{"id":7470,"date":"2012-04-06T22:06:29","date_gmt":"2012-04-07T02:06:29","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=7470"},"modified":"2012-04-06T20:09:41","modified_gmt":"2012-04-07T00:09:41","slug":"the-flowers-of-st-francis-1950-roberto-rossellini","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/7470","title":{"rendered":"The Flowers of St. Francis (1950, Roberto Rossellini)"},"content":{"rendered":"<p>A very light-hearted, beautiful, episodic film about a group of monks who follow St. Francis.  I didn&#8217;t know Rossellini was capable of humor and lightness &#8211; this comes as pleasantly surprising as <em><a href=\"\/journal\/archives\/6601\">Smiles of a Summer Night<\/a><\/em>.  The monks look silly running everywhere they go, and they take in a village idiot who never quite gets the hang of things, so I thought for a while that this was a religion-mocking predecessor of <em>Life of Brian<\/em>, but the underlying seriousness about their faith and Francis&#8217;s lessons on humility come through by the end.<\/p>\n<p>Rossellini:<\/p>\n<blockquote><p>&#8220;As the title indicates, my film wants to focus on the merrier aspect of the Franciscan experience, on the playfulness, the &#8216;perfect delight,&#8217; the freedom that the spirit finds in poverty and in an absolute detachment from material things. . . . I believe that certain aspects of primitive Franciscanism could best satisfy the deepest aspirations and needs of a humanity who, enslaved by its greed and having totally forgotten the Poverello&#8217;s lesson, has also lost its joy of life.&#8221;<\/p><\/blockquote>\n<p>I. Francesco returns from Rome with his companions, having been given the Pope&#8217;s permission to preach.  Someone has taken over their old hut, so they wander off in the pouring rain to build a new one.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/francisflowers1.jpg\"><\/p>\n<p>II. Brother Ginepro gave away his clothes to a beggar.  Francesco tells him not to do this anymore.<\/p>\n<p>III. Francesco talks to birds. Wrinkled ol&#8217; Giovanni The Simple is given permission to join the group.  I can&#8217;t remember where I read this, but it said the actor who played Giovanni was too drunk to learn any lines, so they&#8217;d shove him in front of camera to improvise his scenes.  He&#8217;d played a monk earlier in <em><a href=\"\/journal\/archives\/5992\">L&#8217;Amore<\/a><\/em>.<\/p>\n<p><em>Francis with bird:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/francisflowers2.jpg\"><\/p>\n<p>IV. Sister Chiara comes to visit, has dinner with Francesco.  It&#8217;s said that she first became a nun in their chapel, but I thought they just built the chapel in the middle of nowhere.  Guess not.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/francisflowers3.jpg\"><\/p>\n<p>V. Troublesome Ginepro cuts off the foot of a neighboring farmer&#8217;s pig to offer to a sick comrade.  The farmer gets understandably angry.  Ginepro tries to apologize.<\/p>\n<p>VI. A wordless section: &#8220;How San Francesco, praying in the forest at night, met the leper.&#8221;  Francis silently commisserates.<\/p>\n<p>VII. Ginepro again, makes enough stew to last two weeks so the guys don&#8217;t have to stop preaching to cook.  Francesco is impressed, gives him permission to go preach, but he must always begin by humbly saying &#8220;Baa, baa, baa, much I say, little I do.&#8221;<\/p>\n<p>VIII. Ginepro &#8220;baa baa&#8221;s his way into a violent village of warrior-thugs, who beat the shit out of him and play jumprope with his body.  He gets a private conference with heavily armored warlord Aldo Fabrizi (the priest of <em><a href=\"\/journal\/archives\/5523\">Rome Open City<\/a><\/em> &#8211; I didn&#8217;t recognize him in the mop wig and fake mustache) who finally figures out that Ginepro is obviously not a threat.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/francisflowers4.jpg\"><\/p>\n<p>IX. Francesco is sad because he sees a bandit killed.  He and brother Leone try to preach at a house but get tossed out into the mud.  He explains that this suffering is &#8220;perfect happiness.&#8221;<\/p>\n<p>X. The group breaks up. Francesco has everyone spin in circles until they fall down dizzy &#8211; whichever city they&#8217;re now facing is where they must go preach.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image12\/francisflowers5.jpg\"><\/p>\n<p>M. Porro: &#8220;Rossellini said that his film was a humble and austere work, realistically describing the spirit of the story. &#8230; In the cinema, biblical and evangelical subjects took the form of big American films.  Think of a film like <em>The Bible<\/em> by John Huston, <em>The Robe<\/em>, <em>King of Kings<\/em>, <em>The Greatest Story Ever Told<\/em>. The rhetoric of these films interferes with the spiritual message.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A very light-hearted, beautiful, episodic film about a group of monks who follow St. Francis. I didn&#8217;t know Rossellini was capable of humor and lightness &#8211; this comes as pleasantly surprising as Smiles of a Summer Night. The monks look silly running everywhere they go, and they take in a village idiot who never quite [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[342,63,1188],"class_list":["post-7470","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1950s","tag-religion","tag-roberto-rossellini"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=7470"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7470\/revisions"}],"predecessor-version":[{"id":7542,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7470\/revisions\/7542"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=7470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=7470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=7470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}