archives\/7001\">The Crowd<\/a><\/em> (1928, King Vidor)<\/strong><\/p>\n<p><strong>Runners-up:<\/strong><br \/>\n<em><a href=\"\/journal\/archives\/6467\">My Life to Live<\/a><\/em> (1962, Jean-Luc Godard)<br \/>\n<em><a href=\"\/journal\/archives\/5723\">The Last Bolshevik<\/a><\/em> (1992, Chris Marker)<br \/>\n<em><a href=\"\/journal\/archives\/7170\">L&#8217;Assassinat du P\u00e8re No\u00ebl<\/a><\/em> (1941, Christian-Jaque)<br \/>\n<em><a href=\"\/journal\/archives\/6203\">The Marquise of O<\/a><\/em> (1976, Eric Rohmer)<br \/>\n<em><a href=\"\/journal\/archives\/7011\">Even Dwarfs Started Small<\/a><\/em> (1970, Werner Herzog)<br \/>\n<em><a href=\"\/journal\/archives\/7006\">The Last Mistress<\/a><\/em> (2007, Catherine Breillat)<\/p>\n<p>Finally, because his films don&#8217;t like to mingle with the others,<br \/>\n<strong>Jacques Rivette of the year:<\/strong> <em><a href=\"\/journal\/archives\/6815\">L&#8217;Amour Fou<\/a><\/em> (1969)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Three by Raoul Ruiz: City of Pirates (1984), Manuel on the Island of Wonders (1985), and That Day (2003) City of Pirates has been the one to beat since I watched it this summer. I can&#8217;t say Manuel beats it exactly, but they are highly complimentary (both concern islands, pirates, children with identity issues, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-7122","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=7122"}],"version-history":[{"count":7,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7122\/revisions"}],"predecessor-version":[{"id":7230,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7122\/revisions\/7230"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=7122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=7122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=7122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}