{"id":8104,"date":"2012-10-23T18:59:20","date_gmt":"2012-10-23T22:59:20","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=8104"},"modified":"2013-11-16T22:02:51","modified_gmt":"2013-11-17T03:02:51","slug":"antonio-gaudi-1984-hiroshi-teshigahara","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/8104","title":{"rendered":"Antonio Gaud\u00ed\u00ad (1984, Hiroshi Teshigahara)"},"content":{"rendered":"<p>A wordless montage of Gaudi architecture and artwork, beautiful and nostalgic of my time in Barcelona.  Toru Takemitsu&#8217;s usually fine music score got too chiming and ethereal at times.  Tiny bit of talking, first a half hour in, then over the climactic Sagrada Familia segment.<\/p>\n<p><em>First, some Picasso in the square.  Facing us: El fris dels Gegants<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gaudi1.jpg\"><\/p>\n<p><em>This is the first thing I always think about when I hear Gaudi&#8217;s name:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gaudi2.jpg\"><\/p>\n<p><em>Sagrada Familia, distant view:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gaudi3.jpg\"><\/p>\n<p>Criterion:<\/p>\n<blockquote><p>Gaud\u00c3\u00ad&#8217;s structures, [Teshigahara] later said, \u201cmade me realize that the lines between the arts are insignificant. Gaud\u00c3\u00ad worked beyond the borders of various arts and made me feel that the world in which I was living still left a great many possibilities.\u201d<\/p><\/blockquote>\n<p><em>Wow, we didn&#8217;t go here:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gaudi4.jpg\"><\/p>\n<p><em>The ol&#8217; Parc Guell:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gaudi5.jpg\"><\/p>\n<p><em>Sagrada Familia, inside view:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image12\/gaudi6.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A wordless montage of Gaudi architecture and artwork, beautiful and nostalgic of my time in Barcelona. Toru Takemitsu&#8217;s usually fine music score got too chiming and ethereal at times. Tiny bit of talking, first a half hour in, then over the climactic Sagrada Familia segment. First, some Picasso in the square. Facing us: El fris [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[357,1630,1140,93,868,189],"class_list":["post-8104","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1980s","tag-architecture","tag-barcelona","tag-documentary","tag-hiroshi-teshigahara","tag-spain"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=8104"}],"version-history":[{"count":5,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8104\/revisions"}],"predecessor-version":[{"id":8938,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/8104\/revisions\/8938"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=8104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=8104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=8104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}