{"id":7720,"date":"2012-06-25T23:14:40","date_gmt":"2012-06-26T03:14:40","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=7720"},"modified":"2014-10-22T16:04:40","modified_gmt":"2014-10-22T21:04:40","slug":"mansion-of-madness-1973-juan-lopez-moctezuma","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/7720","title":{"rendered":"Mansion of Madness (1973, Juan Lopez Moctezuma)"},"content":{"rendered":"<p>White-hatted Gaston is visiting Dr. Maillard&#8217;s psychiatric hospital when they&#8217;re met at the gate by a loony-acting guard, and I suddenly realized this was based on the same Poe story as Svankmajer&#8217;s <em><a href=\"\/journal\/archives\/7330\">Sileni<\/a><\/em>, and is going to suffer in comparison.  Gaston is welcomed into the asylum, led by the swirly-robed man on the DVD cover, while his red-hatted friend (Martin LaSalle, star of <em><a href=\"\/journal\/archives\/127\">Pickpocke<\/a>t<\/em>) is attacked in the woods and his woman raped.  It just isn&#8217;t a bad 1970&#8217;s movie unless a woman gets raped.<\/p>\n<p><em>The guy from the DVD cover:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/madmansion2.jpg\"><\/p>\n<p><em>The girl from Alucarda&#8217;s DVD cover &#8211; what&#8217;s she doing here?<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/madmansion3.jpg\"><\/p>\n<p>The movie&#8217;s in English, which the actors are having trouble getting used to &#8211; some words are pronounced differently each time they&#8217;re spoken.  Gaston&#8217;s straight Rod Serling line delivery conflicts badly with Maillard&#8217;s strangely-accented rapid-fire drama.  It wants to look like Vadim&#8217;s <em><a href=\"\/journal\/archives\/6841\">Spirits of the Dead<\/a><\/em> segment with the careful posing of actors and scenery before the camera.  One of those euro-art films, but from Mexico.  Moctezuma also made the Satan-in-a-convent movie <em>Alucarda<\/em>, which I saw but can&#8217;t much remember.<\/p>\n<p><em>White hat and red hat:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/madmansion1.jpg\"><\/p>\n<p><em>Lunacy:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/madmansion4.jpg\"><\/p>\n<p>This one is more masculine than <em>Sileni<\/em>, less interested in the daughter\/prisoner character Eugenie than in Gaston and Maillard (Claudio Brook &#8211; <em><a href=\"\/journal\/archives\/245\">Simon of the Desert<\/a><\/em> himself), but really it doesn&#8217;t seem too interested in any of them.  There are some half-hearted pursuits and mysteries, and even the tarred\/feathered &#8220;real doctors&#8221; in the basement scenes have little explanation (and nothing like the terribly doomed finale of Svankmajer&#8217;s version). The &#8220;hero&#8221; never does a thing; the prisoners escape on their own. It&#8217;s a series of crazy scenes, signifying nothing.<\/p>\n<p><em>Claudio having an epic shout:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/madmansion5.jpg\"><\/p>\n<p><em>Eugenie&#8217;s revenge:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/madmansion6.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>White-hatted Gaston is visiting Dr. Maillard&#8217;s psychiatric hospital when they&#8217;re met at the gate by a loony-acting guard, and I suddenly realized this was based on the same Poe story as Svankmajer&#8217;s Sileni, and is going to suffer in comparison. Gaston is welcomed into the asylum, led by the swirly-robed man on the DVD cover, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[400,1127,137],"class_list":["post-7720","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1970s","tag-asylum","tag-mexico"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=7720"}],"version-history":[{"count":5,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7720\/revisions"}],"predecessor-version":[{"id":9475,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/7720\/revisions\/9475"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=7720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=7720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=7720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}