{"id":7264,"date":"2012-02-06T20:28:46","date_gmt":"2012-02-07T01:28:46","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=7264"},"modified":"2012-02-06T20:28:46","modified_gmt":"2012-02-07T01:28:46","slug":"symbol-2009-hitoshi-matsumoto","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/7264","title":{"rendered":"Symbol (2009, Hitoshi Matsumoto)"},"content":{"rendered":"<p>This was everything I hoped it&#8217;d be when I heard the vague plot outline. Japanese man wearing loud pajamas wakes up in an all-white room covered in switches.  Whenever he presses a switch, something new appears in the room.  Meanwhile a Mexican wrestler named Escargot Man prepares for a match.  How will these two stories come together?<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/symbol4.jpg\"><\/p>\n<p>It gets weirder, of course. The switches are angel penises.  The man gets a ton of useless stuff, plus sushi (but no soy sauce).  He&#8217;s somewhat frustrating to my organized mind because he doesn&#8217;t try every switch or hit them in any organized manner.  But the stakes are raised when he finds a floor switch that opens a door out of the room &#8211; just for a few seconds.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/symbol1.jpg\"><\/p>\n<p>Maybe my favorite part: he has a large pot, and unlimited sushi, so he fills the pot with sushi to weigh down the switch.  But it&#8217;s too full to lift.  So he laboriously starts pulling bits of sushi back out of the pot with chopsticks, when he hits a button that causes an African man to jog into the pot, breaking it in half.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/symbol2.jpg\"><\/p>\n<p>More intricate escape attempts.  He finds the exit door has a combination lock (the combo is written on the African man&#8217;s head) and a key lock.  The key appears on a timer, as does a rope from the sky, so there&#8217;s a plan involving swinging and grabbing and running.  The man doesn&#8217;t talk out his ideas &#8211; instead we get wonderful comic-book montages as he envisions what he&#8217;s going to do next.<\/p>\n<p>But sometimes he hits the wrong switch and this happens.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/symbol5.jpg\"><\/p>\n<p>Plan is carried out, but he&#8217;s stuck.  The door is unlocked, without enough room to open, and he can&#8217;t get back into the main room.  Passage of time marked by red sushi turning brown.  He finds a sliding panel and a new room of switches &#8211; this time when he hits them, things happen in the world outside that he&#8217;s not aware of.  Frustrated, he flicks one switch over and over &#8211; one that causes the Mexican wrestler&#8217;s neck to extend and deliver a knockout headbutt to whoever&#8217;s closest.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/symbol3.jpg\"><\/p>\n<p>The man ascends a tower of penis switches&#8230; to the final room.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/symbol6.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This was everything I hoped it&#8217;d be when I heard the vague plot outline. Japanese man wearing loud pajamas wakes up in an all-white room covered in switches. Whenever he presses a switch, something new appears in the room. Meanwhile a Mexican wrestler named Escargot Man prepares for a match. How will these two stories [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[369,1479,36,137],"class_list":["post-7264","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2000s","tag-hitoshi-matsumoto","tag-japan","tag-mexico"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=7264"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7264\/revisions"}],"predecessor-version":[{"id":7319,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7264\/revisions\/7319"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=7264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=7264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=7264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}