{"id":7278,"date":"2012-02-11T19:37:02","date_gmt":"2012-02-12T00:37:02","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=7278"},"modified":"2015-10-02T11:53:25","modified_gmt":"2015-10-02T16:53:25","slug":"gate-of-flesh-1964-seijun-suzuki","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/7278","title":{"rendered":"Gate of Flesh (1964, Seijun Suzuki)"},"content":{"rendered":"<p>Super colorful and energetic movie &#8211; I probably liked this more than his acclaimed <em><a href=\"\/journal\/archives\/4861\">Branded To Kill<\/a><\/em>.  Very good music, all bendy strings and gunshot percussion.<\/p>\n<p>Green Maya (the typecast Yumiko Nogawa of <em>Story of a Prostitute<\/em> and <em>Pleasures of the Flesh<\/em>) joins a group of color-coded prostitutes in postwar Japan &#8211; purple Mino (Kayo Matsuo of <em>Tattooed Life<\/em>), yellow Roku, and red leader Sen.  Ofuku wears white so you know she&#8217;s not gonna last, then black Machiko is the next to go, each accused of the crime of giving it away for free.<\/p>\n<p><em>Maya:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh1.jpg\"><\/p>\n<p><em>Sen:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh2.jpg\"><\/p>\n<p><em>Machiko with Jo:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh8.jpg\"><\/p>\n<p>The four have a good thing going, living together in a delapidated building and scaring away all competition &#8211; until puffy-cheeked fugitive Jo Shishido (returning from <em>Youth of the Beast<\/em>) arrives to shake things up, barging in and joining the group.  He sleeps with Machiko, then Maya (causing discord and some whipping), but he also steals and slaughters a cow (providing much food and cash) and amuses them with his post-traumatic stress war anecdodes, so he&#8217;s allowed to stay.<\/p>\n<p><em>Mino:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh3.jpg\"><\/p>\n<p><em>Roku:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh4.jpg\"><\/p>\n<p><em>Chico:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh6.jpg\"><\/p>\n<p>Maya seduces a priest (Chico Roland, the jazz-hating fugitive soldier in <em><a href=\"\/journal\/archives\/7296\">Black Sun<\/a><\/em>) driving him mad.  But ultimately she falls hard for Jo.  &#8220;You&#8217;re the first man I&#8217;ve ever loved. For the first time, I&#8217;ve felt human, but now I&#8217;ll get kicked out of here. The moment I become a real woman, I&#8217;m an outcast.&#8221;  But when they try to run away together, he&#8217;s killed and she&#8217;s left roaming.<\/p>\n<p>Remade in &#8217;77.  The same writer did <em>Story of a Prostitute<\/em>, unsurprisingly.<\/p>\n<p><em>When Maya is stripped of her green clothes and whipped, the whole image is shrouded in green:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh7.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/gateofflesh5.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Super colorful and energetic movie &#8211; I probably liked this more than his acclaimed Branded To Kill. Very good music, all bendy strings and gunshot percussion. Green Maya (the typecast Yumiko Nogawa of Story of a Prostitute and Pleasures of the Flesh) joins a group of color-coded prostitutes in postwar Japan &#8211; purple Mino (Kayo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[410,36,1113,191,120,472],"class_list":["post-7278","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1960s","tag-japan","tag-jo-shishido","tag-prostitution","tag-seijun-suzuki","tag-wwii"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=7278"}],"version-history":[{"count":5,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7278\/revisions"}],"predecessor-version":[{"id":10240,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7278\/revisions\/10240"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=7278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=7278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=7278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}