{"id":7420,"date":"2012-03-31T14:40:57","date_gmt":"2012-03-31T18:40:57","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=7420"},"modified":"2014-12-15T15:33:53","modified_gmt":"2014-12-15T21:33:53","slug":"a-midsummer-nights-dream-1935-william-dieterle-max-reinhardt","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/7420","title":{"rendered":"A Midsummer Night&#8217;s Dream (1935, William Dieterle &#038; Max Reinhardt)"},"content":{"rendered":"<p>Wonderful adaptation, filled with Cocteau-like movie-magic.  Introduced at Emory by Rushdie, who calls it &#8220;The Dream&#8221; for short, and isn&#8217;t a huge fan of James Cagney&#8217;s performance.<\/p>\n<p>Katy and I already watched <a href=\"\/journal\/archives\/3586\">the McNutty version<\/a> from 60-some years later, so I&#8217;m familiar with the story.  Dark-haired Olivia de Havilland (her film debut, later in <em><a href=\"\/journal\/archives\/82\">Gone With The Wind<\/a><\/em>) is coveted by both Dick Powell (star of <em><a href=\"\/journal\/archives\/1348\">Christmas in July<\/a><\/em> and <em><a href=\"\/journal\/archives\/6627\">The Tall Target<\/a><\/em>) and Ross Alexander (short career: suicide), while blonde Jean Muir (star of <em>The White Cockatoo<\/em>) covets Ross.  The lovers (particularly Olivia) give it their all, making their segments more welcome than Cagney&#8217;s.  I noted that Kevin Kline brought &#8220;a touch of sadness to his mostly ridiculous comic-relief role,&#8221; but Cagney instead brings an entire can of ham.  When he&#8217;s not wearing a donkey mask, Cagney works with slate-faced Joe Brown (the guy in love with Jack Lemmon at the end of <em><a href=\"\/journal\/archives\/321\">Some Like It Hot<\/a><\/em>) on their play to be performed for The Duke (Ian Hunter of Hitchcock&#8217;s <em>The Ring<\/em>) and his Amazon conquest\/bride (Verree Teasdale of <em>The Milky Way<\/em>).<\/p>\n<p>Interference comes from fairy queen Anita Louise (of <em><a href=\"\/journal\/archives\/2017\">Judge Priest<\/a><\/em>, bringing less personality than Michelle Pfeiffer did) and sparkly-costumed elf king Victor Jory (<em><a href=\"\/journal\/archives\/3865\">Power of the Press<\/a><\/em>) with his loyal minion, a cackling pre-<em>Andy Hardy<\/em> Mickey Rooney.  The Queen has mini-minions Moth and Pease-Blossom (both sadly unaccounted-for), Cobweb (appeared in a pile of 1950&#8217;s westerns, costarring with Gregory Peck in <em>The Gunfighter<\/em>) and Mustard Seed (Billy Barty, had already been in fifty movies as Mickey Rooney&#8217;s brother, would live to appear in such acclaimed 1980&#8217;s dwarf-filled fantasy films as <em>Legend<\/em>, <em>Willow<\/em>, <em>Masters of the Universe<\/em> and <em>UHF<\/em>).<\/p>\n<p>Lost best picture to <em>Mutiny on the Bounty<\/em>, but cinematographer Hal Mohr was history&#8217;s only write-in oscar winner. He later shot <em><a href=\"\/journal\/archives\/4583\">Underworld USA<\/a><\/em>, <em><a href=\"\/journal\/archives\/213\">Rancho Notorious<\/a><\/em> and a Tashlin feature. Banned in Germany for being based on the Jew-music of Mendelssohn. Reinhardt had staged the play ten or more times, left nazi germany and staged <em>Midsummer<\/em> in Hollywood, then hired to make the film alongside cinema vet Dieterle (<em>The Devil &#038; Daniel Webster<\/em>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wonderful adaptation, filled with Cocteau-like movie-magic. Introduced at Emory by Rushdie, who calls it &#8220;The Dream&#8221; for short, and isn&#8217;t a huge fan of James Cagney&#8217;s performance. Katy and I already watched the McNutty version from 60-some years later, so I&#8217;m familiar with the story. Dark-haired Olivia de Havilland (her film debut, later in Gone [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[343,1341,95,1519,281,1518,524,1517],"class_list":["post-7420","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1930s","tag-dick-powell","tag-emory","tag-james-cagney","tag-mickey-rooney","tag-olivia-de-havilland","tag-shakespeare","tag-william-dieterle"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=7420"}],"version-history":[{"count":6,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7420\/revisions"}],"predecessor-version":[{"id":9636,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7420\/revisions\/9636"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=7420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=7420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=7420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}